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10。[脚部解剖素描脚]。

2017-11-28 50页 doc 165KB 32阅读

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10。[脚部解剖素描脚]。10。[脚部解剖素描脚]。 1 00:00:00, 200 - - > 00:00:08, 200 Usually, when everyone draw hands and feet, will encounter many difficulties 2 00:00:08, 200 - - > 00:00:17, 200 Paint this two parts, the key lies in the fact that through the tendon is a very complicated here ...
10。[脚部解剖素描脚]。
10。[脚部解剖素描脚]。 1 00:00:00, 200 - - > 00:00:08, 200 Usually, when everyone draw hands and feet, will encounter many difficulties 2 00:00:08, 200 - - > 00:00:17, 200 Paint this two parts, the key lies in the fact that through the tendon is a very complicated here 3 00:00:17, 200 - - > 00:00:33, 200 We use simple structure to paint this two part of the overall structure, now, let's foot 4 00:00:33, 200 - - > 00:00:41, 200 I want to talk about a few basic structure, we need to draw some muscles 5 00:00:41, 200 - - > 00:00:49, 200 But at first we draw the foot, ankle 6 00:00:49, 200 - - > 00:00:55, 200 Ok, if you look at the ankle, you can see this structure 7 00:00:55, 200 - - > 00:01:41, 200 Here is the fibula, it down, we want to draw the structure 8 00:01:41, 200 - - > 00:01:55, 200 I want to observe and draw the structure, it's across from here in the past, reaching out to here 9 00:01:55, 200 - - > 00:02:07, 200 We will be the picture here, in fact it is not just a line here, the corner outward 10 00:02:07, 200 - - > 00:02:17, 200 We according to the basic coordinate sketch, this part of the lateral is a bit low, inside is a bit high 11 00:02:17, 200 - - > 00:02:27, 200 Do you want to draw the part, normally, you won't pay attention to consider this part 12 00:02:27, 200 - - > 00:02:35, 200 This part is very simple, it looks very interesting, you have to remember 13 00:02:35, 200 - - > 00:02:39, 200 This Angle, we need to address it across from here 14 00:02:39, 200 - - > 00:03:26, 200 We use a very simple method of drawing the feet, first draw the general attitude 15 00:03:26, 200 - - > 00:03:35, 200 You can come back to first look at the thighs 16 00:03:35, 200 - - > 00:03:41, 200 Line from here through to, now we observe side, if you look at the knee 17 00:03:41, 200 - - > 00:03:48, 200 This part of the down, to the inside of the knee extension, this part extends outward 18 00:03:48, 200 - - > 00:03:52, 200 We see the inside of the legs 19 00:03:52, 200 - - > 00:04:01, 200 First, we draw the simple lines, it extend to the inside, and then through from here 20 00:04:01, 200 - - > 00:04:05, 200 Now, I use very simple methods to draw here 21 00:04:05, 200 - - > 00:04:09, 200 Now, we began to draw from this simple structure 22 00:04:09, 200 - - > 00:05:09, 200 Many people in this portion will meet with difficulties, we observed the foot now, here is an Angle 23 00:05:09, 200 - - > 00:05:18, 200 Here is a triangular structure, it down, usually, we are here to draw a straight line 24 00:05:18, 200 - - > 00:05:26, 200 You have to imagine, feet into shoes, now, this is a very simple line 25 00:05:26, 200 - - > 00:05:33, 200 You can consider, this part to the inside of the extension, through to it from here 26 00:05:33, 200 - - > 00:05:40, 200 Now we don't start painting from the side, this part becomes more difficult to draw 27 00:05:40, 200 - - > 00:05:46, 200 I will began to paint from behind, we are back to sketch 28 00:05:46, 200 - - > 00:06:42, 200 If you look at the back of the leg, this part is like a rocker 29 00:06:42, 200 - - > 00:06:47, 200 Now, we draw the heel starting position 30 00:06:47, 200 - - > 00:07:03, 200 We draw the center of the heel, it from the bones to passing through the middle 31 00:07:03,200 - > 00:07:10, 200 You want to draw this point, we will now here slightly bent 32 00:07:10, 200 - - > 00:07:20, 200 If you look at here, you'll find here goes back, to the inside, and then down 33 00:07:20, 200 - - > 00:07:28, 200 You can see the bone down, I to sketch the 3/4 34 00:07:28, 200 - - > 00:07:38, 200 This part extends outward, we are here to draw this boundary, this part through to now 35 00:07:38, 200 - - > 00:08:26, 200 The bone is extended, it extends outward 36 00:08:26, 200 - - > 00:08:36, 200 This structure passing through here, and then slide back, here is a corner 37 00:08:36, 200 - - > 00:08:43, 200 It down, and then to the inside of the extension, this part extending to the lateral 38 00:08:43, 200 - - > 00:08:47, 200 This is the initial part of the structure 39 00:08:47, 200 - - > 00:08:52, 200 We are here to draw the gap and start to extend back line 40 00:08:52, 200 - - > 00:09:02, 200 Now we look at the outside, you can see this part is very low, it down 41 00:09:02, 200 - - > 00:09:09, 200 It down here, the proportion of the foot you want to see 42 00:09:09, 200 - - > 00:10:08, 200 Ok, the foot center coordinates, the distance from here to here, this is the starting position of the bone 43 00:10:08, 200 - - > 00:10:19, 200 It stretches from here to here, now, the part is the general structure of the legs 44 00:10:19, 200 - - > 00:10:28, 200 Little toe in the distance from here, the distance from here to here 45 00:10:28, 200 - - > 00:10:35, 200 It start from this, this is the center of the foot 46 00:10:35, 200 - - > 00:10:44, 200 Roughly the distance from here to here, so now we got the distance 47 00:10:44, 200 - - > 00:10:57, 200 Now let's watch here, it is in this side extending outward, you can see this part of the space 48 00:10:57, 200 - - > 00:11:41, 200 We are here to draw this part of the space, will bend here 49 00:11:41, 200 - - > 00:11:51, 200 If you watch carefully, will see how big toe is extending outward 50 00:11:51, 200 - - > 00:12:03, 200 Now you watch here, want to consider the bones 51 00:12:03, 200 - - > 00:12:19, 200 Shin has an arched structure, it's across from here, you can see the Angle extended upward 52 00:12:19, 200 - - > 00:12:36, 200 It extends and outward, now, this part down, this part I will be simplified 53 00:12:36, 200 - - > 00:13:31, 200 Ankle down to the big toe, it extend along the Angle downward 54 00:13:31, 200 - - > 00:13:39, 200 Line from here through to reach down, and then through here 55 00:13:39, 200 - - > 00:13:43, 200 Now you can see, this part of the backward outspread 56 00:13:43, 200 - - > 00:13:54, 200 This part is very important, you should know what part of themselves in the foot 57 00:13:54, 200 - - > 00:14:02, 200 We see there is a structure of waveform, it is located in here 58 00:14:02, 200 - - > 00:14:16, 200 Now, this portion of the gap through here 59 00:14:16, 200 - - > 00:15:04, 200 When you observe the back from the perspective of 3/4, will see this part 60 00:15:04, 200 - - > 00:15:15, 200 We will be here as a cylinder structure,It goes back 61 00:15:15, 200 - - > 00:15:22, 200 In fact, this part is to be located in here, the bone extending, stretching back here 62 00:15:22, 200 - - > 00:15:35, 200 The line from here through to, now we see that this part goes back to here 63 > 00:15:39, 200 00:15:35, 200 - - Now we want to emphasize this part 64 00:15:39, 200 - - > 00:15:49, 200 When we draw the time-sharing, observe the front of the foot, you can see this part 65 00:15:49, 200 - - > 00:15:58, 200 These parts down to the inside of the foot, they extend along a straight line, and then outward 66 00:15:58, 200 - - > 00:16:41, 200 The lateral extending down along the Angle 67 00:16:41, 200 - - > 00:16:47, 200 Now, draw the simple structure, we got this line 68 00:16:47, 200 - - > 00:16:55, 200 I further observe this simple structure, in 3/4 place, I will be slightly curved lines 69 00:16:55, 200 - - > 00:17:04, 200 Now I continue to paint in this way, we see this part extends to the surface 70 00:17:04, 200 - - > 00:17:16, 200 I will be this simple painting a three-dimensional structure, the ankle behind 71 00:17:16, 200 - - > 00:17:29, 200 Now, we draw a series of plane in the feet and here are similar and hands 72 00:17:29, 200 - - > 00:17:34, 200 This part you will from side to side 73 00:17:34, 200 - - > 00:18:27, 200 You can see this part is extended, so we are in this little out of the center 74 00:18:27, 200 - - > 00:18:42, 200 Line is such extension, we like to paint, this part we will be broken down into simpler structure 75 00:18:42, 200 - - > 00:19:01, 200 Ok, we got this in the top part, this part down 76 00:19:01, 200 - - > 00:19:11, 200 We got a series of plane, which extends outward, connected to the foot is flat structure 77 00:19:11, 200 - - > 00:20:00, 200 Now, we draw a very simple plane, we see the plane over here, down along the side 78 00:20:00, 200 - - > 00:20:18, 200 They are extending outward, through to from here, to wear in the past, these lines down 79 00:20:18, 200 - - > 00:20:28, 200 Now we draw the agency, it down, down the bones through here 80 00:20:28, 200 - - > 00:20:40, 200 Now we return to heel, structure of this section down now 81 00:20:40, 200 - - > 00:20:52, 200 Down the tendons, connection here, extending down these tendons 82 00:20:52, 200 - - > 00:21:45, 200 We have to look at the side of the heel, it down, and across from here 83 00:21:45, 200 - - > 00:21:53, 200 Now, gastrocnemius and soleus tendon down, connected to here 84 00:21:53, 200 - - > 00:22:06, 200 At this point, this part is to protect tendons, it connects at the end of it 85 00:22:06, 200 - - > 00:22:16, 200 We observe from behind, you got the point, we use different color to paint 86 00:22:16, 200 - - > 00:22:32, 200 Now we are going to talk about this part, the tendon is connected to this, down 87 00:22:32, 200 - - > 00:23:26, 200 Line is down, through from here, now, we have to draw the shape of the bone 88 00:23:26, 200 - - > 00:23:34, 200 This extension, it is one of the major features of the foot is here we need to add many parts drawing 8900:23:34, 200 - - > 00:23:38, 200 We are going to talk about the general structure here 90 00:23:38, 200 - - > 00:23:46, 200 You want to be in the foot to draw the biggest structure are the parts 91 > 00:23:58, 200 00:23:46, 200 - - Now we are going to draw some more structure in the feet and the footprints, for example, we observed the structure 92 00:23:58, 200 - - > 00:25:01, 200 Draw the foot fat pad, when foot contact with the ground, the fat pad is doing its job 93 00:25:01, 200 - - > 00:25:12, 200 You draw this part here, you must draw this point, this part is very thick 94 00:25:12, 200 - - > 00:25:21, 200 When you observe the bone, we add to draw the foot fat pad at the heel, it extends outward 95 00:25:21, 200 - - > 00:25:35, 200 You can see, I will be here to highlight, this structure is very thick 96 00:25:35, 200 - - > 00:25:47, 200 Fat pad is located in the lower part of the bone, we to see profile, bones down from here 97 00:25:47, 200 - - > 00:25:56, 200 Fat pad to around the corner, down here 98 00:25:56, 200 - - > 00:26:45, 200 This has a lot to do with the overall structure, it's through from here 99 00:26:45, 200 - - > 00:26:51, 200 We are going to talk about the bone and fat pad, through the line from here 100 00:26:51, 200 - - > 00:27:04, 200 Ok, now we will line through all of these different parts, we are in the inside of the foot draw these structures 101 00:27:04, 200 - - > 00:27:09, 200 We are in the inside of the draw a straight line, painting for the lateral bending 102 00:27:09, 200 - - > 00:27:17, 200 This part extends to the edge, we will line from here through to, we observed from the inside 103 00:27:17, 200 - - > 00:27:32, 200 I in this plane sketch, we draw the tendon behind 104 00:27:32, 200 - - > 00:28:23, 200 We will line down to the heel, first of all, we draw the whole part, it stretches 105 00:28:23, 200 - - > 00:28:35, 200 We to see fat pad, I draw a fat pad, his passing through here, and then to the inside of the extension 106 00:28:35, 200 - - > 00:28:39, 200 We will line across the corner, then turn the medial extension 107 00:28:39, 200 - - > 00:28:43, 200 They are extending outward, to wear in the past 108 00:28:43, 200 - - > 00:28:48, 200 This part extends to the surface, down, and then to the inside of the extension 109 00:28:48, 200 - - > 00:29:05, 200 Now we are both sides draw the adductor muscle, adductor muscle and extensor down from here, across here 110 00:29:05, 200 - - > 00:29:12, 200 Them across the past, this a series of muscle extending down from the inside, and hand drawing are the same 111 00:29:12, 200 - - > 00:29:18, 200 They extends outward along the toes, and then passing through here 112 00:29:18, 200 - - > 00:30:02, 200 We got this structure, it over here 113 00:30:02, 200 - - > 00:30:15, 200 We are here to draw the little toe, it's across from here in the past, we in this observation of this structure 114 00:30:15, 200 - - > 00:30:27, 200 We are going to talk about this part, they are across from here in the past, extending to the inside 115 00:30:27, 200 - - > 00:30:34, 200 We can see this part of the cross over from here, you want to consider the location of the bone 116 00:30:34, 200 - - > 00:30:42, 200 We observe the fat pad, it across here, down 117 00:30:42, 200 - - > 00:30:51, 200Now we get this part, it through from here, and now we see the big toe 118 00:30:51, 200 - - > 00:30:59, 200 It through from here, you draw the ankle, we draw this part here 119 00:30:59, 200 - - > 00:31:45, 200 Here are two lines of bone, they are through from here, to this point 120 00:31:45, 200 - - > 00:31:56, 200 Now we are to deal with the big toe, this part of the way 121 00:31:56, 200 - - > 00:32:13, 200 Now the point located at the bottom of the big toe, the bone and the kneecap is similar 122 00:32:13, 200 - - > 00:32:25, 200 These muscles is such extension, they located above it 123 00:32:25, 200 - - > 00:32:32, 200 You can see the bone here, we will line down, draw this part 124 00:32:32, 200 - - > 00:33:26, 200 Down this part, the drawing and hand are the same, we got the surface 125 00:33:26, 200 - - > 00:33:35, 200 It down along the corner, we draw the part, through to it from here 126 00:33:35, 200 - - > 00:33:42, 200 But you draw the bow structures below 127 00:33:42, 200 - - > 00:34:01, 200 The fat pad is to protect the foot, it is located in the lower part, through from here 128 00:34:01, 200 - - > 00:34:07, 200 We get this part, extended to the midpoint of the joints, this part extending down along the fat pad 129 00:34:07, 200 - - > 00:34:15, 200 Here is the joints, you can see fat pad down 130 00:34:15, 200 - - > 00:35:05, 200 Fat pad extends outward to the lower part, through from here 131 00:35:05, 200 - - > 00:35:11, 200 Here we draw a prominent part of fat pad extending outward, then down 132 00:35:11, 200 - - > 00:35:18, 200 Now you can see here we draw a circle structure 133 00:35:18, 200 - - > 00:35:22, 200 Line through to, you can see the corner of the bones in this field 134 00:35:22, 200 - - > 00:35:32, 200 We are here to draw the bone around the corner, it down, tendon down, through here 135 00:35:32, 200 - - > 00:35:45, 200 This part is connected to the here, extending outward, through to from here, we have to deal with the bone 136 00:35:45, 200 - - > 00:35:55, 200 Now toes extends outward, we will line is extended to this part 137 00:35:55, 200 - - > 00:36:48, 200 We should pay attention to the foot fat pad, which is located in the center of the joints, here we want to see 138 00:36:48, 200 - - > 00:37:02, 200 We are here to draw the joints, fat pad to here, extending down the square structure 139 00:37:02, 200 - - > 00:37:09, 200 Big toe fat pad 140 00:37:09, 200 - - > 00:37:21, 200 I have a friend, it is in an accident lost his thumb 141 00:37:21, 200 - - > 00:37:30, 200 No thumb is hard work, so they will be his big toe transplantation to the thumb 142 00:37:30, 200 - - > 00:37:36, 200 This is amazing, it looks like a big toe, but function and thumb is the same 143 00:37:36, 200 - - > 00:38:24, 200 But recently I found interesting point 144 00:38:24, 200 - - > 00:38:31, 200 The balance of the body is depends on the little toe, rather than the big toe 145 00:38:31, 200 - - > 00:38:36, 200 You may not have a big toe, but if you lose the little toe is in trouble 146 00:38:36,200 - > 00:38:42, 200 It will be very hard to walk or maintain balance, so this part is very important 147 00:38:42, 200 - - > 00:38:50, 200 You can see my line extension, draw the square at the top of the bone structure, and then down 148 00:38:50, 200 - - > 00:38:56, 200 When we speak fat pad, big toe is extended 149 00:38:56, 200 - - > 00:39:08, 200 We want to consider these three fat pad, them from here through to, this section is located in the end 150 00:39:08, 200 - - > 00:39:18, 200 We are here to draw the structure, we observe the larger side down 151 00:39:18, 200 - - > 00:40:01, 200 Through to the lines, you want to consider, is down the corner 152 00:40:01, 200 - - > 00:40:10, 200 The bone is connected to the down here, extending down fat pad 153 00:40:10, 200 - - > 00:40:16, 200 Fat pad in here, the joints in here, this part down 154 00:40:16, 200 - - > 00:40:27, 200 From the foot of the fat pad to this part, we draw a slash in the inside 155 00:40:27, 200 - - > 00:40:38, 200 When we draw here, we got this part of the space in the middle of it 156 00:40:38, 200 - - > 00:40:48, 200 We see this painting is very good, the line through the points, you may see here 157 00:40:48, 200 - - > 00:40:58, 200 But you have to draw this portion of the gap here, we should pay attention to the fat pad 158 > 00:41:51, 200 00:40:58, 200 - - This part from this part of the down, and then extends outward, remember to watch your feet 159 00:41:51, 200 - - > 00:41:59, 200 Here are two joints, we got the three parts 160 00:41:59, 200 - - > 00:42:06, 200 This section extends outward along the line, we got the plane 161 00:42:06, 200 - - > 00:42:16, 200 This part of the medial extension, passing through here, down, now I'm painting the outside 162 00:42:16, 200 - - > 00:42:32, 200 We have to paint the back of the leg, now we are expanding the scope of the drawing, line is extended upward to the leg 163 00:42:32, 200 - - > 00:43:35, 200 Remember to draw this part of the tibia, crossed this line here, these muscles down 164 00:43:35, 200 - - > 00:43:47, 200 All of the extensor outward through here, we start from here, to draw the fibula is behind this 165 00:43:47, 200 - - > 00:43:51, 200 We will line down, now, we draw in 3/4 in this part 166 00:43:51, 200 - - > 00:44:02, 200 Tibial extending outward, we are going to draw a corner here 167 00:44:02, 200 - - > 00:44:17, 200 Fibula down, extending outward from here to the surface, the line is simple 168 00:44:17, 200 - - > 00:45:03, 200 Line is down, from here through to observe the bone, it goes back 169 00:45:03, 200 - - > 00:45:09, 200 Tendon extended down to the fat pad 170 00:45:09, 200 - - > 00:45:18, 200 Now, I use a simple form of draw the side, when you draw the time-sharing, want to consider this 171 > 00:45:42, 200 00:45:18, 200 - - Now this simple line is the bone, this simple structure down, through here 172 00:45:42, 200 - - > 00:45:51, 200 Now, these two pieces of muscle is very important 173 00:45:51, 200 - - > 00:45:59, 200 The two groups of muscles are long peroneal muscle and short peroneal muscle, they stretch out from here 174 00:45:59, 200 - - > 00:46:50, 200Yes, they are down to the rear of the ankle, good, short peroneal muscle connection here 175 00:46:50, 200 - - > 00:47:01, 200 Long peroneal muscle extends to the bottom of the foot, it extends to the underside of the original position of the big toe 176 00:47:01, 200 - - > 00:47:08, 200 This part extends to the soles of the feet, it extends outward in this section 177 00:47:08, 200 - - > 00:47:17, 200 We see the tendons of the line, it extends around it 178 00:47:17, 200 - - > 00:47:33, 200 This part we want to extend to the rear of the fibula, sometimes, we will be crossed this line here 179 00:47:33, 200 - - > 00:48:22, 200 You want to draw a tendon, muscle extension to this structure 180 00:48:22, 200 - - > 00:48:32, 200 A muscle is located in the upper part of the other muscles, now here is the long peroneal muscle and short peroneal muscle 181 00:48:32, 200 - - > 00:48:43, 200 Good, pretibial muscle is the part of the control action, this muscle stretching out from here 182 00:48:43, 200 - - > 00:48:54, 200 We have talked about this part, this part down to the soles of the feet, this part of the connection here 183 00:48:54, 200 - - > 00:49:03, 200 Here is the other side of the bone, the two parts from here in the past 184 00:49:03, 200 - - > 00:49:07, 200 The other part of the down, from here in the past 185 00:49:07, 200 - - > 00:49:15, 200 It crossed here extends to the soles of the feet, through to from here 186 00:49:15, 200 - - > 00:50:02, 200 We draw the obvious structure, it outward 187 00:50:02, 200 - - > 00:50:14, 200 Ok, we draw the extensor, between the them through this muscle from here 188 00:50:14, 200 - - > 00:50:22, 200 All of these parts outward, along the big toe 189 00:50:22, 200 - - > 00:50:26, 200 Now, we are here to draw the longus muscle 190 00:50:26, 200 - - > 00:50:36, 200 Short peroneal muscle extends outward from here, down along the diagonal lines through the points 191 00:50:36, 200 - - > 00:50:43, 200 You can see, the shape of the extensor is obvious 192 00:50:43, 200 - - > 00:50:52, 200 The overlapped structure here is another tendons, it across from here 193 00:50:52, 200 - - > 00:50:58, 200 These parts to the different direction of extension of toes 194 00:50:58, 200 - - > 00:51:43, 200 So we draw the structure, here it goes back, and then down 195 00:51:43, 200 - - > 00:51:49, 200 Heel down, and then to the medial extension, fat pad through to their feet and then outward 196 00:51:49, 200 - - > 00:51:56, 200 This part here 197 00:51:56, 200 - - > 00:52:03, 200 Now we need to draw the structure of the corner, it through from here, and then extend outward 198 00:52:03, 200 - - > 00:52:09, 200 Now there are many different lines 199 00:52:09, 200 - - > 00:52:15, 200 Now we got the muscle of the big toe, it is similar to thumb brushwork 200 00:52:15, 200 - - > 00:52:23, 200 These muscles across here, down, we use the same method to sketch in behind 201 00:52:23, 200 - - > 00:52:33, 200 We got these distances, the big toe of tendon to the lateral extension, this part of the cross over from here 202 00:52:33, 200 - - > 00:53:24, 200 Muscle stretching back through here, and now we draw this part 203 00:53:24, 200 - - > 00:53:34, 200 Now we are here to make a corner, it extends to the surface 20400:53:34, 200 - - > 00:53:52, 200 This part through to extend to here, tendon upward through here 205 00:53:52, 200 - - > 00:54:00, 200 We are here to draw the ankle bone and the bone, fat pad come through from here, down 206 00:54:00, 200 - - > 00:54:14, 200 You want to draw this part, it extends outward, through to from here 207 00:54:14, 200 - - > 00:55:06, 200 We will line extends outward along the direction of the toes, we have to draw the different characteristics of each toe 208 00:55:06, 200 - - > 00:55:28, 200 We have to deal with this structure, first to draw a big toe, the next toes a little party 209 00:55:28, 200 - - > 00:55:42, 200 The next toe is more prominent, this part is more and more prominent 210 00:55:42, 200 - - > 00:55:59, 200 Then we draw the little toe, it is more prominent, you draw these structures now 211 00:55:59, 200 - - > 00:56:50, 200 Ok, we talk about the foot fat pad, we draw an Angle here 212 00:56:50, 200 - - > 00:57:01, 200 The Angle downward extension, joint located at the bottom, fat pad in here, the bone outward 213 00:57:01, 200 - - > 00:57:13, 200 Now we draw the big toe, it outward, and then we draw these steps 214 00:57:13, 200 - - > 00:57:34, 200 You want to draw the three fat pad, fat pad down through here 215 00:57:34, 200 - - > 00:57:38, 200 The three fat pad to here, this diagonal stretch to come over 216 00:57:38, 200 - - > 00:58:39, 200 In this part of the space, the toe of the fat pad extend to the center, through the to toes bend like this 217 00:58:39, 200 - - > 00:59:07, 200 Toes extends outward, and then we draw this part, we got the plane 218 00:59:07, 200 - - > 00:59:15, 200 When you look at the foot of this line, we use in the form of a simple sketch again 219 00:59:15, 200 - - > 01:00:06, 200 We look at the front part of the inside is straight, the lateral extends outward 220 01:00:06, 200 - - > 01:00:16, 200 Line through here, I draw this part, it through from here, down, and across from here 221 01:00:16, 200 - - > 01:00:27, 200 The space between the big toe is reflected in the now 222 01:00:27, 200 - - > 01:00:35, 200 Now I'm in the toe of the first joints to draw this part 223 01:00:35, 200 - - > 01:00:42, 200 We will be drawing to a cylinder structure, now I want to consider, cylinder structure extends outward 224 01:00:42, 200 - - > 01:00:53, 200 I will toes painted on the surface, now we come to this part of the painting 225 > 01:01:42, 200 01:00:53, 200 - - We extend to back here, from here it come through, this part down 226 01:01:42, 200 - - > 01:01:48, 200 Little toes outward, I have to draw out the two parts 227 01:01:48, 200 - - > 01:02:12, 200 Your lines on the surface will wear the past 228 01:02:12, 200 - - > 01:02:17, 200 We get the basic structure of the toes, it is very simple 229 01:02:17, 200 - - > 01:02:23, 200 Now we will shrink muscles extend to the top of the toes 230 01:02:23, 200 - - > 01:02:34, 200 We use the same method for sketching, line to the medial extension, we began to draw here 231 01:02:34, 200 - - > 01:03:20, 200 Now I'm going to draw a simple line, it outward 232 01:03:20, 200 - - > 01:03:28, 200Most people will encounter difficulties when painting the outside of the foot 233 01:03:28, 200 - - > 01:03:35, 200 Now you want to remember, we are dealing with the outer edge of the foot 234 01:03:35, 200 - - > 01:03:46, 200 We want to draw the feet to the transition part of the leg, the transition section is difficult to draw 235 01:03:46, 200 - - > 01:03:52, 200 When we draw the time-sharing, we draw an Angle 236 01:03:52, 200 - - > 01:03:56, 200 Foot extends outward, first of all, I want to draw this part on a plane 237 01:03:56, 200 - - > 01:04:10, 200 We can see how I draw this part, the flat extend outward oriented 238 01:04:10, 200 - - > 01:04:17, 200 We will line is connected to the cylinder, it goes back, and extends to the inside 239 > 01:05:08, 200 01:04:17, 200 - - Now we are going to a line across here, a lot of people is that this part of the drawing 240 01:05:08, 200 - - > 01:05:17, 200 They are all in the medial part of the picture, looks like a meat pad into his shoes 241 01:05:17, 200 - - > 01:05:24, 200 We want to consider the distance, fat pad on the surface 242 01:05:24, 200 - - > 01:05:38, 200 So when I draw the time-sharing, want to consider, here is the big toe, the bone extending over backwards 243 01:05:38, 200 - - > 01:05:43, 200 We will line up to the surface, you see this part I will now break down 244 01:05:43, 200 - - > 01:05:51, 200 Here below the heel backward outspread, this part of the extension, we draw the side 245 01:05:51, 200 - - > 01:05:58, 200 Will a plane passing through here, to draw this part here 246 01:05:58, 200 - - > 01:06:45, 200 Now we want to draw the part of the drawing, we need to consider the space here 247 01:06:45, 200 - - > 01:06:57, 200 Now I draw this part, I outline in this corner, this part extends to the surface 248 01:06:57, 200 - - > 01:07:11, 200 It down, this part of the line is down, now, I want to emphasize the fat pad 249 01:07:11, 200 - - > 01:07:22, 200 We are here to draw the bone, this side of the extended upward to the toe bones 250 01:07:22, 200 - - > 01:07:31, 200 I'm here to draw fat pad, through to it from here 251 01:07:31, 200 - - > 01:07:37, 200 Now, in the face, this curve through the middle 252 01:07:37, 200 - - > 01:08:21, 200 I draw the line in the vicinity of this part of the 253 01:08:21, 200 - - > 01:08:27, 200 Now I want to extend the line to the back heel, I will be through from here to the side 254 > 01:08:35, 200 01:08:27, 200 - - I want to draw the line, it extends to the surface, we use it to draw the structure 255 01:08:35, 200 - - > 01:08:43, 200 This part extends to here, we will be extending outward, across from here 256 01:08:43, 200 - - > 01:08:57, 200 We can see the toes, we should pay attention to the shape of a shoe, we draw the structure of the heel 257 01:08:57, 200 - - > 01:09:06, 200 We draw women's shoes, we can see that the heel is relatively small 258 01:09:06, 200 - - > 01:10:00, 200 We at the side of the big toe to draw this part, the side extending outward, it is the structure of the shoe 259 01:10:00, 200 - - > 01:10:11, 200 This part I will extending outward, we are going to this side down to the surface 260 01:10:11, 200 - - > 01:10:21, 200 It goes back, through to from here, now,Ankle from here in the past 261 01:10:21, 200 - - > 01:10:36, 200 We draw up this part, I do not will line across from here in the past, this part I will come through 262 01:10:36, 200 - - > 01:10:46, 200 This line from here through to it from here, and now we want to consider every part 263 01:10:46, 200 - - > 01:11:40, 200 This part of the space extend to the surface, we will fat pad through the side 264 01:11:40, 200 - - > 01:11:54, 200 We draw the bone, it goes back and then bending, draw the corner here 265 01:11:54, 200 - - > 01:12:06, 200 You want to draw the bone through the part, they are down and in the past 266 01:12:06, 200 - - > 01:12:17, 200 Now there are a series of muscle, when we draw the time-sharing, and we can't see them 267 01:12:17, 200 - - > 01:12:23, 200 They lie down to the bottom of the soleus and extends to the inside, they through these points 268 01:12:23, 200 - - > 01:12:32, 200 Extends to the lower part of the foot, here we need to deal with three layers of muscle 269 01:12:32, 200 - - > 01:13:23, 200 They cross over to here, you are likely to see only this layer across from here 270 01:13:23, 200 - - > 01:13:37, 200 We draw these parts, here is the fundamental part, now let's deal with the foot 271 01:13:37, 200 - - > 01:13:45, 200 We want to look at the plane, we draw this part in this plane 272 01:13:45, 200 - - > 01:13:51, 200 You can come through here, across from here 273 01:13:51, 200 - - > 01:13:58, 200 We are here to draw this part, from here through to this part we will extend to the surface 274 01:13:58, 200 - - > 01:14:05, 200 This part is to help us to express the dimensional feeling of toe 275 01:14:05, 200 - - > 01:14:15, 200 This section is located in the surface, we can use it to perform this part of the 3 d stereo feeling 276 01:14:15, 200 - - > 01:15:05, 200 When we draw heel, we in the paint on the surface of this part, this part extends outward 277 01:15:05, 200 - - > 01:15:16, 200 We see this extend outward oriented, and then you can draw the big toe under the surface 278 01:15:16, 200 - - > 01:15:30, 200 Let's build a 3 d stereo feeling, this part through from here, this is a good start 279 01:15:30, 200 - - > 01:15:44, 200 On the basis of the basic structure of we finish all the painting process 280 01:15:44, 200 - - > 01:15:49, 200 We would like to tell us about the drawing of the bones, not speak too much muscle 281 01:15:49, 200 - - > 01:15:56, 200 All these muscles down, we will tendon, extending outward from here through to 282 01:15:56, 200 - - > 01:16:50, 200 We in the surface to paint this part, you are rarely have the opportunity to deal with this part 283 01:16:50, 200 - - > 01:16:58, 200 When you will bend the foot, to deal with this very simple structure 284 01:16:58, 200 - - > 01:17:02, 200 Here we are going to talk about these muscles, they extend down this part 285 01:17:02, 200 - - > 01:17:16, 200 We don't often paint the line, this time, I want to draw more obvious the plane 286 01:17:16, 200 - - > 01:17:22, 200 Now I draw inside, now I will forward this line extension 287 01:17:22, 200 - - > 01:17:34, 200 I deal with the plane, this part down, through to from here, that is the question288 01:17:34, 200 - - > 01:18:26, 200 We to characterize the bones, but the outside of the contour line, it is very simple 289 01:18:26, 200 - - > 01:18:40, 200 Ok, now let's focus on handling posture, I want to consider this part of the simple lines 290 01:18:40, 200 - - > 01:18:48, 200 This part extends to the foot, the basic structure through the bottom 291 01:18:48, 200 - - > 01:18:53, 200 We draw the part, it down to the heel 292 01:18:53, 200 - - > 01:19:02, 200 Now this part extends to the heel, this way 293 01:19:02, 200 - - > 01:19:08, 200 We want to consider this part, it down, I will line through to from here 294 > 01:19:12, 200 01:19:08, 200 - - This part of the down, and then we to paint inside 295 01:19:12, 200 - - > 01:20:02, 200 This part through to, extends to the part, it extends outward to the toe of the fat pad 296 01:20:02, 200 - - > 01:20:08, 200 Then line across from here to come over, this structure is very simple 297 01:20:08, 200 - - > 01:20:21, 200 We draw this part through here, and focus on the overlap structure here 298 01:20:21, 200 - - > 01:20:34, 200 Now we have to paint the inside of the ankle, it through the front, and then down 299 01:20:34, 200 - - > 01:20:43, 200 Now I draw this part, I focus on this part, it is wrapped around the inside of the corner 300 01:20:43, 200 - - > 01:20:47, 200 We are now to draw back 301 01:20:47, 200 - - > 01:20:53, 200 As for the tendon and bone connected parts, I can only see a few parts 302 01:20:53, 200 - - > 01:21:48, 200 I will carefully consider here, flexor through to down, now I emphasize the slight changes in here 303 01:21:48, 200 - - > 01:21:55, 200 I want to draw the heel of the fat pad, and now it down again 304 01:21:55, 200 - - > 01:22:03, 200 We have to deal with the overlapping structure that down here 305 01:22:03, 200 - - > 01:22:08, 200 Now we use the same method to draw the bone, it outward 306 01:22:08, 200 - - > 01:22:13, 200 It through from here, tendons and muscles through from here 307 01:22:13, 200 - - > 01:22:18, 200 Through to its overlap here, from here 308 01:22:18, 200 - - > 01:22:25, 200 This part of the painting on the surface, the outside of the contour line, it is very simple 309 01:22:25, 200 - - > 01:22:34, 200 Now we are going to have a look at how the structure of the medial, line across from here 310 01:22:34, 200 - - > 01:23:24, 200 Change the drawing here, ankle and foot through to from here 311 01:23:24, 200 - - > 01:23:29, 200 Now, the outside of the part is relatively wide, it down 312 01:23:29, 200 - - > 01:23:35, 200 We draw the extension lines there 313 01:23:35, 200 - - > 01:23:43, 200 We want to consider the tendons of big toe, it down, through to from here 314 01:23:43, 200 - - > 01:23:47, 200 You draw the lines, it is different and other lines 315 01:23:47, 200 - - > 01:23:52, 200 Usually you can draw the pretibial muscle, it down, through to from here 316 01:23:52, 200 - - > 01:24:02, 200 This part of the way, and then extends outward, now I'll line extends to the toes 317 01:24:02, 200 - - > 01:25:00, 200 I want to draw this part,Now I draw flexor muscle and fat pad to the center of the joints 318 01:25:00, 200 - - > 01:25:08, 200 I draw the part, here is flat, the plane down along the diagonal lines 319 01:25:08, 200 - - > 01:25:15, 200 This part in extended upward to the back here, we draw these corner, through to them from here 320 01:25:15, 200 - - > 01:25:19, 200 Draw this part, it down, we draw the side 321 > 01:25:25, 200 01:25:19, 200 - - Draw the fat pad and tight muscles, they extended to what we emphasize on the face 322 01:25:25, 200 - - > 01:25:31, 200 We can draw a fat pad, it passing through here, now, we draw the fat pad 323 01:25:31, 200 - - > 01:25:42, 200 It down, extending to the big toe, I draw this part, it is down 324 01:25:42, 200 - - > 01:25:49, 200 Its way here, then we look at this part, it turned from cube structure 325 01:25:49, 200 - - > 01:26:48, 200 The bone through from here, to the fat pad of the medial extension to the big toe 326 01:26:48, 200 - - > 01:26:54, 200 This section is square, it down to the surface 327 01:26:54, 200 - - > 01:27:04, 200 We want to draw the shapes of the fat pad, it through from here, we need to add here painting toenails 328 01:27:04, 200 - - > 01:27:14, 200 Toenails can help us to create the structure of 3 d stereo feeling, this part is a circle 329 01:27:14, 200 - - > 01:27:21, 200 Now let's draw the space between the toes 330 01:27:21, 200 - - > 01:27:30, 200 We want to focus on the below point of view, the face after reaching out to these parts 331 01:27:30, 200 - - > 01:27:36, 200 This part will be extended a long distance to draw some, we draw a simple sketch 332 01:27:36, 200 - - > 01:28:25, 200 We draw the whole shape, you need to draw the toes 333 01:28:25, 200 - - > 01:28:36, 200 You'll find this part of the structure is very simple, it is a good solution 334 01:28:36, 200 - - > 01:28:45, 200 Now we draw the tendons, it again from here through to this part extends to the surface 335 01:28:45, 200 - - > 01:28:55, 200 Here are square, we draw the corner, behind the extending down along the contraction of muscle tendons 336 01:28:55, 200 - - > 01:29:05, 200 This part it down down, and then it passing through here 337 01:29:05, 200 - - > 01:29:09, 200 Here we draw a square structure of the toes, down the next 338 01:29:09, 200 - - > 01:29:15, 200 Draw this time, I want to consider this part of the bone 339 01:29:15, 200 - - > 01:30:03, 200 It extends forward and through from here, and then down, passing through here 340 01:30:03, 200 - - > 01:30:12, 200 This part of the back, in the process of painting, I will joint structure simplified 341 01:30:12, 200 - - > 01:30:22, 200 I want to draw this corner, now we draw the plane, through to it from here 342 01:30:22, 200 - - > 01:30:27, 200 Tendon down, ankle bone in it 343 01:30:27, 200 - - > 01:30:34, 200 In the center, change lines on the surface, it extend from side to side 344 01:30:34, 200 - - > 01:30:40, 200 Now I want to draw the tendons in the front 345 01:30:40, 200 - - > 01:30:47, 200 Lines will come through, we are in the lateral draw this part, it passing through here 34601:30:47, 200 - - > 01:30:54, 200 This is foot sketch a good start, well, now, we continue to draw down 347 01:30:54, 200 - - > 01:31:53, 200 Now, we are in the medial side, I can't too stressed to simplify the starting point 348 01:31:53, 200 - - > 01:32:05, 200 I will be the Angle from the basic structure across the past, now I began to draw it 349 01:32:05, 200 - - > 01:32:22, 200 My ankle in the painting on the surface of place, we will line through to from here 350 01:32:22, 200 - - > 01:32:28, 200 Now, this part down, I to draw this structure 351 01:32:28, 200 - - > 01:32:36, 200 Now we are going to talk about this part of the flexor, see how we make big toe bones 352 01:32:36, 200 - - > 01:33:27, 200 Muscle stretching back, connected to here, I will line winding around here 353 01:33:27, 200 - - > 01:33:36, 200 I will be here as a cylinder structure, its backward outspread, the bone stretching back now 354 01:33:36, 200 - - > 01:33:46, 200 We draw on the thigh bone meets the large bone of the bone around the corner, tendon connection here, down 355 01:33:46, 200 - - > 01:33:55, 200 I'll line along down here, then I want to consider the fat pad of the foot 356 01:33:55, 200 - - > 01:34:07, 200 I emphasize here a little, the whole part down to the other side of the foot 357 01:34:07, 200 - - > 01:34:12, 200 We draw the surface, it down, through to from here 358 01:34:12, 200 - - > 01:35:00, 200 This part from down here, and now we got a very simple structure 359 01:35:00, 200 - - > 01:35:05, 200 Now I want to consider the bone, it through to from here 360 01:35:05, 200 - - > 01:35:19, 200 The structure of this part of the square across from side to the other side, we draw the bone, it down 361 01:35:19, 200 - - > 01:35:33, 200 Fat pad extends down from there, come across, and down again 362 01:35:33, 200 - - > 01:35:37, 200 These parts are around around here 363 01:35:37, 200 - - > 01:35:41, 200 Above lines at the same time, we will be back, we are here to draw the overlapping structure 364 01:35:41, 200 - - > 01:35:51, 200 We draw this part, ankle extending outward from here, I want to draw the overlapping structure 365 01:35:51, 200 - - > 01:35:58, 200 In the lateral ankle down, remember, it is the inside of the relatively high 366 01:35:58, 200 - - > 01:36:48, 200 The inside line down to this part, we will line through here 367 01:36:48, 200 - - > 01:36:59, 200 The Angle across from here in the past, we are on the corner of the paint on the surface of the bone, through to from here 368 01:36:59, 200 - - > 01:37:07, 200 Now we draw a tendon, it down, connected to here 369 01:37:07, 200 - - > 01:37:14, 200 We will these structure backward outspread, contraction of muscles, back from here in the past 370 01:37:14, 200 - - > 01:37:18, 200 The back corner 371 01:37:18, 200 - - > 01:37:24, 200 Now I observe changes here, ankle and foot through to from here 372 01:37:24, 200 - - > 01:37:34, 200 These extensions to the inside of the corner, the dividing line is down, passing through here 373 01:37:34, 200 - - > 01:38:25, 200 On the other side of the line is down, contour lines are still very simple, we are in this little overlap structure 374 01:38:25,200 - > 01:38:31, 200 This part of the way, the lateral continue along this direction 375 > 01:38:41, 200 01:38:31, 200 - - Now we are stretched the line forward, tendons through from here, to here 376 01:38:41, 200 - - > 01:38:48, 200 This part along the side down, through to from here 377 01:38:48, 200 - - > 01:38:59, 200 We'll look at the big toe the square structure of fat pad 378 01:38:59, 200 - - > 01:39:10, 200 This part across the corner, extends to the side, we will eventually extend bones to the inner side of the fat pad 379 01:39:10, 200 - - > 01:39:18, 200 Then we make big toe fat pad, we draw the structure 380 01:39:18, 200 - - > 02:46:43, 200 This part of the outward from here, extends to the surface 381 02:46:43, 200 - - > 02:46:53, 200 We draw the nails in the surface, this will help us draw the toe of this part 382 02:46:53, 200 - - > 02:47:03, 200 Now we have got the basic part, we draw the space between the toes 383 02:47:03, 200 - - > 02:47:16, 200 Now I'm going to draw a simple form of the structure, now we have the different steps 384 02:47:16, 200 - - > 02:47:21, 200 I see these parts, they are down, passing through here 385 02:47:21, 200 - - > 02:48:21, 200 Now we draw a sketch of the foot 386 02:48:21, 200 - - > 02:48:26, 200 You want to consider these simple structure, they are down, we have to draw the corner 387 02:48:26, 200 - - > 02:48:39, 200 Observe and draw these sides, tendon through the side, extending to the inside 388 02:48:39, 200 - - > 02:48:51, 200 Now we can see in another Angle 389 02:48:51, 200 - - > 02:49:10, 200 Ok, now we draw the outer edge of the foot, first of all, we draw the basic posture 390 02:49:10, 200 - - > 02:50:16, 200 This part is very simple, this part we will extend upwards, we draw some signature line 391 02:50:16, 200 - - > 02:50:29, 200 Now we draw the simple gesture of outside, now we draw this part, through to it from here 392 02:50:29, 200 - - > 02:50:39, 200 The bone extends to the surface, this time, I need to pay attention to the bone 393 02:50:39, 200 - - > 02:50:50, 200 Here is the tibia and fibula, now we are going to draw the corner, it's across from here 394 02:50:50, 200 - - > 02:50:54, 200 I want to on the edge of the drawing out the bone 395 02:50:54, 200 - - > 02:51:44, 200 Then we turned to painting fibula, it down 396 02:51:44, 200 - - > 02:51:52, 200 We want to consider this Angle, it down, through to the bone from here 397 02:51:52, 200 - - > 02:51:59, 200 Now we draw this part, its position is quite high 398 02:51:59, 200 - - > 02:52:03, 200 This part of the lift, and then down 399 02:52:03, 200 - - > 02:52:07, 200 We want to consider the drawing of the bone, it passing through here 400 02:52:07, 200 - - > 02:52:22, 200 Here we got the long peroneal muscle and short peroneal muscle tendon, them from here to the end of the past 401 02:52:22, 200 - - > 02:52:36, 200 This part is obvious, muscle so taut, I want to draw the line, from here it come through 402 02:52:36, 200 - - > 02:53:34, 200 This part down, short peroneal muscle extension to the little toe bones, extending down long peroneal muscle 40302:53:34, 200 - - > 02:53:44, 200 It extends to the bottom of the big toe, now we come back to this part of the drawing 404 02:53:44, 200 - - > 02:53:52, 200 We draw a tendon, it down here, we will be painted on the surface 405 02:53:52, 200 - - > 02:54:09, 200 Its location is located in the here and now I draw this part, I want to draw out the whole area 406 02:54:09, 200 - - > 02:54:13, 200 I usually draw the heel in the below 407 02:54:13, 200 - - > 02:55:09, 200 At the same time, we in the paint on the surface of the fat pad and bones, they are down 408 02:55:09, 200 - - > 02:55:16, 200 We draw the line at the same time, we use it to create a 3 d stereo feeling 409 02:55:16, 200 - - > 02:55:20, 200 Now you want to draw a fat pad, it extends to here 410 02:55:20, 200 - - > 02:55:28, 200 We will this small bones through here, on this side of the draw the contraction of the muscles 411 02:55:28, 200 - - > 02:55:32, 200 Behind, we draw up this part 412 02:55:32, 200 - - > 02:55:38, 200 We want to draw the bone, it extends outward, through to from here 413 02:55:38, 200 - - > 02:55:49, 200 The painting has changed here, it down, we will wear the same corner of the past 414 02:55:49, 200 - - > 02:56:40, 200 Now we got the extensor, we are here to draw the shape of the short peroneal muscle 415 02:56:40, 200 - - > 02:56:50, 200 This muscle along the diagonal lines across from here in the past, we draw these parts below 416 > 02:56:57, 200 02:56:50, 200 - - This part is extended, this structure is very clear, we draw the extensor here 417 02:56:57, 200 - - > 02:57:03, 200 You want to draw the tendons, here they are extended to the top 418 02:57:03, 200 - - > 02:57:14, 200 We wear the lines in the past, look at this part, little toe look across from here 419 02:57:14, 200 - - > 02:57:21, 200 I draw below the surface, and now, little toe this side of the part is not very obvious 420 02:57:21, 200 - - > 02:57:28, 200 We at the side of the big toe to draw the line of the coil 421 02:57:28, 200 - - > 02:57:33, 200 We through from here, here come across, extending outward 422 02:57:33, 200 - - > 02:58:26, 200 You want to draw this part, it come through, extending outward, down, and then through the to 423 02:58:26, 200 - - > 02:58:48, 200 The bone is little toe, I continue to make the following steps, this part is very simple 424 02:58:48, 200 - - > 02:58:55, 200 Now I want to emphasize the space between the toes 425 02:58:55, 200 - - > 03:00:04, 200 Big toe line extension forward, we will tendon down, big toe foreign stretch back 426 03:00:04, 200 - - > 03:00:13, 200 We can clearly see that this part of the square structure, this part down 427 03:00:13, 200 - - > 03:00:29, 200 Little toe down along this direction, it extends through here to this part 428 03:00:29, 200 - - > 03:00:48, 200 It is easy to ignore this part or only pay attention to draw the shape, I want this picture 429 03:00:48, 200 - - > 03:00:55, 200 Now the face downward extension, I get to the part, I again this part 430 03:00:55, 200 - - > 03:01:42, 200 We draw the foot, heel lift, this part I will slide back 431 03:01:42, 200 - - > 03:01:46, 200This part I will reach down to the surface 432 03:01:46, 200 - - > 03:01:50, 200 We got the plane, through to it from here 433 03:01:50, 200 - - > 03:02:03, 200 We want to draw the plane, it down here, and tendons through to from here 434 03:02:03, 200 - - > 03:02:11, 200 I would like to line stretching back to the here, from here through to this part of the clearance, extended upward along the side 435 03:02:11, 200 - - > 03:02:20, 200 We draw the soleus and gastrocnemius at the top 436 03:02:20, 200 - - > 03:03:21, 200 Now, we have to deal with the problem is the appearance of the foot 437 03:03:21, 200 - - > 03:03:35, 200 Tendon extended to the relatively flat area, let's draw the shape of the foot, line down 438 03:03:35, 200 - - > 03:03:54, 200 It is to stretch into the shoes, you get a series of plane 439 03:03:54, 200 - - > 03:04:02, 200 You have to deal with these a short distance, we will focus on these overlapping structure 440 03:04:02, 200 - - > 03:04:15, 200 We should observe and draw a simple structure, we will consider line is extended to the leg 441 03:04:15, 200 - - > 03:05:05, 200 We focus on the structure of cylinder, the cylinder goes back, and then through the to 442 03:05:05, 200 - - > 03:05:15, 200 We will foot line extending outward, we draw the big toe is roughly sketch here 443 > 03:05:23, 200 03:05:15, 200 - - Now we are going to focus on this distance, it extends out from the relatively flat area 444 03:05:23, 200 - - > 03:05:27, 200 We are here to draw the foot arch structure, draw the big toe of the fat pad 445 03:05:27, 200 - - > 03:05:33, 200 We want to consider the drawing of the corner, we will line extends to the surface 446 03:05:33, 200 - - > 03:05:43, 200 This part extends to the surrounding, this side of the line below the backward outspread 447 03:05:43, 200 - - > 03:05:53, 200 On the other side of the line through the big toe, I want to extend back line, draw the plane 448 03:05:53, 200 - - > 03:05:59, 200 It is approximate the shape of a cylinder, this part is a bone 449 03:05:59, 200 - - > 03:06:51, 200 We want to draw the surface, it goes back, I turned to look at the top 450 03:06:51, 200 - - > 03:07:01, 200 Will line extends to the ankle, we draw this part, we turned to look at the ankle 451 03:07:01, 200 - - > 03:07:09, 200 The bone across from here in the past, now I'm going to draw a line, it across the structure 452 03:07:09, 200 - - > 03:07:17, 200 I want to focus on sketch the overlap of these structures 453 03:07:17, 200 - - > 03:07:32, 200 This part extends to the between, overlapping, overlap again 454 03:07:32, 200 - - > 03:07:36, 200 We in this plane sketch, from here through to extend to here 455 03:07:36, 200 - - > 03:08:31, 200 This part of the extension to the front, you can see we add these simple line drawing 456 03:08:31, 200 - - > 03:08:37, 200 Come back here, we use the same method to draw the outline, the surface curve, and then extend outward 457 > 03:08:47, 200 03:08:37, 200 - - The surface extension in behind, I will line up here 458 03:08:47, 200 - - > 03:08:52, 200 Now we are going to line down, this part to the medial extension 459 03:08:52, 200 - - > 03:09:07, 200 Now all the parts below the backward outspread,Now we are going to this part to the medial extension 460 03:09:07, 200 - - > 03:09:13, 200 This side of the heel lines extending outward, we will line stretching back here 461 03:09:13, 200 - - > 03:10:04, 200 That part of the down, the bone located in here, now I draw such extension lines 462 03:10:04, 200 - - > 03:10:14, 200 I will wear lines in the past, down here, this side of the draw 463 03:10:14, 200 - - > 03:10:22, 200 I want to draw on the side of the heel, it extends outward, this part across from here 464 03:10:22, 200 - - > 03:10:28, 200 Here is a corner, it from here to change direction, it down 465 03:10:28, 200 - - > 03:10:41, 200 Create the stereo feeling, we need to address this portion, we can draw the this side of the heel 466 03:10:41, 200 - - > 03:10:53, 200 This part of the cross over, to here, this part extends to the outside of the foot fat pad 467 03:10:53, 200 - - > 03:11:40, 200 Now I draw this corner, it's in the past from here 468 03:11:40, 200 - - > 03:11:49, 200 The surface to the contraction of muscle, I cross over the lines, passing through here 469 > 03:11:59, 200 03:11:49, 200 - - This is a painting, now, we focus on processing center, it down 470 03:11:59, 200 - - > 03:12:09, 200 We use this part to show these simple plane, we will line through to now 471 03:12:09, 200 - - > 03:12:21, 200 This part of the extended upward, this part I will be back to extend, draw some light here 472 03:12:21, 200 - - > 03:12:31, 200 Then I come back to this part, I want to draw the bone, little toe through from here 473 03:12:31, 200 - - > 03:12:39, 200 I think here add draw the joints, now these facing downward 474 03:12:39, 200 - - > 03:13:28, 200 We draw the clear of the plane, I draw a light here, this part through to down 475 03:13:28, 200 - - > 03:13:40, 200 We draw these fat pad, through to the lines, this part we will be back 476 03:13:40, 200 - - > 03:13:51, 200 I draw the corner here, draw the overlapping structure here, this part down 477 03:13:51, 200 - - > 03:13:58, 200 This part in here, this part down, we draw a light here 478 03:13:58, 200 - - > 03:14:09, 200 Here we will line up, through the contraction of the muscles 479 03:14:09, 200 - - > 03:14:19, 200 Draw the fat pad and center here, now we use this method to draw another part 480 03:14:19, 200 - - > 03:15:06, 200 Came across this surface, change direction, it down 481 03:15:06, 200 - - > 03:15:13, 200 We can draw such extension lines, fat pad now extended upward, fat pad is located in the rear 482 03:15:13, 200 - - > 03:15:21, 200 Fat pad from 1/2 through come, now I want to draw this part 483 > 03:15:26, 200 03:15:21, 200 - - This time, I want to consider this is a cylinder structure, it passing through here 484 03:15:26, 200 - - > 03:15:35, 200 We draw the structure through the line, I will come line through 485 03:15:35, 200 - - > 03:15:43, 200 In this plane sketch, and the structure of the drawing cylinder method is the same 486 03:15:43, 200 - - > 03:15:53, 200 I will be fat pad extending outward, we are now seeing this part outward 487 03:15:53, 200 - - > 03:15:57,000 We draw these corners, to which the medial extension 488 03:15:57, 200 - - > 03:16:46, 200 We don't see this part, but you can see the overall structure of the big toe 489 03:16:46, 200 - - > 03:16:57, 200 There are three fat pad on the big toe, among them, two in here, another is located in the end 490 03:16:57, 200 - - > 03:17:01, 200 Now we are to create a space by it 491 03:17:01, 200 - - > 03:17:05, 200 You have to consider from this side to the bottom parts 492 03:17:05, 200 - - > 03:17:10, 200 We should take advantage of muscle contraction to sketch, through to it from here 493 03:17:10, 200 - - > 03:17:18, 200 This part in the past, extended to the end, and then down here 494 03:17:18, 200 - - > 03:17:24, 200 Now, you can see clearly the bone extends to the inside 495 03:17:24, 200 - - > 03:17:33, 200 We continue to look at the structure, and then we draw the overall structure, this part through to 496 03:17:33, 200 - - > 03:18:20, 200 Painted toes, you remember, we're gonna lines through the cylinder structure 497 > 03:18:36, 200 03:18:20, 200 - - You want to continue to draw cylinder structure, you must draw the part 498 03:18:36, 200 - - > 03:18:47, 200 Now I will come through this part of the lines, to here 499 03:18:47, 200 - - > 03:18:51, 200 I draw the cylinder, it's in the past from here 500 03:18:51, 200 - - > 03:18:57, 200 Now, we will line down to the next part, and then in the past 501 03:18:57, 200 - - > 03:19:11, 200 I want to draw these cylinder structure, and now I draw a simple sketch here 502 03:19:11, 200 - - > 03:19:15, 200 The overlapping structure extended distance is longer 503 03:19:15, 200 - - > 03:20:06, 200 We through the line to draw the bottom of the cylinder structure 504 03:20:06, 200 - - > 03:20:19, 200 We use shadows to draw the structure, it come through 505 03:20:19, 200 - - > 03:20:40, 200 We draw a fat pad, it extends to the surface, this part down now 506 03:20:40, 200 - - > 03:20:47, 200 We can only see a small part of the joints, of course, this part is the contraction of the muscles 507 03:20:47, 200 - - > 03:20:54, 200 We draw the part of the space in the middle of it 508 03:20:54, 200 - - > 03:21:53, 200 We draw the surface, it down here, and then in the past 509 03:21:53, 200 - - > 03:22:15, 200 Don't miss a chance of using overlapping structure sketch, it extends to here 510 03:22:15, 200 - - > 03:22:22, 200 Of course, this section is located at muscle contractions, we to extend its back some 511 03:22:22, 200 - - > 03:22:26, 200 We will be in the past 512 03:22:26, 200 - - > 03:22:37, 200 As you sketch a left half, the corners of the structure become more obvious
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