风之酒店_萨米恩托湖_托雷斯德派尼_智利

风之酒店_萨米恩托湖_托雷斯德派尼_智利 建筑:卡祖?塞赫尔斯，AIRA建筑师事务所/罗德里戈?费勒，罗伯托?贝纳塔尔 ARCHITECTS: Cazu Zegers，AIRA Architects, with Rodrigo Ferrer, Roberto Benavente 2 1 卡祖?塞赫尔斯 这样就产生了一种新的智慧，出现了新的品位和新的空 decisive instrument to focus on or define a logical Cazu Zeger ssequence to follow. 间形式。扎哈?哈迪德是其最前沿的代表人物。 女性 1984年获得智利天主教大学学位;1987年,1988In opposition to this, Id’like to propose having 思维反映出事物间神秘的交流方式和生命体特有 in a lack of control, to encourage acting confidence年， 就读于纽约Parsons设计学院。1990年开始独立执的感知能力。它并不是专属于某个性别的，而是处于交集 uponintuition,pursuingprovocation,voluptuousness. 业，1996 年，创办AIRA建筑师事务所。她还在智利的那个部分:它是所有人类共有的能力，包括男性和女性。 are all virtues I associate with the feminine. ThesePontifica天主 教大学和塔尔卡大学担任建筑学教授。她 我们的世界已经非常脆弱。它需要女性的品位，一Feminine thought enjoys and derives from a 完成过不同尺度 的建筑项目，包括城市规划、工业建筑、 种男性和女性智慧的共同结晶。 fragmented gaze which overwhelms the rational 宗教建筑、超过‘ 女人也会成为诗人～她们会有不寻常的、奥 30个独立住宅，以及室内设计和展厅设计。 intellect. It is founded upon creative action that supports the ancestral capacity of being open to the 妙的、令人厌恶和愉悦的发现;我们将接纳并且理解她 the mysterious, the dream and playing. inexplicable,“当今建筑中的女性 们 ’亚瑟?兰波。“ ——卡祖?塞赫尔斯 binds and assembles concepts, forms and symbolisms It我认为，20世纪兴起的女性主义思潮已经拓展了 “Women in Architecture Today without the necessity of intervening discourse or 建筑领域中的某些界限。而这些领域一直由所谓的具有 I believe that feminine thought erupting during of interpretation. Another intelligence, hierarchies 男性特征的气质牢牢占据。 twentieth century has extended certain boundaries theanother elegance and mode of spatial refinement 女性在充斥着理性、效率和抽象功能的建筑逻辑间 ofthearchitecturalprofession.Theselimitshadbeen Here Zaha Hadid is at the forefront. appear.开辟出一条新的道路。同时，从某种意义上来说，她还 by a sensitivity strongly determined by so- engrainedThe feminine is a dimension of being where the 对传统的强调“精确”和中规中矩的处理问题的方式和 calledmasculinetraits.mystery of a communion and confidence in the cycle 职业定位提出了挑战。一种更加有效的观念是，在创作 The feminine has opened up a path through the life exists. It is not an exclusive, but rather an of过程当中去寻求建筑问题的解答。我正是以此为基点来 of rationality, efficiency and abstract coagulationessentiallyintegralpartofacondition:itisacapacity 讨论女性对建筑的贡献。functionality in architecture. Also, it has perhaps of all humanity, of both men and women. 在过程控制上运用男性化的抽象思辨是非常成功 challenged the traditional way of approaching Our world has revealed the urgency of fragility. 的。人们运用理性来研究或者选择合理的步骤。 and way of identifying professionalism only problems requires the elegance of the feminine, a virtue This与此相反，我想提议一种控制得没有那么严格的做 with such qualities as bein‘g precise’or having a which is expressed by accommodating a new form of 法，鼓励那些由直觉决定的、触发性的、随心所欲的想 determined style. A more valid perspective formallyintegral relationship between man and woman. 法。而这些正是女性的优势所在。 to consider that architectural answers are revealed is“ the woman, she will be a poet as well! She will 女性的思维方式中，由片段式的观察所得出的结论 during the process of creation of a work. I consider discoverstrange,unfathomable,repulsiveanddelightful 往往多于理性的思考。这种创造性的思考方式可以追溯 this a convenient standpoint to talk about the things; we will accept and understand them Arthur 到远古，祖先们在探索神秘莫测、亦幻亦真的外界环境 of the feminine in architecture. contribution 时就已经具有这种能力了。它将概念、形式和象征意义 Masculine abstraction bases its confidence (or 结合在一起，却并不关注相互间的顺序和层级的问题。 in controlling processes. Reason is used as a success) Rimbaud.” ——Cazu Zegers 1卡祖?塞赫尔斯/Cazu Zegers 2 草图/Sketches 3 4 风之酒店面朝着埃尔派尼山区和周边壮观的地景。 the into the awesome landscape where it is inserted. The Hotel of the Wind is designed to face 我相信，造访我们南部地区的外来游客都希望能拥 territorial magnitude of the geographic landmark of This is achieved via a wooden roof that rises out El Paine Mountains and surrounds. the site by the means of stone talus and returns 抱这里充满力量的景观和空旷无垠的地貌，他们希望从 theof I believe that the foreigner is seeking in our back into as an aerodynamic form in the manner of a 熙熙攘攘的生活中解脱出来，到这里休息一下。 The architectural image is one of an ancient southern regions to reunite with the indomitable fuselage.总的来说，人类已经不能像祖先一样在室外生活 twohundredmeterslongthatliesonthelandof landscape and geographic emptiness and thereby be fossil了。对我们的祖辈来说，他们的身体就是他们的房子。他 to take a rest, i.e., a break from the hustle and thesite.Itssizeissuitabletothegeographicmagnitude able们的衣服是另一层敏感的皮肤，是为了保暖而诞生的身 southern Patagonia ofbeingimmersedintheirlives.theofChile.?bustleof体的外延，并没有划分出内和外的界限。在构思风之酒 A domestic entity, human beings today cannot 店时，我们想表达的概念是，建筑不应该突兀地在它所 remain outside in the same way that ancestral 属的伟大的自然环境中拔地而起。于是，我们用堆石将木制的屋顶支起来，然后，这 inhabitants did. For our foremothers and,fathers, 合作者/Collaborators : Grupo AIRA (Juan Pablo their body was their house. Their need for standard 个屋顶又以飞机外壳一样的流线型落下去。建筑好像 Almarza, Carola Garrido, Gerardo Armanet, Juan Carlos 一块横在大地上的 200m 长的远古的化石。它的大小 clothing,asecondsensitiveskin,did not constitute Cardenas, Pedro Pinochet) limit between the exterior and interior, but rather 与智利巴塔哥尼亚南部巨大的地貌尺度相契合。?a景观建筑师/Landscape Architect : Teodoro Fernandez (张婷 译) was a continuum that permitted living warmly by 照明设计/Lighting : Paulina Sir 设计时间 extension. The architectural intention of the remote/Study : 2005,2006 工程师/Engineer : of the Wind is that the building should not burst HotelEnzo Valladares P. 照片拼贴 /Photomontages : Dolly Architects 110 世界建筑 2007/11 5 6 7 8 9 3 效果图照片拼贴/Rendering,photomontages 4 平面/Plan 5 效果图照片拼贴/Rendering,photomontages 6 DD剖面/DD Section 7 EE剖面/EE Section 8 AA剖面/AA Section 9 CC剖面/CC Section 10 模型/Model 10 女性?建筑 /WOMEN IN ARCHITECTURE 111