学画漫画.doc

学画漫画.doc 动漫学堂 教画漫画01动动动动动,手漫画工具 　　 　　??????　　　　　手漫画用的工具　　　　　动动动动动动动动动动动动??????　　在行漫画作之前,首先了解作漫画必的基本工具。由于漫画格多多,动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动 动动动动动动动动动动动动动动动动动动动动动动动动动 动动动制所用到的工具也五花八,我里所介的只是几常用的基本制工具。制漫 画,除常用到的笔、橡皮外,需要一些的工具动动动动动动动动动动动动动动动动动动动动动动动动动比如原稿、网点、尺子、刮网刀、拷台等。下面介一下些工具:动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动　　笔:动动动 　　主要用来打草稿,一般用自笔好,动动动 动动动 动 可根据个人用不同硬度的笔芯,可以用木杆笔,比如动“动” 中牌的,一般用,,以上或硬,笔即可。 　　橡皮: 　　用来擦去笔或在网点上做特殊效果。一定要使用动动动动动动动动动动动动动动动动动动动动不易使起起毛的橡皮。动动动动动动动动动动动动 　　尺子: 　　画漫画需要的尺子大体上有三:直尺、三角尺、动动动动动动动动动动动动动动动动动动动动 云形尺。直尺用的最多,一般用于画分格框和拉直,其次是三角尺,用动动动动动动动动动动它来画平行和直角,云形尺用来画曲。注意尺子不动动动动动动动动动动动动动动动动动动动动动动动要是直角的,最好是有斜面的。动动动动动动动动动动动动动动动动动动 　　墨汁: 　　需要全部涂黑的地方,用墨汁比用黑墨水涂得更黑更漂亮。涂黑的候要从外动动动动动动动动动动动动动动动动动动动动动动动动动动动动始,沿着画的廓心地勾出廓,注意不要出界,随后把 笔沾墨汁,将中部分涂。动动动动动动动动动动动动动 　　嘴笔:动动动动 　　用来画墨稿中的直,画出的直整,而且粗一致。在使用,动动动动动动动动“动动动”动动动嘴笔不直 接蘸墨水,而用蘸水笔或是毛笔蘸上墨汁后,从嘴笔动动动动动动动动动动动动动动动动动动动动的滴入使用,通整笔前端的螺来确定所画段的动动动动动动动动动动动动动动动动动动动动动动动动动动 粗。画直,笔杆垂直于面,均匀用力横向拉,动动动动动动动动动动动动动动动动动动动动动动动动 速度不要太快,才能画出均匀的直。动动动动动动动动动动动动 　　麦克笔: 　　常用来画大面的黑或做特殊效果,也可用来画。有,动动动动动动动动动动动动动动动动动动动动也可以用彩色麦克笔彩稿上色,与格的彩稿有区,前动动动动动动动动动动动动动动动动动动动动动其效果象效果,有明的笔触,初学者不易画好。麦克笔动动动动动动动动动动动动动动动动动动动动分油性、水性两。动动 　　黑墨水: 　　画条用黑墨水的效果很好,和墨汁相比干得快,动动动动动动动动动动动动动动动动动动动动动动 而且干了以后不易被水溶化。另外,也可用黑广告色来涂黑,动动动动动动动动动动动动动动动动好是黑广告色不会反光,有黑的感,便于描,动动动动动动动动动动动动动动动动动动动动动动动动动 使用切忌水太多或太少。动动动动动动动动动动动 　　修正白，白色,:动动动动 　　用来修改画、弄的部分,白色可以使画面,富于化,常用的是广告料的白动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动色。使用注意整好度,不同的度,将会生不同的效果,在网点上画白色或是画动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动小白点要蘸比的白色。此外,、目光、衣服褶的高光画上淡一点的白色可动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动以体其感、立体感,画面更有次、美,而随手画上去的白条,有光照的感,起动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动到画点睛“动” 的作用。 　　稿:动动 　　用来制画稿。的要求是不管反画多少次,擦多动动动动动动动动动动动动动动动动动动动动动动动 少次,都不起毛,不破,用蘸水笔画的不会化,最好用棉动动动动动动动动动动动动动动动动动动动度高而且面光滑的稿。一般来,漫画家常用的是:漫动动动动动动动动动动动动动动动动动动动画用画稿或、水彩、白卡等。动动动动动动动动动动动动动动动动动动动 　　网点:动动 　　用来上灰色或做其它特殊效果用。网点的案很多,最常用的是动动动“”“动动动”动灰网、网, 动“动”“动”动动动动动动动动动动动动动动 有一些境网和案网可配合使用。网点的分网和胶网两。 　　美工刀、笔刀和网刀:动动动动 　　通常用来做刮网和割网,美工刀一般做割网用,而笔刀一般做刮动动动动动动动动动动动动网用,熟动动动动动动动动动动动动动动动动动动动动动地使用笔刀,漫画制作十分重要。此外,由 于网点的动动动动动动动动动动动动动动动动动动动动动动动粘度有限,所以我要用到网刀,将网点 牢固地粘动动动动动动动动动动动动动动动动动动动动动动在稿上,如果没有网刀也可以用手指甲代替 　　毛笔: 　　既可以上大面的色,动动动动动动动动动动动动动动动动动动动动又可以蘸白色修画稿。但画白色的毛笔一定要和其他毛笔分使用,用的毛笔一定要动动动动动动动动动动动动动动动动 洗干。 　　笔:动动动动 　　笔是一很的笔,常用来画框动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动及粗均匀的条等。笔的粗从0.1mm 至2mm,但常用尺寸是0.6mm至0.8mm动动动动动动动动动动动动的笔。因笔的笔尖粗均匀,画出的动动动动动动动动动动动动动动动动动动动动动动动动没有笔,所以不宜多用。由于笔的笔尖很,墨水干后很动动动动动动动动动动动动动动动动动动动动容易堵住笔尖,所以,不用后动动动动动动动动动动动动动动动动动动动动动动动动及盖上笔帽,若使用不出墨水,可以上下甩,或将笔尖沾水,在不行,可动动动动动动动动动动动动动动 放在清水中浸泡。 　　蘸水笔: 　　用来上墨,动动动动动动动动动动动动动动动动动动动动动动动动但蘸水笔的多,笔尖的粗及形状各有不同我可以根据所画动动动动动动动动动动动动动动动动动动动动动动动动动动动动动内容的不同用不同粗的蘸水笔。,笔尖性很强,根据用力的大小而画出粗不同的条,特是画出的粗条比动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动滑,最适合画廓。笔尖适合画很的条,但用力的和,笔尖一也能画出粗的条,化自如。整体来要比动动动动动动动动动动动动动动动动动动动动动动动,笔尖动动动动动动动动动动动动动动动动动动动 一些,所以有些人只用它画或背景。 　　拷台:动动动 　　由于网点分网和胶网两,动动动动动动动动动动动动动动动动动动动动动动动尤其是网的透明度低,所以要用拷台来动动动动动动动动动动动 动，加大网的透明度,以便割网、网能准确无。LSMH 整理, 　　 　　??????　　　　　制工具的使用动动动动动动动动动动动动动动技巧　　　　　??????　　在用沾水笔、嘴笔或笔等有墨水的笔,与尺子合画,将尺子斜面动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动朝下使用，如果尺工具动动“动”动动动动动动动动动动动动动动动硬等没有斜面,可将薄物粘在尺子的下面,。,不要使笔尖所沾墨水分的和,以动动动动动动动动动动动动动动动动动动动动动动避免尺子与笔接合的墨水下漏而渗出外,弄画稿。动动动动动动动动 　　当不慎将画稿弄,可用修正白行修。动动动动动动动动动动动动动动动动动动动动当使用修正白,注意要尽可能少加水,并且要等第一次所覆盖动动动动动动动动动动动料完全干透后,方可再一次覆盖,并要避免修正白堆厚动动动动动动动动动动动 ,影响画面效果。 　　如果用涂改的方法已动动动动动动动动动动动动动动动动动动动不能修画稿,可以剪一比需修画面稍大一点的,用胶水在上面,动动动动动动动动动动动动动动动动动动动动重画修部分。或者在画稿的下面干的稿,动动动动动动动动动动动动动动动动动动动动动动再将需要修改的部分用刀刻下,动动动动动动动动动动动动动动动动动动动动动动动可得到一与修改部分形状相同的片,再象做拼游一把动动动动动动动动动动动动动动动动动动动动动动动动刻下的片嵌到画稿上,在背后用稍大稍薄的牢,重画刻下来的部分。 　　刮网,不要用力太大,以“”动动动动动动动动动动动动动动免将网和桌面划破。在需要刮出一些直效果,可用直尺,动动动动动动动动动动动动动动动动动动动动动动动但要将刀放平,避免将尺子划坏。用刀的候,可以动动动动动动动动动动动动动动动动动动动动动动动准一橡胶着,或者可在拷台 的玻璃上行工作。动动动动动动动 　　在需要网、做“动”动动动动动动“动动”动动叠网效果,可使用拷台。注意在使用拷台,可用磨沙玻璃 做透光板,拷台的光动动动动动动动动动动动动动动动动动动动动动源可用日光灯,尽量不要用白灯。 ，LSMH 动动动整理　来源:南方漫, 　　 　　??????　　　　　漫画工具的介　　　　　动动动动动动??????　　漫画是一最效果的画面形动动动动动动动动动动动动动动动动动动动动强式,制的工具有很多,根据各人的自身动动动动动动动动动动动动动动动动动动动动动动不同的画具,但大多数人是用用画材,里我是动动动动动动动动动动动动动动动动动动动动动动动动动动建大家准材料因用画材可以容易画出条,动动动动动动动动动动动动动动动动 尤其初学者更好掌握。 　　首先要有笔,通常使用G动动动动动动动动动动动动动动动型和型笔,价格几元到十几元不等。而好的笔杆相一点。据我所动动动动动动动动动动动动动动动动动动动动动动动动动动知,在上海地区,一般国的笔35动动动动元,口的15 20动动动动动动动动动动动动动元,笔杆一般在二十几元左右。此外有墨水、橡皮、白广告色、动动动动动动动动笔、嘴笔以及尺。 　　除了以上些之外,有画。在动动动动动动动动动动动动动动动动动动动动动动动动动每市面上有售的漫画原稿,40动动动一包,一般20元左右。建动动动动“动”动动动动动动动动动动肯打草稿用特,印,有的正稿用没的用制,小心使 用,擦不要太多次。动动动动动动动 　　各动动动动动笔比 　　台制D 笔 　　条有小化,笔动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动看起来很柔和,适合画各条,是万用笔。　　日制D 笔 　　性比台制动动动动动D动动动动动动动动动动动动动笔小,适合画背景,,激光，放射等,。 　　日制硬G 笔 　　性比动动动D动动动动动动动动动动动动动动动动动动动动笔大,适合画人物的廓和粗分明的条,使人物有立体感。　　笔动动 　　最适宜点画或极精致的效果或动动动动动动动动动动动动动动动动局部的影。画要小心,它很容易刮,条是它的点。动动动动动动动动动动动动 　　学生笔 　　性小,可用来画粗一致的效果,或是光,动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动建筑物,背景。　　 　　漫画用动 　　[网点] 　　在数百中网点中,使用的最多的是点状网点。始使用的,先使动动动动动动动动动动动动动动用点状网点。根据大小,点与点的动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动距离来分,有各不同的型号,先使用IC的41号。若将网点动动动动动动动动动动动动动动动动动动动动动动重叠的,点会得更密。要注意不要得太动动动动动动动动动动动动动动动动动动动动动动了,网点前必确定画面不会因此得太繁。 　　[动透写] 　　就是用在制上,很动动动动动动动动动动动薄且透明的。 　　[动动笔] 　　笔动动动动动动动动动动动动动动动动动动动动动动动若留在原稿上,就会被印出来,可是,笔就不必担心。不,在笔上上点的网点的,有动动动动动动动动动动动动动动动动动动动动动动动动动动动动侯也会被印出来。　　[动描] 　　在笔上,用沾水笔和墨水画上本,动动动动动动动动动动动动动动动动动动动动动动当然,沾水笔和墨水可以改成用沾水笔和墨汁或毛笔和墨汁,也可以用动动动动动动动动字笔,也可以用制笔,笔,克笔。在出来很多描工具,可是,主要是用沾水笔。动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动　　[修白] 　　指白色广告料。使用与修正画的上。太的会动动动动动动动动动动动动动动动动动动,太薄的渗 会太透明,盖不要修正的动动动动动动动动动动动动动动动动动动那条,使用要淡适中。 　　[反白] 　　反白的意思是在涂黑的部分放入白色的文字,或是用白色的画。动动动动　　[动肯特] 　　适合画漫画的一。动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动跟高品的比起来,画起来的感硬多了。可以画比利落的条,其他动动动动动……动动动动动动动动动动动。其只是一般而有的高品适合当原稿的言,最重要的是动动动动动动动动动动动看使用者的感。，LSMH 整理, 　　 　　??????　　　　　漫画料的　　　　　动动动动动动动动动动??????　　水彩 　　透明度高,色彩重叠动动动动动动动动动动动动动动动动动动动,下面的色会透来。色彩度不如彩色墨水,但着色动动动动动动动动动动动动动动动动动动动动动动动动动动深,适合喜古雅色的人。即使期保存也不易色。　　水彩具使用动动动动动动答 　　Q:动动动动动动动动动动动动动动动动动动动什是不透明水彩,跟透明水彩有什不同, 　　A:动动动动动动动动动动动动动动动动动动所的不透明水彩,是指胶水彩画料，Gouache动“,跟广告料。一般水彩指的动”料都是指透明水彩。 　　至于两者有什动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动不同,地,就是涂在的色上面的候,可以清楚的看下面的动 动动动动动动动动动动动动动色的,是指透明水彩。可以将下面的色盖住的就是不透明水彩。 　　Q:动动动动动动动动如何才能出很好的色, 　　A:动动动动动动动动动动动动动动动动动动动动动动动动正的万式都是在色上混合。也大家会我在动 动,动动但是要是,动动动动动动动动大家可以参考水彩盒内料管的排列方式, 动动动动动动动在色上由暖色系向冷色系的动动动动序排列,动动动 动动动动动动动动动动动动动就像演色一制的彩度。排列因透明水彩干掉了是可以用,所以当动动 动色色上的排好后,动动动 你就可以是松地决定色了。有另一个方透明水彩可式,就以在上动动动 动动动动序重叠重上色混色。自淡色亮色到色暗色的,动动动效果比好。　　Q:如何上色,动动动动动才能正确混色就将画好呢? 　　A:动动动动动动动水彩可以因加水量的不同,动动动动动动动动动动动动动动动动 动动而有各了很的化。在制没干之前加水,或涂在加多水的其它色料上动动动,动动动动动 就可以混色。不不同。即混色的感会因跟水量的影响而有所使动动动动动动动再丰富的人,动动动动动动动动动动动动动动动动动动动动动动动动偶而是会出。至于要画的感,就要趁料没干 的候动动,动动动动动动动动动动动动动动动动动动将色到薄色的界一点一点地重上色,动“”动动 动动因透水整色的淡明水彩是用,所以大家可以一点一点地加水画出淡色。 至于不透明水彩,动动动动动动动是用白色料来淡, 所以要事先将原来的色动动动动动 动动动动动动动好淡不同的色加白色料在色上,然后再依序上色。　　Q:动动动怎涂,动动动动动动动动才能将一大片背景色涂得很均匀, 　　A:动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动若是涂像天空那大面的平面,首先要出足的料。要是涂到一半料不用 动动动动动 动动动动动动动动动动动再充了防料的,色涂到一恐怕会不一。接着是半料中断,动最好用毛柔动动 动动动动动动动动动动动动动动动动大家也可以的水彩笔沾足料一口气涂好。事先在上先涂一水。上色的候,可以用制胶将在画动动动动动动动动动动动动动动动动动动动动动动动动动动动 动动动动笔触的板上,稍微斜一点比容易涂得均匀。要是不想留下大家可以利用海动动动动动动动动动动动动动动动动动动。沾湿的海可以将色涂的很均匀。 　　Q:动动动动动动动动水彩的有哪些呢? 　　A:动要是用吸水性不好的,动动动动动动动 动动水彩的效果很。所以尤其是透明的水彩会看到的色一定要慎动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动 动动动色,的色跟料。了能充分表水彩的特色而特制造的就是水彩。有蛋白色跟稍微白一点的色。动动动动动动动动动至于表面,动动动动动动动动以光滑无到的都有。 　　水彩:水彩的最大好是便动动动动动动动动动动动动动动动动动宜,当然我的是国内的品牌。上海动动动动动动动动动动动动动动动动动动动动动动动动动动动的利牌水彩料是笔者使用到在比出色的一,而且16动动动动动色的价格不超15动动动动动动动动动动动动动动动动动动动动动动动动动元哦。在我的例稿中,你可以水彩使用得法的一是非常不动动动动动动动动动动动动动动动动动动动动动动的,信奉便宜有好的的朋友就用吧。至于水彩的用法,我想所有上小学美的动动动动动动动动动动动动动动动动动动动动动动动动动朋友都知道拉,是熟而已。要注意的事当然动动动动动动动动动动动动动动动动动动动动动动动动动是有的,,,,要准一支小吸管，不到的就动动动动动动动动动动动动动动动动动动动动动动动动动动动动化学老一支吧,,,取水稀料就不会使两色彩混淆一起,保持动动动动动动动动动动动动动动动动动动动动色的度,另外,水彩的一大好是可以渲染,那就要切使用动动动动动动动动动动动动动动动动动动动动动动动动厚一点的，市面上的原稿就可以了,:由于水彩是透明的料,也动动动动动动动动动动动动动动动动动动动动动就是,万一出了差是盖不住的,所以一定要小心才行。步步至于通常所的上色要由动动动动动动动动动动动动动动动浅入深,我到不必默受动动动动动动动动动动动动动动动动动动动动动动动动动,由深入浅也会有不同的效果哦,就得了。，LSMH 整理,　　水粉，Poster color, 　　又称广告色,是不透明水彩料。可用于动动动动动动动动动动动动动动动动厚的着色,大面上色也不会出不均匀的象。动动动动动动动动动动动动动动动动动动动动动动动动然同属于不透明水彩料,但水粉一般要比丙稀便宜,但在着色、色的动动动动动动动动动动动动数量以及保存等方面比丙稀稍动动动动动动动动动动动动动动动动动动一。根据不同用途性的使用。 　　 　　粉彩料使用动动动动动动答 　　Q动动动:粉彩是什料?动动蜡笔也是粉彩的一? 　　A动动动动动动动动动:粉彩是一不用溶于水或是油,直接用就可以上色,动也可以削成粉状上色的棒状制。它不要水彩笔也不要色。动动动动动动动动动动动动动动动动动动就硬度来,动动动动动动动动动可以分粉彩眼硬粉彩。硬粉彩几乎都是做成四角棒状, 动动动动动动动动动动动动动动动可以利用画出很明的条。二都是水性。有动动动动动动动动动动动属于油性的油性粉彩,动动动动动动动动动动动动蜡笔就是属于粉彩。画出来的感比一般粉彩要有动动动动动动动稠重感。 　　Q动:用粉彩上好色,动动动动动动动动动动动动动动动粉彩粉末会从面掉落。怎才能好好保存?　　A动动动动动动动动动动动:用粉彩、硬粉彩上好色,动动动动动动动动动动动动动动动动动动一定要定著液的保胶。通常都是罐装气式,但是也有装入水的动动动动动动动动动动动动动动动动动动动动动动液体状。的候要离画面二、三十公分,动动动动动动动平均在画面上。使用动动动动动动动动动动动动动动动保胶多少会破坏作品的色,动动动动动动动动动动动所以有些人不喜用。但是了保作面,动是适度使用比好。动动动动动动动动动动动动动动动动动动动动动动动动动动动动动粉彩是不容易色的料。只要注意不要直接接受太阳照射, 动动动动不管几年都不会改。动动 　　Q动动动动动动动动动动:有候色看起来的,动动动动动动动动动动动动动怎画才可以画出亮的色? 　　A:粉彩很容易就能在画面混色,动动动动动动动动但是要是色混得太多的,动动动动动色看起来就会的。因动动动动动动动动动动动动动动动动很容易跟画在隔壁的色混在一起,动动动所以要注意不要引起不必要的混色。以一上色一动动动动动动动动动动动动动保胶也是不的方法。 　　Q动动动动动:那如何才能画出的感? 　　A动动动动动动动动动:用手指涂抹在上的粉彩,动动动动动动动动动动动就可以将色彩得很漂亮。用擦、棉棒、等都是用在部效果。动动动动动动动动动动动动动动动动动动动动粉彩用的毛刷是用在淡淡的色。脱脂棉、面、地动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动柔的布是用在面广大的。如果想提高效果的,也可以用彩毛动动动动动动动动动动动动动动刷。粉彩跟硬粉彩上色后,动在用沾水的笔在上面涂的,动动动色效果跟水彩一。至于油性粉彩,可以用沾了松香油的笔来涂。 　　Q动动:画坏可以修正, 　　A动动动动动动动动动动动动动动动动动动动动动:粉彩跟硬粉彩可以用具有粘性的橡皮将粉擦起来,就可以消除了。其画到最后,也是要用橡皮来表光亮动动动动动动动动动动动动动动动动动动的部分。至于油性粉彩的修正就比动动动动动动动动动动动动动动动麻。但是大家用美工刀将色刮掉,露出白。不做可能会动动动动动动动动动动动动动动动害。 　　水粉:水粉动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动料可以,同具有有水彩的好,它固然可以象水彩一渲染,也可以厚涂以增加动动动动动动动动动动动动动动动动动动动动动动动动动动,所以勾的候不感,而且和水彩一的便强宜哦。因水粉的覆盖力很 必象动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动付水彩料一用黄色的彩。只要用普通的笔就可以了。最后,当你熟悉了各上色工具的候,不要动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动忘一下将他一起使用。就象武功到化境,什独孤九,葵花宝典,降动……动动动动动动动动动动动动动动动动动动动动动动动动一十八掌股的使将出来。画漫画也是,一稿,什克笔、水彩、水粉、彩,全都可以一起使用,比如动动动动动动动动动动动动动动动动动动动动动动动动动动就完全可以在上水彩的画稿上,用彩、克笔一动动动动动动动动动动动动动动动动动动动动动动深入描,一定会有出步乎你意料的 惊喜哦,反正动动动动动动动动动动动动动动动动动动动动动动想就了,,,,你的画稿,你要不手段,要,,它,,好,,看:，LSMH 整理, 　　彩色网点的使用动动答 　　什动动动动动动动动动动动机用彩色网点最好?动动动动动动如何用彩色网点? 　　A动动动动动动动动动:当你要色一的整片画面,动动动动动动动动动动动动动用不会色的彩色网点是最好的。当你想画出木动动动动动动动动动动动动动动动动动动动动动动动英子的插画一具有感的朗画、或者最卡通动动动动动动动动动动动动动动璐璐片一干利落的感,动动动动动动动动动动就要用彩色网点。因彩色网点色很多。因此彩色网点动动动动动动动动动动动动就跟网点,,动动动动动动动动动动动动动动动一定要先看色目再做决定。在使用,如果不事先好好动动动动动动一番的,动动画面可能会乱成一。 　　如何动动动彩网? 　　A动动动动动动动动动动动动动动动:将大于定要的范的网点置于画面上,动动动动动动动动然后再用美工刀将要的部分割下来。要是因粘动动动动动动动动动撕不下来强太,动动动动动动动动动动动动就要使用溶撕下来。要将溶擦干,动动动动动动不要多余的溶残留在画面上。然后再将彩色网点好好地动动动动动动动动动动动动动动动动密在画面上。要是没有的,动动一久,网点也会动动动动动动动动动动动动动剥落。要是画面涂有白漆,即使只有一点,动 彩色网点就无法,定要得很漂亮。所以尽量保动动动动动动动动动动动动动画面的平滑。在透写底稿,动动动动动动动动动动动动动一定要一画到底。要是笔多,动彩色网点的割会相当明。动动 　　上的彩色网点会色,动动动动动动动动动动动动动动动动怎回事? 　　A动动动动动动动动动动动动动动动动动动动动动动动动:彩色网点的天就是橡皮擦灰跟手出的汗油。因此在始作画前, 一定要用刷子将原稿刷一次,动动动动动动动动动动动动动动动动将垃圾全都清除,是相当重要的工作。在网的候,手碰触到的地万,定要动动动,动动动动动动动动动动动动动动动防手出的汗油接触到彩色网点。，LSMH 整理, 　　彩色笔使用动动动动动动答 　　Q:动动动动动动动彩色笔可以混色? 　　A:像BB动动动动动动动动动动肯特那表面不光滑的,动动 料比容易定着所以用,动动动动动那上色,动动可以重上好几不同色的料。要是用画动动动动动动动动动动动动动动动动动动动动动动法色重叠色的画, 动动动可以混合出很微妙的色。像蜡笔的油性色笔动动,动动动可以用溶混色,动动 水溶性彩色笔的可以用水如果是水溶性的混色。彩色笔的动动动动,动动动动可以笔沾湿,然后从上往下面,动动动动动动动可以将色混得很好。 　　Q动动动动动:如果用彩色笔画? 　　A动动动动动动动动动动动动动动动动动动动动动动:用面或是地柔的布沾一些油擦涂着在上的料,动动地涂下来后,动就可以将色画得很漂亮。要是使用水溶性彩色笔的动动动动动动动动动动动动动动动动动动动动动,动动动动动动动动动动动画的方法跟水彩一。　　Q动动动动动动动动动:水彩色笔的使用方法何? 　　A动动动动动动动动动动动动动动动动动动动动动动动:能同画出像笔一的条跟水彩一的功效的画具就是水彩色笔。使用方动动动动动动动动动动动法相当, 动动动动就跟普通的笔一,画好后用沾水的笔在上面涂抹, 动色就会溶化。如果用色笔的笔部直接沾水画动动动动动动动动动动, 动动动动动动动可以画出很俐落的条。可以在画面上自由混色,动动动动动动动动动动是水彩色笔最大的魅力。不, 动动动用含水的笔涂抹画面上的色,动色会混相混合,动动动动动动动动动动动动生出令人意想不到的果。大家可以使用看看,动 动动感一下在生的偶然状况下奇异色。除了用水之外,可以用动动动动动动动动动动动动动动动动动动动动动肥皂水,松香水也会生很好的效果。 　　Q动动动动动动动动动动动动动动:彩色笔跟哪些画材相容。怎用?效果如何? 　　A:水彩或是彩色墨水上色之后,动动动动动动动动动大家可以利用彩色笔再加以部修正,动动动可以画面动动动生出微妙的感。 　　彩色笔:最大的点动动动动动动动动动动动动动动动动动动动动动动动动动就是能象运用普通笔一自如,同动动动动动动动动动动动动动动动动动动可以在画面上表出笔触来,在此烈建,彩色笔可不能剩强,一般的国动动动动动动动动动动动动动动动动动动动动动动彩色笔有一个致命的缺点,,无如何都不可能削到象封套上画的那尖动动动动动动动动动动动,没等削尖就会听?quot;动嗒"动动动动折断的声音。而且国彩的硬度普遍太高,因此色彩也的很淡,以动动动动动动动动动动动动动动动动动烈建使用强深入的描。所以30元以上的水溶性彩，是动动动动动动动动动动动动动动动动动动动动动动动动动动国中比好的品牌的价格哦,口的最少也是50动动动动动元上下,,的彩才是比好用的。接下来我水溶性彩的用动动动动动动动动动动动动动动动动动动动动动动动法:要充分体出水溶性彩的特色,也动动动动动动动动动动动动动动动动动动动动动动动就是将一幅彩稿画的如同水彩画一动动动动动动动动动动动动动动精致,有三个法:其一.动动动动动动动动动动动动动动动动动动用彩画完成后,加水便成水彩画,其二.用彩画动动动动动动动动动动动动动动动完后,使用器水,其三.动动动动动动动动动动动动将画先涂一水,然后再在上面用彩色笔作画。，动动动动动动LSMH 整理, 　　彩色墨水 　　彩色墨水，料,动动动动 　　是有于去的彩色墨水的料彩色墨水。动动动动动动动动动动动动动动动动动动动动动动动动因使用了丙稀原料,感上和动动动动动动动动动动动动动动动动动动动动丙稀料接近。因本身就是溶解于水中的,使用上要方便多。动动动动动动动动动动动动动动动动动动动动动动动动动动动动但干燥速度要比丙稀料快,所以使用必究速度。　　彩色墨水，非耐水性, 　　着色效果非常。动动动动动动动动动动动动动动动动动动动动加水溶解化的效果也很好。一特 点可灵活利用于背景的画。动动动动动动动动动动动动动动动动动动动但是彩色墨水耐光性差,了色彩中会出动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动沉淀物或者容易使作品色。是最大的不足之。适合用于画印刷原稿。　　彩色墨水，耐水性, 　　彩色墨水是透明度、着色度都极好的料。动动动动动动动动动动动动动动动印刷也不易色。如果是耐水性的,色彩动动动动动动动动动动动动动动动动动动动透,所以重叠适合在修正和也不易渗覆盖 使用。但动动动动动动动动动动动动动色数量少是最大的。 　　彩色墨水使用动动答 　　Q:动动动动动动动动动动动动动动动动克力料跟水彩和油画料有什不同? 　　A:动动动动动动动动动动动动动动动动克力料不要加任何西就可以使用,动动动动动动但也可以跟水彩一加水使用或者是混合一些动动动助, 动动动动动动动动就可以最油画一涂上厚厚的一,动动动动动动动动动因料干得很快,动动动比油画料要快。也就是动,动动 动动动动动动动动动动神表出水彩料可以跟油画的感,动动动动动是个相当好用的料。而且,动动动动当料干掉之后不但耐水而且帖着力很强, 动动动动动动动动动动性也很。因有些点,动动动动动动所以克力料不只可以用在上动动,动可以用在布,木板,动石,玻璃,动动动动动金属等各素材上。 　　Q动动动动动动动动动动动动动动动动动动动:如何使用壳刀制才能画出油画的感里? 　　A动动动动动动动动动动动动:只要在克力料中混合一叫做Ge Medium动动动动动性的强助,然后再用油画面刀上色, 动动动动动动表面就会同油画一具有凹凸不平的触。动动 　　Q动动动动动动动动动动:使用助会生什效果?Gesso动是什? 　　A动动动动动 动动动:可以料增加看起来更有光或是减低定性料的光,动动动动或者是生裂效果。Gesso动动动动动动动动动动动动动动动动动动动动就是使用克力料的打底。在布,板,瓦楞板,水泥上色前,要先涂一动Gesso 动动动动动动动动底色。料才不会受到素材本身色的影响,不但可以方便上色,而且可以动动动动动动动动动动动动动充分表料色。，LSMH 整理, 　　麦克笔 　　方便度超群,但墨水消耗量也大得令人意外。所以几乎动动动动动动动动不上惠度。即使用动动动动动动动动动动动动动动浅的色印刷效果也比好。 　　彩色麦克笔使用动动答 　　Q动动动动动动动动动动:麦克笔要注意什? 　　A动动动动动动:麦克笔分水性跟油性,动大家知道?油性麦克笔快干、耐水、而且耐光性相当好。水性麦克笔是色亮动动动动动动动动动动动动动青透明感。有,动用沾水的笔在上面涂抹的,动动动效果跟水彩一。有些水性麦克笔干掉之后会耐水。要去麦克笔动动动动动,动一定要知道麦克笔的属性跟画出来的感才行。麦克笔个画具在动动动动动动动动动动动动动文具店就可以到,动动动动动动动而且只要打盖子就可以画,动动动动动不限、各素材都可以上色。 　　Q动动动动:麦克笔的色好多,动动动动动动动动始要用什色比好? 　　A动动动动动动动动:麦克笔就算重上色也不会混合,动所以初学者最好要有五十色。其,麦克笔本来就是展动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动笔触的画材。不只是色、有笔的形状、平涂的形状、面大小, 动动都可以展不同的表方动动动动动动动动动动动动动动动动法。了能自由地表点面,动动动动动动动动动动所以最好各的麦克笔都能收集。有二个笔的麦克笔相动动动动动动动动动动当好用。 　　Q动动动动动动动动动动动:了色看起来更,动动动动动动动要画在什上比好呢? 　　A动动动动:大家最好是画在麦克笔用PAD动动动动动动动动动。不要是画面很大的,动动动动可以画在描上。动动动动动动动动动动家都会将底稿影印在PAD上,动动动动然后在影印稿上色。一来, 动即使上色失,只要再影印一动重画就行了。 　　Q:在底稿影印稿上色,动动动动影印的墨会,动动动画面看起来的,动动动动动动动动有什好的解决方法,　　A动动动动动动动动动动动动动动动动动动动动动动动:大家可以用不会影印的麦克笔,就是酒精系列的油性麦克笔。　　克笔:是我比常用的上色工具,色彩分的动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动极其致,普通的是120色的,有油性和水性两,油性一般用于动动动动动动动动动动动动动动动动动动动动玻璃,璐珞等的上色,在原稿上上色我一般用的是水性笔。比好的克笔，如动动动动动动动动动动动动动动动动动动动动动动动动PANTONE动动动动动牌克笔,可以与气动动动动动动动动动动动动动动动动动动动动动动动动合成笔。克笔有多特性,如透明性,柔性等等。你可以看到我的动动动动动动动动动动动动动动动动动动动动例稿,使用克笔的会比有光, 而且也比水彩、水粉方便快捷。，LSMH 整理, 　　克力料使用动动动动动动动动动答 　　Q:动动动动动动动动动动动动动动动动克力料跟水彩和油画料有什不同? 　　A:动动动动动动动动动动动动动动动动克力料不要加任何西就可以使用,动动动动动动但也可以跟水彩一加水使用或者是混合一些动动动助, 动动动动动动动动就可以最油画一涂上厚厚的一,动动动动动动动动动因料干得很快,动动动比油画料要快。也就是动,动动 动动动动动动动动动动神表出水彩料可以跟油画的感,动动动动动是个相当好用的料。而且,动动动动当料干掉之后不但耐水而且帖着力很强, 动动动动动动动动动动性也很。因有些点,动动动动动动所以克力料不 只可以用在上动动,动可以用在布,木板,动石,玻璃,动动动动动金属等各素材上。 　　Q动动动动动动动动动动动动动动动动动动动:如何使用壳刀制才能画出油画的感里? 　　A动动动动动动动动动动动动:只要在克力料中混合一叫做Ge Medium动动动动动性的强助,然后再用油画面刀上色, 动动动动动动表面就会同油画一具有凹凸不平的触。动动 　　Q动动动动动动动动动动:使用助会生什效果?Gesso动是什? 　　A动动动动动 动动动:可以料增加看起来更有光或是减低料的光定性,动动动动或者是生裂效果。Gesso动动动动动动动动动动动动动动动动动动动动就是使用克力料的打底。在布,板,瓦楞板,水泥上色前,要先涂一动Gesso 动动动动动动动动底色。料才不会受到素材本身色的影响,不但可以方便上色,而且可以动动动动动动动动动动动动动充分表料色。，LSMH 整理, 　　丙稀动动料 　　根据稀动动动动动动动动动动动动动动动动动动动动动动动动动动动程度的不同,可以画出淡如水彩、如油画般的效果。干燥后耐水性,可大动动动动动动动动动动动动动强胆地做色彩重叠。很少出色彩不均匀的象,使用起来方便,动动动动动动动动动动动动动动动动动动动动动动动动但干燥快,容易画笔以及色板等工具,因此使用后要及清洗动动动动动动动画具。，LSMH 整理, 　　蜡笔，soft pastel, 　　是和料最接动动动动动动动动动动动动动动动动动动动动动动动近的画材料。着色效果很好。但无法作出彩色墨水般的具有透明感的色彩。大面着色动动动动动动动动动动动动动动动非常方便。但使用动动动动动动动动动动动动动动动动动动动动动动动动动动动动动程中会生粉末,所以在作品保存上必注意采取保。，LSMH 整理来源:动动动漫地, 　　??????　　　　　涂抹动动动动动动动动动动动动色的基本思路　　　　　?????? 　　第一,是最基本的自然光,动动动动动动动动动动动动动动动动就像白天我所看到的事物,就是,动动动动动动动动动动动动动动动动动动动动动动动 青就是青。是我定色的基本出点。 　　第二,是略微高些的动动动动动动动动动动动动动动动动动动动想象力,就是要意到光色采的化。 　　如夕阳染动动动动动动动动动动动动动动动动动动动动动动的天空,相映的街灯。涂抹色要考清楚动动动动动动动动动动动动动动动动动动动动动动动动动动动定什的光,要考加入影之后,事物的色会生什动动动动动动动动动动动动动动动动动动动动动动动动动的化,一来,上色是,所需要注意到的色 化就要大了多。动动动 　　第三,也是最重要的,是感,即使用了生动动动动动动动动动动动动动动动动活中并不存在的动动动动动动动动动动动动动动动动动动动动动动动色,但是人看到,能得到一独特的美的感受,就是成功。 　　要将三点在画中动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动取得合理的平衡,就需要平多察一下身四周的景色,在不同天气,不同,动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动……乃至不同心情下,同的景致不同的色彩化,有各式各的插多想想,留心动动动动动动动动动动动动动动动动动动动动动察,用心累,心琢磨,找好色彩的感,做到心中有数,有了平的动动动动动动动动动动动动动动动动动动察累,完成画面的整体构思后,就可以大致定好画面的主色。使主色和人动动动动动动动动动动动动动动动动动动动动动动物以及情相动动,更好的烘托主画面。，LSMH 动动整理, 　　教画漫画02动动 ,人体基本构 　　 　　??????　　教你画漫画,人体的动 构　　??????　　小孩 　　孩子的部大,一般比动动动动动动动动动动动动动动动动动例三到四个高。 　　成年人 　　人体立姿七动动动动动动动动动动动动动动动动动动动动动个高，立七,,坐姿五个高，坐五,, 蹲姿动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动三个半高，蹲三半,,立姿手臂下垂,指尖位置在大腿二分一。　　老人 　　由于骨骼收动动动动动动动动动动动动动动动动动动动,老年人的比例成年人略小一些,在画老年人,注意部与动动动动动动动动动动动动动动动动动动动动动动动双肩略靠近一些,腿部稍有弯曲。 　　人体性基本特动动动动动 征 　　男性:男性肩膀动动动动动动动动动动动动动动动动动动动动动动动,骨平而有力,四肢粗壮,肌肉。 　　女性:女性肩膀窄,肩膀坡度大,动动动动动动动动动动动动动动动脖子,四肢比例略小,腰动动动动动动动动动动动,胯,胸部丰。，LSMH 整理, 　　 　　??????　　　　　漫画中的人体比例及表　　　　　动动动动动动??????　　漫画中了表人体的美,常动动动动动动动动动动动动动动动动动动动动动动采用一些夸的画法,也就是在适当的部位做一些形动动动动动动动动动动动动动动动动动动理,常会运用一些夸手法将人物的身材拉,动动动动动动动动动动动动动动动动动动动动动动但是形是建立在人体基本构基上的。通常女主角动动动动动动动动动动动动动动动动动动动动动动七个高,而男主角八个高。正常掌握人物的比例系动动动动动动动动动动动动动动,画好漫画是很重要的。 　　女性 　　女孩子的特点是全身曲、动动动动动动动动动动动动动动动动动柔美,要注意胸部和臀部的刻化。手、胳膊与腿要,手动动动动动动动动动动动动动动动动动动腕和大腿根部在同一个位置,胳膊肘的位置在腰部附近,画面动动动动动动动动动动动动动动动动动动像,要注意画出部位、臀部与大腿根部的动动动动动动动动动动动动动动动动动动动动动动动系,肩膀的位置画准确胳膊就得自然了。，LSMH 整理, 　　 　　??????　　　　　人体透动 　　　　　?????? 　　正前方 　　首先可以将人体看成一个方形,也动动动动动动动动动动动动动动动动动动动就是人体不同角度的透也就是不同方形角度的动动动动动动动动动动动动动动动动动动动动动动动动动动透。然后按分段的方法将方形分有透的八段,先将方形画出角,动动动动动动动动动动动动动动动动动动动动动动动然后按着几何的分法在角相交动动动动动动动动动动动动动动动动动动动动动动动动动动画上一条平行,以此推一共画出八段,由于漫画中的人物一般八动动动动动动动动动动动动动动动动动动动动动动一段每身就,所以方形的是一个高,而胸 腔的度、动动动动动动动动动动动动动动动动动动动动动动动动肘到手指尖和膝盖到脚底的度均两个高。 　　俯动 　　从正面或是背面正上方的角度来画,需要考动动动动动动动动动动动动动其透系。就是部最大,到脚尖动动动动动动动动动动动动动动动动动动动动动动动动动动越来越小,部大,肩膀也大,和脚比起来手略略大。 　　斜上方 　　斜上方的角度最有动动动动动动动动动动动动动动动动动动深感。肩膀隆起,肩与脚平行稍斜,朝下,很大,动动动动动动动动动动动动动动动动动动动动动动动看不脖子,越往下越小,人的感是脚短身动动动动动动动动动动动动动动动动动动动动动动,如果再在地面上画上影效果会更突出,可以特动动动动动动动动动动动动动动动动动清楚地表双腿垂直于地面的感。 　　仰动 　　下面的仰动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动,画出肩膀上有部的感。朝上,比小,腿比上身要,略粗些,脚最大,越往上越小,人感动动动动动动动动动动动动动动动动动动动动动动动动动动脚身短,俯和仰正相反。在制一个人体,必要做到动“”意在笔先。 　　首先动动动动动动动动动动动动动动动动动动动动动动动动动考你要画的人物在做什,有什具体作,其次动动动动动动动动动动动动动动动动动动动动动动动动动动动动考用什的角来表人物的与个性,在中逐步构筑一个有作、有角、动动动动动动动动动动动动动动动动清晰的人物画面。，LSMH 整理, 　　??????　　　　　人體,比例　　　　　????? 　　次每講到人體比例都得拿 ””八頭身這套出來耍..其實不管幾頭身都能畫漫畫啦,只是八頭身算是最通俗的,其實真 人有七頭半就了不起了... 漫畫看題材從兩頭身到十幾頭都有人用,頭身數少雖然可愛但當手动动动动动动动动动动动动动动动短到某個程度時很多動作都做不出來,相反當頭身數多到十幾頭,看起來是很帥啦,但隨便做個動作就把格子給佔滿了,很難塞,所以大家視劇情風格走向選定適當的頭身比來用吧。 　　一般有種說說法:女生腿比較長,腰身比較高其實這種法似是而非,也許女生在比例上腿真的長一點,但造成高腰身的感覺主要是因男人腰最細的部位略低於肚臍而女人卻是在肚臍之上,肋骨下緣處,這是男女在比例上差異最大處,其他還有男性肩膀較寬,女性則是臀部較寬。 　　在年齡上,從兒童到成人頭部的大小改變並不多,因此兒童頭部在比例上是較大的，這不是常識嗎,,通常練習時以真人比例開始,較易因較好觀察,待熟練之後改變調整也容易。，LSMH 整理, 　　??????　　　　　人物造型　　　　?????? 　　要想准确地将故事中的所有人物介者,动动动动 动动动动动动动动动动动动掌握就不同年、不同性人物的画法此外,了动动动动动动 动动动动动动动动动俊、美、情能更深地打者,就尽量做到正面角色的英善良都表到极点,反面角色的凶残、狡猾也动动动 画的很大一夸到位,切忌人物的中庸,一点很重要。漫部分意在于它的动动动动动动动动动动动动动动动动动动动动动动动动动夸,人物造型遵循一特点来行。 　　年动动动动动动动动动不同的人物画法: 　　动 动动动动动动动动动动动动动动动动动动动动动动动动动胖儿:乎乎、墩墩的,得特大,,看不到脖子,身是等分,脚要 短些。 　　儿童:大,手 动动动动动动动动动动动动 脚的条而且比短。 　　年动动动动动动动 动动动部女性:条比,隆起,肩部略斜,整体成曲形,腰部很,臀胸部大,脚踝动动 。 　　年动动动动动 动动动动中男性:条有力,年肩幅女,胸部成扇形,腰比肩窄,脖子粗,性脚大。要比年动动动动动动动动动动动动动动动动动动 曲,的女性更眼睛略小,微胖,脚踝粗。强 　　中年女性:要比年动动动动动动动动动动动动动动动动曲,的女性更眼睛略小,微胖,脚踝强粗。 　　中年男性:比年动动动动动动动动动动动动 男性略胖,稀疏。 　　老年女性:弯腰动动动动动动动动动动动动动动动 背,肩部略斜,膝盖略微弯曲。 　　老年男性:弯腰动动动 动动动动老背,两脚分、有点了。弯曲,肩部窄,若再画上拄拐杖就更，LSMH 动动整理, 　　教画漫画03动动动,人体运律 　　 　　??????　　　　　教你画漫画,人体运动动动动动动动动动动的基本律　　　　??????　　部、动动动动动动动动动动动动动动动动动动动动动动动胸部和骨盆部是人体中三个最大的体,三 个部分本身都是固定的,不会活动动动动动动动动动动动动动动动的,身体的活除了四肢以外主要是靠动动动动动动动动动动动动动动动动动动动动动动动动和腰部的活而生运的。如果些体是彼此于平行和动动动动动动动动动动动动动动动动动动动动动动称的情况下,人体是静止的,相反,当些体向前后左右屈伸、旋动动动动动动动动动动动动动动动动动动动动动、扭,它的化就生了人体的作。 　　无动动动动动动动动动动动动动动动动动动动动动动动动动动三个体是于什的位置,不它在一的作 是怎动动动动动动动动动动动动动动动动动动动动动动动动动烈或怎集中,而在另外的非活的一,相地是有一比动动动动动动动动动动动动动动动动动动动动动动动柔和的条,以保持身体的平衡,整个人体有一动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动微妙的、生的感,所以人的所有作都将体运的重心平衡律。 　　以支重的一动动动动动动动动动动动动动动动动动动动动动动准,将人物运画出,以表明身体的的向,动动动动动动动动动动动动动动动动动动动动动动动动然后,将四肢的运画出。理解部、胸部和骨盆部三大体的斜度和动动动动动动动动动动动动动动动动动动动动动动动动动动透化,要在化的作中抓住要。 　　可以把肩膀与骨盆的动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动系化二根横,把活性最大的脊柱化一,即称的“动动”动动动动动动动动动动动动动动动动动动动一、,通它之的化二横、三体律来掌握人体运的基本动动动动动动动动动动动动动动动动律,例如:走、跑、跳、站、坐。 　　漫画化的作动动 　　很可能在上次打棒球动动动动动动动动动动动动动动动动动动动动,你没有空跳起来劈双腿去抛球,那动动动动动动动动动动动动动动动动动动动动动动动动动动动动随之也就没人再票来看你打球了。卡通角色也是,他的众是一些期望动动动动动动动动动动动动动动动动动动动动动动动动动动动动得逗效果的人。画人的趣之一就在于画家是能动动动动动动动动动动动动动动动动动动动动动动动一个造性地描每各常的作。作漫画家你要把常的作都动动动动动动动动动动动动动动动动动动动动动动动动当作来探,并以逗的手法来加以表,但同要使之与角色和动动动动动动动动动动动动动动动动故事相匹配。，LSMH 动动整理, 　　教画漫画04动动动动动动,部基本构 　　 　　??????　　教你画漫画,部的基本动动动动动动动 构??????　　　　一般把部分两个大。的上动动动动动动动动动动动动动动动动动动动动动动动动半部,一个形, 而的下动动动动动动动动动动动动动动动动动动动动动动动动动动动半部梯形,部的构位于部形的中央,眉弓画成一个方形,动动动动动动动动动动动动动动动动动动动动动骨也看成方体,它位于部梯形的上半部,穿插构动动动动动动动动动动动动动动动动动动动动要比眉弓部分的方形要向里一些,在骨的下面,口部一个动动动动动动动动动动动动动动动动动动动动动动柱体,它插在骨方形下部的那个面,最下面是下腭,把它看成一个方形将它与动动动动动动动动动动动动动动梯形穿插起来,鼻子起始于动动动动动动动动动动动动动动动动动动动动动动柱形的上半部,止于眉弓方形的根部,它也是一个方体动动动动动动动动动动动动动动动动动动动动动动,眼睛也位于眉弓方形的根部,嘴在柱形一半向上一点儿的位置。通部的基本动动动动动动动动动动动动动动动动动动构的理解,可以画出部的基本形状,会使其形体动动动动动动动动动动动动动动动动动动动动动动构更准,然后在此基上通微动动动动动动动动动动动动动动动化便可以画出不同的人体部。 　　位置: 　　因动动动动动动动动动动动动动动动动动动动动动动人的是一个球体,就是,是立体的。用十字和表动动动动动动动动动动动动动动动动动动动动动动动动动动示的很,在形的基上,将人部十字画出来,根据十字动动动动动动动动动动动动动动动动动的位置将人物眼睛、鼻子、嘴画出来. 　　正面像: 　　眼睛要左右称动动动动动动动动动动动动动动动动动动动动动动动,嘴要画在中十字上,鼻子要有隆起的感所以可画的不动动动动动动动动动动动动动动动动动动动动动动动称,耳在两左右称,位置在眉弓到鼻底之动 。 　　四分之三面:动动动 　　不,要向一动动动动动动动动动动动动动动动动动动动动动动动动动弧,耳的位置在眉弓到鼻底之。 　　正面:动动动 　　鼻子是突出的,耳动动动动动动动动动动动动动动动动 的位置在人物部的二分之一。 　　正面上仰: 　　以鼻子中心,动动动动动动动动动动动动动动动动动动动动动眼睛、耳都会象球体的感偏向下方眉弓到鼻子的距离要动动动动动动动动动动动动动动 短,鼻底到下的距离要。 　　斜动动动动 仰: 　　最大的特点是眼睛和鼻子的位置很靠近,耳动动动动动动动 位置稍偏下。 　　正面俯动动 : 　　大、下小,动动动动动动动动动动动动动动动动动动动动动动动动鼻子向下,眼睛眉毛略微向外上。动动 　　斜动动动动 俯: 　　耳动动动动动动动 动，位置上升,下向下靠。LSMH 整理, 　　部动动动动动透: 　　正面的部动动动动动动 透: 　　在部的基本形中定一个中心,动动动动动动动动动动动动动动动动动动动动动动再把眼睛的位置定下来,条是动动动动动动动动动动动动动动动动动动动动动动动动眉弓的上,条有一个作用,就是人物正面的耳动动动动动动动动动动动动动动动动动动动动动的上起始部分,恰恰与眉弓相吻合,鼻部的鼻底动动动动动动动动动动动动动动动动动动动动动动动正好是耳的下,眼睛在眉弓以下的地方,而眉毛在动动动动动动动动动动动动动动动动动动动动动动眉弓稍上的一点地方,有一点要注意的是,不 要将人物的动动动动动动动动动动动动动动动动动动动动动动动动动动动动髻定得太靠下,髻的位置在部眉弓方形的上部分. 　　部动动动动动透: 　　部动动动动动 透: 　　将部的基本形定一个方形,动动动动动动动动动动动动动动动动动动动动动动动耳部在个方形的中二分之一,定下动动动动动动动动动动动动动动动动动动动动动动动动眉弓,耳的上部分与它,鼻底能定出耳动动动动动动动动动动动动动动动动动动动动动动的下部分,眼睛位于眼框的里面,将它画得向里一些。 　　仰动动动动动动动动 的部透: 　　由于是仰动动动动动动动动动动动动动动动动动动动动动,眉弓会向上移,将画面的中心定好,鼻底动动动动动动动动动动动动动动动动动动动动动动动也会向上提高一些,然后根据眉弓和鼻底将耳动动动动动动动动动动动动动动动动动的位置定好,并根据眉弓将眉毛的位置定好。鼻子与眼睛的透动动动动动动动动动动动动动动动动动动动动动动动动动动也会因角度而改,同要注意髻也要相的向上提高。 　　俯动动动动动动动动的部透: 　　部的大体形定好后,根据动动动动动动动动动动动动动动动动动动动动动动动动俯的透系将眉弓定好,再根据眉弓动动动动动动动动动动动动动动动动动动动动与鼻底将耳的位置定好,并根据眉弓将眉毛画好。其中有一点要注意的是,眼睛的形状和仰动动动动动动动动动动相反,部与部的穿插动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动系也是很重要的,将髻根据透系稍微向下移,并加上。，LSMH 整理, 　　人物面部的刻画 　　:漫画强动动动动动动动动动动动动动动动动动动动动动动然可以夸,但不能无限,只能建立在事物的基之上,所以我在画人动动动动动动动动动动动动动动动动动动动动动动动物的候,首先察真人是必要的。一般情况下,人的正面整体形动动动动动动动动动动动动动动动动动动状像个蛋,到眉毛、眉毛到鼻尖、鼻尖到下巴的距离大致相等,动动动5动动动动动动动动动动动个眼睛的度,部在平状下,耳动动动动动动动动动动动动动动动动动动动动动动动动上沿略低于眉毛延,下沿到鼻尖，当然,只是平均情况,人耳有大有小,有有动动动动动动动动动动动动动动动动动动短,不可能符合准,。一般漫画夸动动动动动动动动动动动动动动动动动动动动的多的是人,其他部位就夸的不多。 　　由照片可以看出,男性眉骨动动动动动动动动动动动动动动动动动高,前平坦,骨形状方,条粗,一般比动动动动动动动动动动动动动动动动动动动动动动动动动动女性,眉毛比、粗,鼻子条接近直动动动动动动动动动动动动动动动动动动动动动,鼻形比女性的大,脖子比女的粗,女性的骨小,条柔和,、动动动动动动动动动动动动动动动动动动动动动动动动鼻条,前,眉骨不凸,下巴一般比男性稍尖,皮白,动动动动动动动动动动动动动动动动动动动动动动睫毛。由于男性骨比女性的大,眼球大小相同,所以人的感是动动动动动动动动动动动动动动动动动动动动女性眼睛比男性的大,在漫画中得到了夸动动动动动动动动动动动动动动动动动动动动动。在漫画中,女孩的形象便成了大眼、、小动动动动动动动动动动动动动动动动动动动动动动动动鼻、小嘴的子,是由真夸而来的。男性的眉毛一般画动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动成眉,和眼睛的距离比近,可以使眼睛透出一股英气。　　面动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动像的画法仍遵循在垂直方向上的三等分，上,。注意男女面的区:　　女性滑的前,与动动动动动动动动动动动动动动动动动动动动动动动动动动动动动鼻梁柔的接,平坦的眉骨,的脖子, 　　男性条可用直勾动动动动动动动动动动动动动动动动动动动动动动勒,平坦的前,突出的眉骨,粗眉、粗脖子、笔直的鼻梁,动动动动动动动动折明的骨。 　　 　　在真动动动动动动动动动动动动动动动动动动动动动动动世界中,存在人之分,不同人相大不相同, 南方人和北方人也能看出区。在我先以动动动动动动动动动动动动动动动动动动洲人例明画法,其他人动动动动动动动动动动动动动动动动动动动动动动动动动动就由各位自己了。人混血儿得漂亮,我在画漫画也常常合动动动动动动动动动动动动动动动动动动动动动动动洲和欧洲人的特点,制造出一个个比真动动动动动动动动动动动动动动动动动动动动动动人更美的形象。但人体的比例都差不多,所以只要掌握了常用的比例,到动动动动动动动动动动动动动动动动动动动动动动再配合各人的特征,画人就不成什了。　　眼睛是心灵的窗动动动动动动动动动动动动动动动动动动动,能表人的内心世界,所以画好眼睛是非常重要的一。我先步动动动动动动动动动动动动动动动动动动动察真的眼睛:眼珠呈球状,有眼白、虹膜和瞳孔,色动动动动动动动动动动动动动动动动动动动动依次加深,瞳仁常有来自向的反光,表动动动动动动动动动动动动动动动动动动动动动动动眼睛的明亮和神采。所以我如要画一个惊呆或麻木的表情,常常把那一点反光去掉,使眼睛失去光彩,整个人的神气也就没了。，LSMH 整理, 　　??????　　　　　年动动动动动动动动动动动动动动不同人的五官画法　　　　　??????　　幼儿: 动动动动动幼儿的五官都集中在部下半部1/2 的部位。 　　小孩: 动动 眼睛大大的,口、鼻小小的。眼睛的位置在部1/2 以下的部位,下巴的曲动动动动动动动动动动动动动动动动 是的,眼睛和眉毛的位置距离。 　　女性: 动动 眼睛大致在部1/2动动动动动动动动的位置。眼睛大大的,唇、眉、下巴的条越柔和,越有 女人味。 　　男性: 动动眼睛在部2/3 动动动动动 动动动动动的部位。眼睛的,,口、鼻眉大,下巴的条粗毛粗一点比有动动动动动动 男人味。 　　中年男女:中 动动动动动动动动 动动动年人的眼睛比年,人的要小。而且男眼睛和嘴的周人有小的的部面分明,动动动动动动动动动动动动动动动动动动 女人的稍微丰些。 　　老人: 动动动动动动动动动动动 动动动动动老年男性部的鼻骨骼最四凸出,女人周稍丰都有些,他的口、眼、很明的,一般来动动动动动动动动动动动动动动动动动眼睛都是的。 　　性不同的人的部特动动动动动动动动动动动 征: 　　女性: 动动动动动动动 动动动动动女孩子的之是要、可,大子小巧玲眼睛,眼珠儿又黑又大,鼻嘴巴动动动动动动动动动动动动动动动动动动动动动动动动动小可,眉毛柔弯曲,略微向下,从蛋到下巴的条要有弧度,柔美、流动 。 　　男性: 动动动动 动动动动男性的眼睛小,上,嘴形位于部上,在形眼眶中眼白略多,眉毛略微清晰而且,动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动鼻画的越直越能出男子的毅,若画成弧形会得温柔,鼻梁上方和眼 动动动动动动动动动动动动动动动动动动动动动动动动动动动动睛高度差不多高,下巴画得方些,脖子要画得略粗,富有立体感,注意下巴和脖子相接与动 不同女性的位置 　　教画漫画05动动动动动动,部五官构 　　 　　??????　　教你画漫画,五官的画法和部的动动动动动 构??????　　部的动动动动动构 　　中国有一面相学和人动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动造型理,人的形可以字形八:国、用、、目、田、由、申、甲。元代人称“”“”八格,清代人称八字。 　　看看你是哪型动动动动: 　　目“”动动动“”动动动动动动动字形,形国字狭形,方正,稍, 　　用“”动动动动动动动动动动动动动字形,部方正,下巴大, 　　“”动动动动动动动动动动动动动动动动动动动动动动动动动动动动甲字形,部和骨度接近,面肌肉著内收,下巴窄尖,　　“”动“”动动动动动动动动动动动动动动动动动田字形,面形方正申,字形,骨,部窄,下巴尖, 　　“”动动动动动动动动动动动动动动动动动动动动动动动动动动动蛋形,,下巴尖,上肌肉丰,其廓如同蛋形, 　　由“”动动动动动动动动动动动动动动动 字形,部窄,两和下巴。 　　动动动动动动动动动动动就是相面学的基本理 　　一般来,、嘴动动动动动动动动动动动动动动动动动动动动动动唇厚,腮,淳朴憨厚的,多是出身动动动动动中的秦卒,，想象, 　　、动动动动动动动动动动动动动动动动动动动动动动动动尖下巴,神情机敏、多出身巴蜀,，小平同志, 　　高动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动骨、厚耳、眼睛不大的,凶悍,就是人。，葛、崔永元之流,　　鼻:在画中动动动动动动动动动动动动动动动动鼻的基本形状可以想象楔形 　　眼:眼睛呈球状,并且嵌在眼眶里,画更要动动动动动动动动动动动动动动动住眼睛是球状的　　在画眼珠动动动动动动动动动动动动动动动动动动动要小心,要事先将眼珠的高光留出来,在瞳孔的上方可以适当留出一些白,会使动动动动动动动动动动动动动眼睛有一透明感。 　　在画下眼皮,要动动动动动动动动动动尽量画一些。 　　画眼睫毛,不要将动动动动动动动动动动动动动动动动动动动眼睫毛画得粗,用笔要利索。 　　在画面动动动动动动动动动动动动动动动动动动动动动眼睛方法和正面基本相同,但需将眼皮多画出一部分以便使它包住眼睛,面动动动动动动动动动动动眼睛睫毛是最的。 　　画眼动动动动动动动动动动动动要注意眼睛的上下位置,动动动动动眼睛与鼻子之的系。 　　嘴:嘴唇是由肌肉动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动成的,并且有各各的形。在模特嘴我然能看她的牙动动动动‘—动动一画出,而是一笔,但我画嘴并不将它 　　耳:在画中,耳部只是略略几笔,但我动动动动动动动动动动动动动动动动动知道怎将耳部的所有画出来　　，LSMH 整理, 　　鼻子和嘴巴 　　画里动动动动动动动动动动动动动动动动动动动动动动一学鼻子和嘴巴的造型都十分可,不用通步步各不同格来一,动动下面的些例子会动动动动动动动 你受益非浅。 　　此所动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动示基本画格的鼻子和嘴巴。它由三基本的形状所成:一片楔形的鼻子,动动动动动动动一条的作嘴,动动动动动动动动动动动有定下唇的一条短的.动动动动动动动动动动动动动动动，不条短的下唇也并非一定要画出来,在如的正中 动动动动动动,动动动动动动动动动动动动动你可以先用笔画出一些条来确定鼻子和嘴的位置。鼻子和嘴的尺寸和形状可根据不同的人物而整,动动动动动动动动动动但必保它在一条直上,动动动动动动动动动动动动动动动动动动动动动动助于定位,你可以画一条如所示的垂直动动动动动动动动动动动动动动动动动动动动动动动动动助。上二是一面的,但是口、鼻仍排列在一条曲上,表其于的中心动动动动动动动动动动动动动动动位置。 　　画面的动动动动动动动动动动动动鼻子和嘴比画正面或3/4动动动动动动动动动动动动动动面要困些，其写画法正面要啊,。主要因动动动动动动动动动动动动动动动动动动动动动动嘴唇不太好确定,不能象上面那用的直就能搞定,必自动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动己老老地画。前教我:排除万,争取利:如果画得好,效果会相当不。首要动动动动动动动动动动动动动动动动动动动动动动动动动动动动动考的是鼻子、嘴唇及下巴构成的曲。上唇要向内弯曲,而下唇，在动动动动动动动动动动动动动动动动面像中要稍微靠后些,是向外的曲。只有多才行,不然,,可能会把人物的画得很动动动动动动动动动动动动动动怪异或者成了嘴巴。 　　的下部由一些反动动动动动动动动动动动动动动动动动动动动动动动动动差很大曲所成。注意两幅的画法,动动动动动动鼻子的曲着部,然后在上唇上面往右微微动动动动动动动动动动动动弯回来。上唇向内弯,动动动动动动动动而下唇的曲向外。下巴不是一条的直,它是一条滑向外的曲。，动动动动动动动动动动动动动动动动动动动LSMH 整理, 　　部表动动动动动动动动情的画法: 　　部表动动动动动动动动动动 动动动动物内情的化,是刻画人物的,通人心的物面部表情,可以使者了解人感受,丰富的表情富有极大的魅力,能使画面更加生。下面介几动动动动动动动动动动动典型的表情的特点与画法。 　　，1 动动动 动动动动动,笑煞:笑有很多,有介例如:微笑、羞地笑、事的笑、苦笑、心的笑。一般表嘴角上，或大,、动动动动动动动动动 将人物眼睛、的眉弯,在画皮的毛上下笑,可以动动动动动动动动动动动动动动动动动动动动动一定距离,并且两只眼睛有些化,也可以将舌画出来。 　　，2 动动动动 动动动动动动,哭泣:感情爆极常出,而例如委屈的哭、泣。一般表眉毛、眼角往下,大嘴或嘴角向下,上动动动动动动动动动动动动动动动动动动动动动 挂泪或爆出来。 　　，3 动动动动动动动动动动动动 动动动 ,怒:一般表。眉毛上,嘴角下扣,眉 　　，4 动动动 动动动动动动动 ,哀:哀是最大的苦下,便,上所有的条都可往成了哀。 　　，5 动动动动 ,惊:一般表大嘴,起。瞪大眼,眉毛往上 　　画部表动动动 动动动动动动动动动动动动动动动始,要多多情,最好的方法是先从模仿人的漫画察,在画注感情,才能画好各动 动动“动”动动动动动动动动动动动动动动动四表情。、手的画法:俗画人画手,明画手是比的,此,先了解手的动 动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动的构。手构可分手掌和手腕两部分,要将手掌看成一个不的五形,作画,先要将两部分动动 动动动体,画出手的,看作一个整再个定出大每拇指的位置,要明确手指的度是动动动 曲,在特各不相同的,手指的部位要适当弯写画面中,要画出手指的两个动动动动动动动动动动动动动动动动动动动动动动动动动动动,特要一下拇指和小指的外廓,会更有立体感。，LSMH 动动强整理,　　教画漫画06,手和脚的画法 　　 　　?????? 教你画漫画,手脚的画法?????? 　　手的画法: 　　俗动动“动”动动动动动动动动动动 动动动动动动画人画手,明画手是比的,此,先了解手的的构可分构。手 手掌和手腕两部分,要将手掌看成一个不的五形,作画,先要将两部分动动动动动动动动动动动动动动动动动动动动动动看作一个整体,画出手的, 动动动动动动动动动动动动动动动动动动个手再指定出大的度是拇指各的不相同的,手位置,要明确指的每动动 动动动动动动动动动部位要适当弯曲,在特写画面中,要画出手指的两个,特要一下拇强指和小指的外廓,会更有立体感。动动动动动动动动动动动动动 　　画手的背面一以硬勾出,以表动动动动 动动动动动动动动动动,手掌骨骼的硬度一面要以来画,表柔的动动动 动动动动动动感。而手指是很灵活的,所以,五个手指不要分来的,角度的察,随着手不同,形状也不一。动动 　　女性的手指动动动动动动动 动动动动动动动动动动动表,骨女不突出,指甲性手的、,了柔的感,所以用要平滑、有性。动动动动动动动动动动动动动 　　男性手掌厚动动动动动动 动动动来表。，,手指粗壮,明,多以硬LSMH 整理,　　脚的画法: 　　脚的运动动动动 动动动动动动动的,要注意律是通脚与小腿之所成的角度来表察脚、脚踝、小腿之的动动动动动系。 　　画要注意动动动动 动动动动动动动要鞋是随着脚的作而生角度化,画想到脚的状,鞋的款式不同要用不同的笔来表其感。动动动动动 　　教画漫画07动动动动动动 ,角度与透 　　 　　??????　　　　　教你画漫画,角度与透动动动动动动　　　　　??????　　角度与透动动动动动动动动动动动动动动动动动动动动动动动动上是一个很广泛的,不在漫画作, 其它各动动动动动动动动动动动动动动动动动动动动动动动美形式都很究角度与透。它是美学理中一个重要的动动动动动动动动动动动动动动动动动动动动动动动成部分。画一般都要求在二度空的平面上表三度动动动动动动动动动动动动动动动动动动动动动动动动空的立体感,比如同的物体近大小等,所以,透动动动动动动动动动动动动动动动动动动动动动动动律在画面构上的运用起着决定性的作用,透动动动动动动动动动动动动动化是画构化的依据。 　　透动动动动动动动的基知: 　　平:动动动动 　　平行于点的一条,动动动动动动动动动动动动叫平。 　　点，动动动动动动动动消失点,: 　　物体的向动动动动动动动动动动动动动动动动动动 延伸与平相交的点,叫点。 　　一点透动动: 　　一点透动动动动动动动动动动动动动动动动动动动动动动在漫画中是常用的,也是最的透律。一个物体上垂直于平的向动动动动动动动动动动动动动动动动动动动动动动延伸都集于一个点,而物体最靠近察动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动点的面平行于平面,透系叫一点透,也叫平行透。　　一点透动动动动动动动的表方法: 　　首先在画面上画一条水平，平,,动动动动动动动动动动动动动动动动动然后再画一条垂直,相交点作点,从点随便动动动动动动动动动动动动动动动动动动动动动动动延伸出一条,条就是将要画的物体的透系动动动动动动动动动动动动动动动动动动动动动动动动,然后在透系和平之画出所要制的物体。物体高度的化是根据动动动动动动动动动动动动动动动动动动动动透和平所成的角度的化而化的。动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动当物体所的位置不同,画面中将表出物体不同的面。 　　一点透动动动动动的运用: 　　用一点透法动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动可以很好地表出近。常用来表笔直的街道,或用来表原野、大海等空动动“”动动动动动动动动动动动动动动室的内景景,此外,如在中运用,更可造出房舒适的感。　　一点透动动动动动的运用: 　　在画物品的一点透动动动动动动动动动动动动动动动动动动动动动动动,首先找出点,通点延伸出透。桌子及其上面的所有物体的透动动动动动动动动动动动动动动动动动动动动动,都是按着从点出的透的透而确定的,在将所有物体画出后,可以将多余的动动动动动动动动动动动动动动动动动动动动动所有助强擦去,物体的或并加加上影。　　两点透动动: 　　两点透动动动动动动动动动动动动动动动动动动动动动也是在漫画中常用的基本透律。一个物体平行于平的向动动动动动动动动动动动动动动动动动动动动动动动动延伸按不同方向分集于两个点,物体最前面的两个面形成的角动动动动动动动动动动动动动动动动动动动离察点最近,的透系叫两点透动动动动动动动动也叫成角透。 　　两点透动动动动动动动的表方法: 　　首先做一条地平和一条垂直,动动动动动动动动动动动动动动动动动动动然后定好高度,在平的左右两端找出点,在点和高度点之,在平和动动动动动动动动动动动动动动动动动动动动动动动透之画出动动动动动动动动动动动动动动动动动动动动动动动动动动建筑物的廓。随着平与透之的角度化不同,画面表动动动动动动动动动动动物体的形状也在改。 　　两点透动动动动动的运用: 　　在运用两点透动动动动动动动动动动动动动动动动动动动动律画街道一的景物,可以将景的物体动动动动动动动动动动动动动动动动动动动动动动动动理的虚,近的物体画的要致些,而且,不建筑物的多少,其透动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动均分相交于两个点,画出来的景物的透才会准确。　　三点透动动: 　　在两点透动动动动动动动动动动动动动动动动动动动动动动动的基上,所有垂直于地平的的延伸都集在一起,形成第三个点,动动动动动动动动动动动动动动动动动动动动动动透系叫三点透。透系只限于仰动动动动动或俯。 　　三点透动动动动动动动的表方法: 　　同是将点和中等动动动动动动动动动动动动动动动动动动动动动动动动透助画出来。首先按着两点透动动动动动动动动动动动动动动动动动动动动动动动画出物体的高度透,然后在向定出一个点,和物体的底部两点相。动动动动动动动动动动就是三点透。 　　三点透动动动动动动动的表方法: 　　通三点动动动动动动动动动动动动动动动动动动动动动动动透,可以表建筑物高大的深感。两点透动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动和三点透比起来,三点透于建筑物高度的表是最到位的。 　　点:动动动 　　人物动动动动动动动动动动动动动动动动动动动动动动动察物体的出点,叫做点。当点平行于被察物动动动动动动动动动动动动动动动动动动动动动动动动,形成的透角度叫做平角。当点低于被察物体,形动动动动动动动动动动动动动动动动动动动动动动动动成的透角度叫做仰角。当点高于被察物体,形动动动动动动动动动动动动动动动动成的透角度叫做俯角。 　　角:动动动 　　所角是动动动动动动动动动动动动动动动动动动动动动动动动指察事物的角度,它是决定构的。察角度不同,所画出的画面气氛也有差动动。 　　角的用和特点:动动动动动动动动动 　　，1 动动动动动动动动动动动动动动动动动动动动动动,平在普通的景中常使用,得干利索,但一味用平动动动动动动动动动就会缺少化。 　　角的用和特点:动动动动动动动动动 　　，2 动动动动动动动动动动动动动动动动动动动动,仰是从下方向上的仰,常被使用在需要画出有一定动动动动动动动动动动动动动动动动动动动动动动动动动动动动动音之感的画面中。但仰太多,看的人容易累,也不容易懂。　　，3 动动动动动动动动动动动动动动动动动动动动动动,俯可以使者画面中的景及人物情况一目了然。但俯动动动动动动动动动动动动动动动动动动动动动动太多,会使者有距离感,以融入到情中。 　　漫画中需要有多面,了动动动动动动动动动动动动动动动动动动动动动动动引人入,以不同点行接, 动动动动动动动动动动动动动动动动动动动动动动动动动透中的多点恰如其分地在画面上表出来,使画面 可性更动动动动动动动动动动动动动动动动动动动动动动动,更富有强奏、韵律和速度,使之感更。强构动动动动动动动动动动动动动动动动动动动动动动动动动度大,需要大胆安排,心推敲,在各角的画面穿插于同一,原是要主次分明,主体动动动动动动动动动动动动动动动动动动动动动突出,以使人物系动动动动动动动动动动动得到合理的安排。，LSMH 动整理出cxiaofei.myrice, 　　 　　??????　　　　　画中的动动动动动动动动动动动动动动动动动透，人物,　　　　　??????　　1.“动动”动动动动动动动动动动动动动动动动空白了立体透就是小近大,看幅画,主人公的眼睛就有明的小动动动动动动动动动动 近大的感。 　　2.动动动动动动动动动动动动动动动动动动动动动动于一幅画的透,有一条助,条助就是幅画的地平。动动 　　3.动动动动动动动动动动动动动动动动动 有一个消失点,一般来个点是可以在助上随便放的。 　　4.动动动动动动动动动动动动动动动动动动动动动动动动动有几条由消失点向目放射的廷伸。由三点构成一幅画的透助。　　5.动动动动动动动动动动动动动动动动动动动动动动动动我看幅很清楚,人物在两条廷伸之,在与同一距离的两个一高的人是一的,如果其中一个人后动动动动动动动动动动动动动动动动动动动退了5米呢? 　　6.动动动动动动动动动动动动动动动看:那个人后退以后,人是小了,但三条在两个人身上依然在同一部位。动动动动动动 就是透。 　　7.动动动动动动动动动动动动动动当然画面的两个人不可能站的很,那只要作出第四条助即可。 　　8.动动动动动动动动动动动动动动如果要在那画高一点的人,就是原基上高一点即可。用方法你就可以动动动动动动动动动动动动动动动动动动动动松画出在不同位置的不同身高的人的大小了,动动动动动动动 住在一幅画里要只以一个人基量。 　　9.动动动动动动动动动动动动动动动动在一般的情况下地平是以画面主角的眼睛平行的,是由于是与动动动动动动动动动动动动动动动动动动动动动动动他的眼睛平行的。但多情况下画面是俯或仰动动动 的。 　　10.动动动动动动动动动动动动动动动动动 那地平也会随着的升高而升高。 　　11.动动动动动动动动动动动动动动动动动动动动动随着的下降而下降。不信你找个能看到地平的地方。动动动 　　12.动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动之后你要住,同一画面,同一角,同一大小的人物,不管怎移,地平在他身上的位置是不会的。动 动动动动动动动动动动动动动动动动动动其在大多数情况是不需要量的,但动动动动动动动动动动动动动动动动动动动动动于初学者来是要用到,了只要用眼就行了。 　　13.动动动动动动动动动动动动动动动动动动动动动人物的本身也同有透,当人物正并不明,一旦有了角和作的化,动动动动动动动动动动动动动动动 就很明了。 　　14.动动动动动动动动动动动动动动动动动动是一幅范画,地平在下眼框上,是一幅仰。由于人体大小跨度不是很大,所以在作画只要动动动动动动动动动动动动动动动稍微人感到你的画有一点透动动动动动动动动动动动动动动动动动动动化就行了,千万不要大小太明了。。 　　教画漫画08动动动动动动,条制原理 　　 　　漫画中基条的制原动动动动动动动动动动动动动理　　　　　 　　一每动动动动动动动动动动动动动动动动动动动动动动成功的作品中都少不了朴素的条。直、曲、弧动动动动动动动动动动动动动动动动动动动动动动动动动动和等基本条粗、短的化及不同合,即构成了画面中不同的景物、人物以及渲染出不同的气氛。因此条是动动动动动动动动动动成画面最基本的要素,并在画面中起着重要的作用。 　　 　　??????　　　　　制条的基本要求　　　　　动动动动动动动动动动动动动动动??????　　画漫画,打稿用的是笔,动动动动动动动动动动动动动动动动动动动动动动完成稿用的是墨笔,两只是工具不同,于条的要求是相同的,只是打动动动动动动动动动动动动动动动动动动动动动动动动 稿的笔最会被擦动动动动动动动动动动动动动动动动动动动动动动动掉,所以要求可以放松一些。一般以作者本人能看懂、能确定其正确位置动动动动动动动动动动动动动动动动动准,可以省打草稿的。　　在画,条的基本要求可以动动动动动动动动“动”动动动准是指在四个字,即:准、挺、匀、活。所画物体或人物动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动,根据形状及透角度的不同,准确地将廓、影等画在相的位置“”动动动动“”动动动动动动动动动动动动动动挺是指在运笔匀是程中条指流运、光滑,笔的力度平均,使一根条淡自然动“”动动动动动动动动动动动动动动动动动动动动渡,活是指在画人或物体,条充分考表体,用条成画面要有动动动动动动动动动动动动动动动动活力,即与手的灵活配合。 　　人物动动动动构: 　　外廓:在制人动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动物外廓,可适当粗一些,并要工整、流。　　内动动动动动动动动动动动动动动动动动动动动动动动动动动廓:内廓比外廓一些,并可在一些局部折或光影明暗的交界,动动动动动动动动动动动动动动动动动动动动动动人物加的立体感。入一些更的强内廓,可以加 　　硬景物:在制硬动动动动动动动动动动动动动动动动动动动动动动景物,可用条粗化小的工具。 制作动动动动动动动动动动动动动动动动动动动动动动动动动动动尽量避免重,尤其在理楼房或机械,更要一次完成。 　　动动动动动动动动动动动动动动动动动动动动动动动动景物:在制景物,要注意景物受光面的要少而,相动动动动动动动动动动动动动动动动动动动动动动动动动背光面可略粗,尤其在理木和山,要根据画面动动动动动动动动动动动动动构及情理光影的化。 　　速度:在表效果常用到速度。不管的方向是动动动动动动动动动动动动动动动动动动动动动动动动 平行是垂直于地平,或是向动动动动动动动动动动动动动动动动动动动动动动动动某一斜,在画速度,注意条有有动动动动动动动动动动动动动动动动动动动动动动动动动动短,要有疏有密,条合是在平行排列的基上的一随动动动动动动动动动动动动动动动动动动动动动动动机的,条的短和疏密若相近就会形成表格状,毫无均衡的美感了。 　　集中和效果:动动动动动动动动 　　当看到放射状的画面,由于人动动动动动动动动动动动动动动动动动动眼的,注意力会集中在条的交点上,因此,在漫画中常用画集中或效果的表手动动动动动动动动动动动动动动动法增加画面上的动动动动动动动动动动动动动动动动动动动动动动动气氛,吸引者的注意力。在画集中,一般用直尺来画,首先在想要者注意的部分画上动动动动动动动动动动动动动动动动动动号,然后以此号动动动动动动动动动动动动动动动动动动动动动动动画放射状直。决是一定要用笔的笔来画,使条越接近中央越动动动动动动动动动动动动动动动动动动动动动动,而且一定要一笔画完,也可在的地方上 一个,动动动动动动动动动动动动动动动动动动动动动动动动动动再用直尺靠来画出集中,去掉后留下的动动动动动动动动动动动动动动动动动动动动动动动眼可以用白色涂平。效果的画法也是一,首先定留白的位置,然后画上大概的基准动动动动动动动动动动动动动动动动动,因效果的集中效果比小,所以条的表需比。动动动动动动动动动动动 　　网状效果:动动 　　有了动动动动动动动动动动动动动动动动动动动动动动烘托画面气氛,往往使用网状效果,常用的网状效果分一动动动动动动动动动动动动动动动动动动动动动至四重网。一重网状效果:是把画出的粗、动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动短基本一致的段,斜方向合起来,形成网状效果。 　　两重网状效果:动动动动动动动动动动动动动动动动动动动动动动就是永保持画的姿,碰到横就原稿的方向,画出一垂直段的网格动动动动动动动动动动动动动动状效果。 　　三重网状效果:先画出动动动动动动动动动动动动动动动动动动动动菱形的案,之后画出第三条,也就是最后形成一,个角都是动动动动动每60动动动动动动动度的正三角形案的效果。 　　四重网状效果:同两动动动动动动动动动动动动动动动动动动动动重网状效果画法相同,保持画的姿动动动动动动动动动动动动动动动,碰到横就原稿的方向。 　　的网动动动动动动动动动 状效果: 　　1 动动动动动动动动动动动动动动动动动动动动动、同形状网状效果的:通条的疏密距离系来表效果,其暗部用动动动动动动动动动动动动动动动动动动 隔小的条,然后逐大隔离。 　　2动动动动动动动动动动动动动动动动动动动、不同形状网状效果的:从四重网状合始渡到三重网状动动动动动动动动动动动动动动动动动动动动动动动动动动动动合、两重网状合、一重网状合,然后在画点散。 　　注意:当两片网状效果动动动动动动动动动动动动动动动动动拼接,要接点不重合又不致于脱离,动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动看起来就很整,如果在接点出条粗的部分,就要以白色料修改。　　网状效果:动动 　　一般分形的动动动动动动动动动动动动动动动动动动动动动动动状效果及波浪形的状效果。状效果与网动动动动动动动动动动动动动动动动动动动动动动动动动动状一,以方式画,随角度改而移原稿的角度。在画各动动动动动动动动动动动动动动动动动动动动动动动动网状,注意与之的隔,如果有律的增加或减少的动动动动动动动动动动动动动动动动动动隔,将能画出的状效果。 　　条的动动动弱:强 　　条的动动动动动动动动动动动动动动动动动动动动动动动动弱是通与之不同的重、疏密、硬和粗强表出来的。初学者通常会不动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动知不地以同粗的条来作画,如果条强弱有化动动动动动动动动动动动动动动动动就能表出材料的地和距离的 　　动动动近。 　　一般来,在画地硬的动动动动动动动动动动动动动动动动动动动动动动动动动动物体,使用粗硬的重条表,以它的感强动动动动动动动动动动动动动动动动动动动动动动,画柔的物体,用的条。 　　当画一个人物动动动动动动动动动动动动动动动动动动动动动动,人物廓和各部分的就可用重的粗表,而人动动动动动动动动动动动动动动动动动动动动动动动动动动物的和服装上的褶要用来表。 　　四重网状效果:动动 　　当然,所条的动动动动动动动动动动动动动动动动动动动动弱化是随物体构而化的,比如,在强画人的坐姿动动动动动动动动动动动动动动动动动动动动动,一条腿的前后两条理起来就不同,由于腿的弯曲,前面的动动动动动动动动动动动动动动动动动动动动因要表膝盖的硬度就必画重画硬,而 后面的是表动动动动动动动动动动动动动动动动动动动动动动动动腿部松弛的肌肉,画起来条是的,里 所的,动动动动动动动动动动动动动动动动动动并不是拖遢无力,而是要柔。 　　的网动动动动动动动动动状效果: 　　另外,在画一些相交的条,会生一些条之动动动动动动动动动动动动动动动动动动动动叠的系,注意表在前面动动动动动动动动动动动动动动动动动动动动于后面的条。人部、手物体的条要强住并 部的条以主,有的动动动动动动动动动动动动动动动动动动动动动动动动动动局部条在消失,不将笔停,而是动动动动动动动动动动动动动动 慢慢的抬起,形成有梢的。 　　注意: 　　于条合的动动动动动动动动动动动动动动动动动动动动动疏密系,些合非常重要。 　　一般的方法是,在表的动动动动动动动动动动动动动动动动动动凹陷的部分,条合密一些,凸起的部分条要动动动动动动动动动动动动动动动动动动动动动动动动动动动动尽量的,两部分同看,就会生明的比。 　　网状效果:动动 　　画直,笔动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动尖不能左右移,否容易造成面上墨水堆,要一口气画完。　　画直,首先画,如果动动动动动动动动动动动动动动动动动动动动动动遇到横,可将旋90动动动动动动度,仍以的形式来画,画要注意常擦干尺的和笔动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动尖,以免使条模糊不清或弄面。　　于初学者来,条的动动动动动动动动动动动动动动动动动动动动动动动动动动看似,操作起来却并不容易,因此,千万不可动动动: 　　它是画的基本动动动动动动动动动动动动动动动动动动动动动动动动动功,是手、眼、之配合的。 平随意画一些动动动动动动动动动动动动动动散乱的条或画一 　　些物体的局部,可以画好条大有动动动动动动动动动动动动动动动动动动帮助,尤其在初学段,动动动动动动动动动动动动动条的随随地的行,只 　　有多才能生动动动动动动动动动动动动动动动动动动动动动动动动动巧,以漫画家的画范本,注意模仿条的强弱,从中也会受益非浅。，LSMH 整理, 　　 　　??????　　　　　基本条　　　　　动动动动动动动动动动动??????　　　　通常的动动动动动动动动动动动动动动动动动动动动动动动型,画人物的将十分。不,如果你把它分解动动动动动动动动动动动动动动动动动动动动成基本元素来画,将会化此程。 　　如同中的,漫画动动动动动动动动动动动动动动动动动动动动动动动动动动式也是由多股成。然而,比起动动动动动动动动动动动动动动动动动动动动动一独股画出来,更好的方法通常是把它画成不每同大小、形状的。如所动动动动动动动动动动动动动动动动动动动动动动动格的一些最的形每示,是式。注意在大多情况下,在的动动动动动动动动动动动动动动动动动动动底部的条更弯曲一些,,如例中最左上的例子尤动动动动动动动动动动动动动动动动动动动动动动动明,低的比上的条曲度更大,更 富有深度,更加漫画化，anime 动动动动动动动动动动动动动动动动,一些。有表得很夸,有却能人瞧动动动动动动动动动动动动动动动动动动动动动动动动动动动,不大多股都会是基本的形每数的漫画型中,状。 　　当你知道动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动一如股何画好,就可以始将它合在一起,形成漫画格的型了每看看本的个动动动动 动例,注意从子，作者自己都不解左下角那干嘛要打折,每步第一始的基本是动动动动动动动动动动动动动动 动动动动动动在一怎运用的。那些相似的形状通常股穿于多不同的每型之中。上酌情画一条向外弯的曲作,将会得更形象一些。动动动动动动动动动动动动动动动动动动动 　　另一点得注意的是,动动动动动动动动动动动动动动动动动动动动动动你可以根据自己的喜好来描的,只需要动动动动动动动动动动动动动动动动增加的数即可。 　　在我始一些动动动动动动动动动动动动动动动动动动动动动动动动一每稍微的形状。注意如何改股动动动动动动动动动动动动动动动动一的大小和形股可以是而直的,状使其具有不同的特征。每也可以是粗而弯曲的。注意你可以把画得动动动动动动动动动动动动动动动动非常致,或非常,全在于你所动动动动动动动动动动股数的多少了。 　　里动动 动动动动动动动动动动动动动动动注意在例出了一些基本的型。弯曲、旋的候,其内部是如何重叠、嵌套的。之,动动动动动动动动动动动动动动动动动动动动动动动凭些两点你就可以画出相当有意思的型了:1动动动动、是有卷曲的,2动动动动动动动动动、真看完本教程。，LSMH 整理, 　　 　　??????　　　　　衣的制　　　　　动动动动动动动动动??????　　　　　　　衣服上的褶动动动动动动动动动动动动动动动动动动动动千万化,但是有律可循的,只要能掌握动动动动动动动动动动动动动动动动动动动动动动动动律,画衣就可以随心所欲。衣画面的表力有 十分重要的作用,是作者画的主要表方面之一。动动动动动动动动动动动 　　怎动动动动动动动动动动动动动动动动动动动动动才算画好衣呢,逸心有以下几点: 　　1.动动动动动动动动动动动动动动动动动动动动动动动动真。所真不是完全按照中的褶来画,而是 符合衣的形动动动动动动动动动动动动动动动动动动动动动动动成律,画面真可信,能体衣服的感、厚度,反映人体的形和。台动动动动动动动动动动动动动动动动动动动动动动动动动动动湾漫画家林政德的衣人的感就非常真。　　2.动动动动动动动动动动动动动动动动动动动动动动动动动。真的衣会有很多影响效果的条,只有其行动动动动动动动动动动动动动动动动动动动动动动动动动动取舍,剔除多余的条,用美的条表衣, 才能体漫画的美感。高动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动留美子画的衣服褶很少,看上去很清新、活。　　3.动动动富有化。CLAMP动动动动动动动动动动动动动动动动动动、城信和藤康介的画充分展了条 的魅力,利用繁动动动动动动动动动动动动动动动动动动动动动的条令画面富有特殊的感和韵律。中并不都有,动动动动动动动动动动动动动动动动动动动动动动动动动动动但在他的画里是可以衣裙当、舞。 　　衣服在受到的地方形动动动动动动动动动动动动动动动动动动动动动动动动成的路是最多的,条近似平行,如[A] 所示。　　相反,受到拉伸动动动动动动动动动动动动动动动动动动动肢体的地方,路一般呈放射状,延伸到衣平行,如所动动动动动动动动动动示。 　　画衣要注意动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动肢体扭来的条化,此衣是很重要的表的因素。　　此外,衣服动动动动动动动动动动动动动动动动动动动动动动动松、地柔的衣多,硬、窄的衣服褶动动动动动动动动动动动动动动动动动动动动动动动动动动少,薄的布料比厚的料子形成的衣碎。如左所示。 　　平可以先动动动动动动动动动动动动动动动动动动动动动动动动参照同学的衣,察褶与被覆盖物体动动动动动动动动动动动动动动动动动动动动动动动动的系,多看多画多比,看哪一画法更好,下来把常用到的衣动动动动动动动动动动动动动动动动动动动动动动动动动动动成符号,到用加几笔或减几笔,就成了新的衣了:　　画裙子,先得确定动动动动动动动动动动动动动动动动动动动动动动动裙子的地、厚薄,如果是一动动动动动动动动动动动动动动动动动动动动动动动的衣料,条用柔和且多的,牛仔裙可以尽管减少路,条硬动动动动动动动动动动动动动动动动动动动动动动动动朗,有普通的裙子,条可硬可。然后和的衣画动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动法一,条从的地方呈放射状画出,折叠的地方条平行。 　　其动动动动动动动动动动动动动动动动动动动动动动裙子和窗帘的画法差不多,只不成了筒状,可以从窗帘上一些条用在动动动动动动动动动动动动动动动动动动动动裙子上,有的裙子腰部折叠很多的,也有些裙子动动动动动动动动动动动动动动动动动动动动动成身式,自然站立的候几乎没有路,非常好画,但也要注意重力的作用会使裙动动动动动动动动动动动动动动稍微收而生弯曲起伏。平动动动动动动动动动动动动动动动动动动动动动动动要注意察女生,她本身就是一个很好的料集,女生的衣服动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动式要比男生的丰富的多,如果能注意收集,根本不必在画苦思冥想。，LSMH 整理, 　　 　　??????　　　　　技宝典——漫画心法　　　　　??????　　　　　画漫画也同动动动动动动动动动动动动动动动动动动动动动武功一,究个心法。我画漫画最主要的是想象,只要想得到就能画的出。动动动动动动动动动动动动动动动动动动动动至于笔上功夫只需握笔不抖足矣。　　在大家都动动动动动动动动动动动动动动动动动动动动动动动动动动动动动提倡画出自己的格,都想。但有些画友画了一年甚至几年都是动动动动动动动动动动动动动动动动动动动动动老子。有的画友的作品人物的形象,就是相分不,动动动动动动动动动动动动动动动动动动动动动动个角色都每差不多,只好靠型、服来区 分。什动动动动动动动动动动动动动动动动动动动动动动动动角度一啦,男女区不明啦。都同属于一个毛病,,没有融入自己的想象力,缺乏动动动动动动动动动动动动动动一个初学者都要察。模仿的每段,能在个段中得到动动动动动动动动动动动动动动动动动动动动动动悟,以后自己的画就会慢慢形 成。上面所到的动动动动动动动动动动动动动动动动动动动动动就出自一昧的模仿,并未加入自己的理解,只是把模仿的动动动动动动动动动动动动动动动动动动西成印象存了起来,画出来的作品再好,也只能被人家很动动动动动动动动动动动动动动动动动动动像某某。，漫画人最忌听的一句,模仿是基中的基,动动动动动动动动动动动动动动动动动动动动动动并不能完全依靠它。它是一个你接触漫画,漫画的一个动动动动动动动动动动动动动动动动动动动动动途径。你需要把模仿的西"动动动元"动动动动,次画都每加一点自己的看法,加以动动动动动动动动动动动动动动动动动动动日便会逐形成自己的格。有的画友,动动动动动动动动动动动动动动是不太好理解。教大家一个方法:在模仿他人作品,将他所画的西一个方向画。如一个人的向动动动动动动动动动动动动动动动动左,就把他画成向右,正面就画出方面。在画不出可以到生动动动动动动动动动动动动动动动动动动动动动动活中察,牢。注意:只是了自动动动动动动动动动动动动动动动动动动动动动动动动己的想象及分析能力,并非一画方法。功夫到家了,画画,中自动动动动动动动动动动动动动动动动动动动动动然会浮出一幅幅生的画,手都会跟不上想的,不必再搜索枯动动动啦: 　　另外画漫画也要注意动动动动动动动动动动动动动动动动动动动息,就是所的呼吸法。是我自己出来的一条。动动动动动动动动动动动动动动动动动动动动吸气吐气都要柔,吸气三秒,吐气四秒动动动动动动动动动动动动动动动动动动动动无什奇效,至少描手不会抖,条流。 　　再有,画漫画自动动动动动动动动动动动动动动动动动动动信很重要,画不好撕了重画的念一定要少之又少,撕掉重画,信心就不如第一次画了,效果也会减退。，心理学啊:,最好动是一次成功。 　　我再动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动几自己的几画漫画的禁忌,与心法无太大,但也挺有用的。　　第一、忌画 动动动动动动动动动动动动动动动动动动动动动动放,放音可以。就是眼前不要有干。人的大分两动动动动动动动动动动动动动动动动动动动动动动半,主要工作的只是其中一半,另一半也不是没用,它可以帮助你听音动动动动动动动动动动动动动动动动,助你那一半,使感官放松,不易疲动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动。可以分出一半你听音。眼睛可不会再生出一来你看喔。　　第二、忌 动动动动动动动动动动动动动动动动动动动动动动遇技法而参照漫画,其内容。因个候思想动动动动动动动动动动动动动动动动动动动动动动动动集中,很容易入情,从而使你忘手中一件更重要的事,,自己的动动动动动动动动未画完。，惨, 　　第三、忌画 动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动吃西。旁也不要放水,一是分心,二是很容易弄画稿。　　第四、忌不 动动动动动动动动动动动动动动动动动动洗手画。吃前要洗手,画漫画前也要洗手,不要搞得画面、动动动动动动动动动动乱、差再后悔呦。 　　第五、忌画用手 动动动动动动动动动动动动动动动动动动动动动摸。上分泌的油会随手到画面上,干干的画稿人的动动动动动动动动动动动动动动动动动动动动动动动动第一印象就是舒服。告你,动动动动动动动动动动动动动动动动动动动动动动动动动动动动动的稿件会先考的。，我也不大清楚,之干的画一定占, 　　第六、忌 动动动动动动动动动动动动动动动动动动动动动动动动动动动动动疲，夜,。所有状都会大打折扣,决不是危言听啊:　　第七、, ……动动动动没那多啦: 　　画友动动动动动动动动动动动动动动动动动动动动动动都担心遇到以上情况,不必担心,都有犯的动动动动动动动动动动动动动动动动动动动动动动动动候,我正是犯上述一切才悟到些的,能悟到是候,就是成功之。好了,不多了,有点动动动动动动动动动动动动动动动动动动动动动动像佛学啦。所精所至,金石动动动动动动动动动动动动,祝各位画有成:，LSMH 整理, 　　 　　??????　　　　　漫画中光动动动动动动动动动动动动动动动动影的研究　　　　　??????　　　我在所到的漫画,通常动动动动动动动动动动动动动动动动动动动动动动动指的都是黑白漫画,漫画的基本原理是通条、涂黑和网点动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动儿来表生活当中物体的廓和光影表。　　所以,制作黑白漫画的人有必要动动动动动动动动动动动动动动动动动动动动动动动真的研究光的各属性以及影的各表形式。　　首先,我了解动动动动动动“”动动动动动动奇异什是光。从物理学的角度来,光是一的物,它既具有动动动动动动动动动动动磁波的衍射、反射、干等等一般的涉属性,也具有一些粒子才会表出来的特性。物理学上称之动“动”动波粒二性。 　　在制作动动动动动动动动动动动动动动动动动动域里,光都有那些了解的属性呢, 　　个人从漫画制作所要用的方面来,光具有如下的一些基本动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动量的属性:　　1.动动动动动动动动动动动动光源位置:光源相物体所的方向和距离。 　　2.动动动动动动动动柔和度:由光的漫反射的程度、光源的面和光的度等因素所决定强的光照射到物体上的柔和程度。 　　3.亮度:光的明亮程度。 　　4.动动动动动色彩:光源的色属性。 　　5.动动动动动动动动动动动动动动动动动动动动动衰减:由于光波的放射性运度而生的逐强弱的象。位面上光的 　　6.动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动遮:在光的播程当中,由于物体的阻而生影区域的象。　　7.色温:19动动动动动动动动世,英国物理学家Willian Kelvin动动动动动动动动动动动动，文,的一碳出的光随着温度的不同而生出不同色的象。比动动动动动动动动动动动动动动动动动动动低的色温影响暴光出动动动动动动动动动动动动动动动动动动动动动动动偏色的光,比高的色温影响暴光出偏色的光。，具体内容参考影动动动动动动动动的有知, 　　正确地了解以上光的属性,不会直接地提高你的画技,但是通些动动动动动动动属性的正确把握和运用,可以逐动动动动动动动动动动动动动动动动动动地提高你画面里人物和各物体的真感,并且能使你的画具有一般人所无法表出的动动动动动动动动动动动动动惊人的光影比效果。 　　我常动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动看到日本漫画中各光和影的运用。例如非常型的鼻子面的影、男性角色特写动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动出在面部上的影等等。不,由于日式漫画独特的画特点,很多日式漫画里的人物和动动‘’动动动动动动景平面化，都得有一点缺乏立体感,甚至很多是被故意制作得因可以方便相动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动品的研,。但是,几乎在所有必光影效果的景中,日本的漫画制作人都 会一不动动动动动动动动动动动动动动动动动动动动动动动一苟地影完善好,可光每影的研究是一个立志于每漫画制作的人都不能放松的必修。‘动’ 　　精确地把握影动动动动动动动动动动动动动动效果的路径只有两条:1.动动动动动动用数学和物理的方法密每地算个光的位置、方向、亮度、反射、色温等数动动动动动动动动动动动动动动动动动动动,推算出各个光在物体周形成的影,2.通生动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动活的致察以及学美学中的光影知,靠表物体周的影效果。　　一般只有动动动动动动动动动动动动动动动动动动动动动动动算机件的人和物理学家才能精通第一方法,他动动动动动动动动动动动动动动动动动动动动动动动动会出各算影和表面亮度的方程式来算影效果。不些人，动动动动动动动动动动动动动动动动动动动动动动动件程序、光物理研究人,往往美功底不足,作不出什动动动动动动动动动动秀的作品。，3D动“”动动动动动动动动件中的渲染是方式的最主要用形动动动动动式, 　　而一般的家和美工作者由于动动动动动动动动动动动动动动动动动动动动动动动动没有学大量的数理知因而通常采用第二动动动动动动动动动动动动动动动动动动动个制作方法。不具体的方每法和是由 人自动动动动动动动动动动动动动动动动动动动动动动动动己来掘,你甚至可以自己研究一把以上两方法动动动动动动动动动动动动动动动动动动动动动动动动合起来的合方法。但要住,一切光影表方法都动动动动动动动动动动动动动动动动动动动动动动动动学会从生活里,多察身的各影:皮的影、衣服的动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动影、室内的影、外的影等等,心察万事万物就是家最好的老。　　下文就是在一些动动动动动动动动动动动动动动动动动动动动第二方法的用方法和理。 　　下面将通分动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动析一些光的属性的具体用方法,来漫画中的光和影的作用。　　，一,柔和度 　　光的柔和度和亮度是决定其所形成影型动动动动动动动动动动动动的两个主要因素。 　　在日常生活中,柔光是最常的,动动动动动动动动动动动动动动动日光灯、窗外投射屋内的光、各动动动动动动动动动动动动反光等等都属于柔和光。 　　光的柔和属性在各动动动动动动动动动动动动动平面制作中用非常广泛。 　　通常在表动动动动动动动动动动动动动动动动动动动动女性或儿童的特写都使用柔和光,因柔和光所呈动动动动动动动动动动动动动动动动动动动动动动动的影具有最多的次感和比小的比,在表一些恐怖气氛、男性特写动动动动动动动动动动动动动动动动常常可以看到硬光，不柔和光,,硬光会使人物，物体,的表面看起来棱角分明、富有力度感。 　　不以上些都是从动动动动动动动动动动动影和3D动动动动动动动动动动动动动动动制作域的工作中的,在漫画中我不一定动动动动动动动动动动动动动动动动动动动动动动动动非要了解各灯光的位置放和灯光的方法,只要正确地把握各灯动动动动动动动动动动动动动动动动动动光所形成的影和散效果就了。 　　一般越柔和的光照射到物体上后所形成的动动动动动动动动动动动动动动动动动动动动动影就越模糊,影会由黑色到灰色。柔和的光非常适合表富有次感和感的动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动强物体和人物。相反,越不柔和，聚的光、很的光或者 动动动动动动动动动动动动动动动动动动动动动动动距离物体很近的光源出的光,的光照射到物体后所形成的影就越清晰,而且动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动比的影几乎景不会。强浅，很的黑色,,所以光常用来表需要 　　，二,遮动 　　遮动动动动动动动动动动动动动动动动动动动动动动动可以是最常的一光影象。人的影子、物体的动动动动动动动动动动动动动动动动影、日食等等都是它的表形式。 　　一个被各影动动动动动动动动动动动动动动动动动动动动动动和漫画用的典遮例子就是:吸血鬼式影动动动动动动动动动动动动动动动动动动动动动动动。吸血鬼，或者恐怖的人或怪物,在登之前几乎都会有它动动动动动动动动动动动动动动动动动动动动动动森的影子特写作前奏,而且了表一些需要避动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动，血腥,或者需要恐怖气氛的面,通常也会运用壁上的影。 　　遮动动动动动动动动动动动动动动动的最主要例子当然就是影子了。 　　生活里,我动动动动动动动动动动动动动动动动每每天都会到很多个人都可以影子,所以算 是动动动动动动动动动动动动动动动动动动动动动动动动察影子的家。在漫画和画里,如果影子的理有,很动动动动动动动动动动动动动动动动容易人画面失真的印象。 　　例如,如果人物的所有影子都被省略,那动动动动动动动动动动动动人物可能看起来像在空中,因动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动人常年光影的累已形成了。人会 自然的把影子始的点是人的立动动动动动动动动动动动动动动动动动动动动动足点,人也会根据影子的度和方向动动动动动动动动动动动动动动动动动动动动动动判断出光源的高度和方向。如果没有影子,人的眼睛就会找不到参照物,会生一些。动动动动动动动 　　不有动动动动动动动动动动动动动动动动动动动动动动动趣的是,影子在漫画里并非像在生活里那被无无刻动动动动动动动动动动动动动动动动动动动动动动动的致地表。在漫画里,影子多是用作特殊用途:渲染气氛、表心动动动动动动动动动动动动动动动动动动动情、丰富景等等。而人脚下的影子常常会用几个的条来表。动动动动动动动动动动动动动动动动 　　比如在表动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动晴朗的天气的候,很多候就会用上影效果。晴朗，很晒,的天气或着动动动动动动动动 动 动动动动动动动生的的影天气子，廓很明,,常用比很和大，强,天下雨沙暴, 天气就动动动动动动动动动动动动动动动动动动动动动动动动动常用比比小的影子。就扯到了光的衰减,在能度比动动动动动动动动动动动动动动动动动动动动动动动动低，空气中的浮粒多,的境下,光的衰减速度会大于晴朗干燥的天气,所以动动动动动动动动动动动动动动动影部分也相的得比模糊。 　　漫画家也常常通拉或者动动动动动动动动动动动动动动动动动动动动动动短影子的手法来反映太阳的位置,从而接地表动动动动动动动动示。 　　另外当漫画中的人物戴着帽子，有帽檐的,的候,也常用动动动动动动动动动动动动动动动动动动帽檐的影来表人物的心情 动动动动动动动动动动动动动动动动动或遮人物的目光，有托人物目光,。 　　影子的运用方法动动动动动动动动动动动动动动动一都需要多在太多了,察并且不断地在每自己的作品中动动动动动动动动动动动动动动动动动动动动动动动动动动践。大家在后面留下一些自己的运用,共同探。 　　下面一下表动动动动动动动动动动动动动动动动动动动遮效果注意的技。 　　首先必明确,有的漫画手动动动动动动动动动动动动动动动动动动动动动动动法表影是比力的。如果出版社动动动动动动动动动动动动动动动动动动动动动动动动动你有上的硬性要求,那你学会影的取舍。 　　例如你要表一个人动动动 动动动动把一物站在下的画面,最理想的遮效果片当然就是叶每的动动动动动动动动动动动动动动动动动动动动动动动动影在人物面部和身体上形成的影都表出来。不以有的动动动动动动动动动动动动动动动动动动动动动动动动动动技和限制,恐怕都是不的,于是就要根据作品中个动动动动动动动动动动动动动动动动动动动动动动动景的重要程度来确定影的程度。你甚至可以几乎不用动动动动动动动动动动动动动动动动动动动动动动动动动动动动动影,只表一些不同灰度的色,有也会生不的效果。 　　如果有必要表比的动动动动动动动动动动动动动动动动动动动动动动影效果,那你就多注意察一下生活里动动动动动动动动动动动动动动动动动动动动影落在物体上的情况,物体的表面往往是凹凸的,动动动动动动动动动动动动动动动动动动动动动动动影在投影到些表面上的候也会生相的弯曲和明暗度的化。常动动动动动动动动动动动动动动动动动动动动动坐在底下,画一些影形成的廓，不用黑,动动动动动动动动动动动动动动动动动动动动动动动动动省,和表示灰度的条,察光移以后影的化。动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动你也可以坐在你的台灯上来研究影。重要的是要主察。　　在动动动动动动动动动动动动动动动动动动动动动动动动察以后,你会大多数情况下影和你的想像有不少区,注意动动动动动动动动动动动动动动动动动动动动动动动动住些区,因就是你的作品不同于人作品的地方。改善那些不写动动动动动动动动动动动动动动动动动动动动动动动动动动的地方,即使是只用几个条来表,也一需要察。　　，三,色温 　　色温是一个生活中很少用到的概念,但是在动动动动动动动动动动动动影学当中她却非常常。 　　首先必明确,色动动动动动动动动动动动动动动动动动动动动温并不是一个温度概念,它只能用来解光的色彩在感光动动动动动动动动动动动动动动动动动动动物体上生化的原因。 　　任何感光物体，胶片、眼睛等,都有一个正常曝光候的色动动动动动动动动动动温，色彩平衡的色温动动动动动动动动动动动动动动动动动动动动动动动,,当光的色温高于个平衡的候会曝光形成偏动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动的色,而当光的色温低于个平衡的候会曝光形成偏的色。　　也就是,色动动动动动动动动动动动动动动动动动动动动动温只会影响光的色属性而不会影响它的亮度。那动动动动动动动动动动动动动动动它在黑白漫画中有什作用呢, 　　动动动动动动动动动动动动动动动动动动动动动动动动动就要从人的眼睛光的色属性的始起了。在 美学里面,把、动动动动动动动动动动动动动动动动动动动动动动动动动黄、三色作基本色，色彩中的 三原色,,而在动动动动动动动动动动动动动动动动动动动动动动动动算机制和示域里,把、、三中色作动动动动动动动动动动动动动动动动动动动动动动动动准色，光的三原色,,不在两个域里都是由三色动动动动动动动动动动动动动动动动动动动动按照不同的比例混合形成其他的色。 　　但是人眼动动动动动动动动动动动动动动动动动动动动动动动、、三色的灰度感是不同的。一般而 言,人眼会色相另外两色是比明亮的，动动动动动动动动动动动动动动动动动动动动动动动偏向于白色,,色在人的动动动动动动动动动动动动动动动动动动动动动动动动动动动动眼中一般形成中的灰度,而色形成很深的灰色。 　　所以在一些黑白漫画作品中,当同要表动动动动动动动动动动动动动动动示色和色的候，如法国国旗,,一般用比动动动动动动动动动动动动动动动动动动动动动动动动动动动动动浅的灰度网点来表示色,而用比深的灰度网来表示色。　　也就是因动动动动动动动动动动动动动动动动动动动动动人眼的,光的色温属性才得以被运到黑白漫画当中。，LSMH 动动整理, 　　??????　　　　　速写在漫画作中的作用动动动动动动动 :??????　　　　　速写能培动动动动动动动动动动动动动动动动动动动动动动动动动动动我敏的察能力,使我善于捕捉生活中美好的瞬。　　速写能培动动动动动动动动动动动动动动动动动动动动动动动我的画概括能力,使我能在短的内画出象的特动动动动动动 征。 　　速写能作动动动动动动动动动动动动动动动动动动动动收集大量素材,好的速写本身就是一幅完美的动动动动 品。 　　速写能提高我形象的能力和动动动动动动动动动动动动动动动 默写能力。 　　速写能探索和培动动动动动动动动动动动动动 具有独特个性的画格。 　　速写动动动动动动动动动动动动动动动动动动动动动动名思是一快速的写生方法,有草的意思。速写同素描一,不动动动动动动动动动动动动动动动动动动动动动动动但是造型的基,也是一独立的形式。因此速写在漫作中有着动动动动动动动动动动动动动动动动动动动重要作用,是一基本功。 　　于初学者来,速动动动动动动动动动动动动动动动动动动动动动动写是一造型合能力的方法,是我在素描中所提倡的整体意的用和动动动动动动动动动动动动动动动动动动动展。速写的合性,主要受限于速写作画的动动动动动动动动动动动动动动动动动动动动动动动短,短又受限于速写象的活特点因动动动动动动动动动动动动动动动动动动动动动动动动速写是以运中的物体主要描写象,画者在没有充足的行分动动动动动动动动动动动动动动动动动动动动动动动动析和思考的情况下,必然以一的合方式来表。动动动动动动动动动动动动动动动动动动动动动动动因此于初学者来,速写是一学用化形式动动动动动动动动动动动动动动动动动动动动动动动动动动合表运物体造型的画基程。速写最能表出画者敏动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动动的察能力和物世界的新感受,画面生感人,是速写的一个著特征。　　速写是在动动动动动动动动动动动动动动动动动动动动动动动短内迅速将象描下来的一画形式,它具有收集动动动动动动动动动动动动动动动动动动动动动动画素材、造型能力两大方面的功能。因作画动动动动动动动动动动动动动动动动动动动动动动动动动短,在描象,放笔直取,它可随描我周生活中 的任何物象,特动动动动动动动动动动动动动动动动动动动动动动动擅描写运中的象和瞬即逝的。期 持画速写,可动动动动动动动动动动动动动动动动动动动动动动动动日后搞美作和美累下丰富的素材。 速写又是一手能力的动动动动动动动动动动动动动动动动动动动动动动动动动良好方法。我提倡从学画段