10。[脚部解剖素描脚]。
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Usually, when everyone draw hands and feet, will encounter many difficulties 2
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Paint this two parts, the key lies in the fact that through the tendon is a very complicated here
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We use simple structure to paint this two part of the overall structure, now, let's foot
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I want to talk about a few basic structure, we need to draw some muscles 5
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But at first we draw the foot, ankle
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Ok, if you look at the ankle, you can see this structure
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Here is the fibula, it down, we want to draw the structure 8
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I want to observe and draw the structure, it's across from here in the past, reaching out to here
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We will be the picture here, in fact it is not just a line here, the corner outward 10
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We according to the basic coordinate sketch, this part of the lateral is a bit low, inside is a bit high
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Do you want to draw the part, normally, you won't pay attention to consider this part 12
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This part is very simple, it looks very interesting, you have to remember 13
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This Angle, we need to address it across from here
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We use a very simple method of drawing the feet, first draw the general attitude 15
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You can come back to first look at the thighs
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Line from here through to, now we observe side, if you look at the knee 17
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This part of the down, to the inside of the knee extension, this part extends outward 18
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We see the inside of the legs
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First, we draw the simple lines, it extend to the inside, and then through from here 20
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Now, I use very simple methods to draw here
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Now, we began to draw from this simple structure
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Many people in this portion will meet with difficulties, we observed the foot now, here is an Angle
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Here is a triangular structure, it down, usually, we are here to draw a straight line 24
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You have to imagine, feet into shoes, now, this is a very simple line 25
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You can consider, this part to the inside of the extension, through to it from here 26
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Now we don't start painting from the side, this part becomes more difficult to draw 27
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I will began to paint from behind, we are back to sketch
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If you look at the back of the leg, this part is like a rocker 29
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Now, we draw the heel starting position
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We draw the center of the heel, it from the bones to passing through the middle
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You want to draw this point, we will now here slightly bent 32
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If you look at here, you'll find here goes back, to the inside, and then down
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You can see the bone down, I to sketch the 3/4
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This part extends outward, we are here to draw this boundary, this part through to
now
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The bone is extended, it extends outward
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This structure passing through here, and then slide back, here is a corner 37
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It down, and then to the inside of the extension, this part extending to the lateral
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This is the initial part of the structure
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We are here to draw the gap and start to extend back line 40
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Now we look at the outside, you can see this part is very low, it down 41
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It down here, the proportion of the foot you want to see 42
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Ok, the foot center coordinates, the distance from here to here, this is the starting
position of the bone
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It stretches from here to here, now, the part is the general structure of the legs
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Little toe in the distance from here, the distance from here to here 45
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It start from this, this is the center of the foot 46
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Roughly the distance from here to here, so now we got the distance 47
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Now let's watch here, it is in this side extending outward, you can see this part
of the space
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We are here to draw this part of the space, will bend here 49
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If you watch carefully, will see how big toe is extending outward 50
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Now you watch here, want to consider the bones
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Shin has an arched structure, it's across from here, you can see the Angle extended
upward
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It extends and outward, now, this part down, this part I will be simplified
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Ankle down to the big toe, it extend along the Angle downward 54
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Line from here through to reach down, and then through here 55
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Now you can see, this part of the backward outspread 56
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This part is very important, you should know what part of themselves in the foot 57
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We see there is a structure of waveform, it is located in here 58
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Now, this portion of the gap through here
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When you observe the back from the perspective of 3/4, will see this part 60
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We will be here as a cylinder structure,It goes back
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In fact, this part is to be located in here, the bone extending, stretching back here 62
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The line from here through to, now we see that this part goes back to here 63
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Now we want to emphasize this part
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When we draw the time-sharing, observe the front of the foot, you can see this part 65
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These parts down to the inside of the foot, they extend along a straight line, and then outward
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The lateral extending down along the Angle
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Now, draw the simple structure, we got this line
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I further observe this simple structure, in 3/4 place, I will be slightly curved lines 69
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Now I continue to paint in this way, we see this part extends to the surface 70
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I will be this simple painting a three-dimensional structure, the ankle behind
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Now, we draw a series of plane in the feet and here are similar and hands 72
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This part you will from side to side
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You can see this part is extended, so we are in this little out of the center
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Line is such extension, we like to paint, this part we will be broken down into simpler
structure
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Ok, we got this in the top part, this part down
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We got a series of plane, which extends outward, connected to the foot is flat
structure
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Now, we draw a very simple plane, we see the plane over here, down along the side
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They are extending outward, through to from here, to wear in the past, these lines
down
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Now we draw the agency, it down, down the bones through here 80
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Now we return to heel, structure of this section down now 81
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Down the tendons, connection here, extending down these tendons 82
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We have to look at the side of the heel, it down, and across from here 83
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Now, gastrocnemius and soleus tendon down, connected to here 84
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At this point, this part is to protect tendons, it connects at the end of it 85
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We observe from behind, you got the point, we use different color to paint 86
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Now we are going to talk about this part, the tendon is connected to this, down 87
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Line is down, through from here, now, we have to draw the shape of the bone 88
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This extension, it is one of the major features of the foot is here we need to add many parts drawing
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We are going to talk about the general structure here
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You want to be in the foot to draw the biggest structure are the parts 91
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Now we are going to draw some more structure in the feet and the footprints, for example, we observed the structure
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Draw the foot fat pad, when foot contact with the ground, the fat pad is doing its job
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You draw this part here, you must draw this point, this part is very thick 94
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When you observe the bone, we add to draw the foot fat pad at the heel, it extends outward
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You can see, I will be here to highlight, this structure is very thick 96
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Fat pad is located in the lower part of the bone, we to see profile, bones down from here
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Fat pad to around the corner, down here
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This has a lot to do with the overall structure, it's through from here 99
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We are going to talk about the bone and fat pad, through the line from here 100
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Ok, now we will line through all of these different parts, we are in the inside of the foot draw these structures
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We are in the inside of the draw a straight line, painting for the lateral bending 102
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This part extends to the edge, we will line from here through to, we observed from the inside
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I in this plane sketch, we draw the tendon behind
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We will line down to the heel, first of all, we draw the whole part, it stretches 105
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We to see fat pad, I draw a fat pad, his passing through here, and then to the inside of the extension
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We will line across the corner, then turn the medial extension
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They are extending outward, to wear in the past
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This part extends to the surface, down, and then to the inside of the extension 109
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Now we are both sides draw the adductor muscle, adductor muscle and extensor down from here, across here
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Them across the past, this a series of muscle extending down from the inside, and hand drawing are the same
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They extends outward along the toes, and then passing through here 112
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We got this structure, it over here
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We are here to draw the little toe, it's across from here in the past, we in this
observation of this structure
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We are going to talk about this part, they are across from here in the past, extending
to the inside
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We can see this part of the cross over from here, you want to consider the location
of the bone
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We observe the fat pad, it across here, down
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00:30:42, 200 - - > 00:30:51, 200Now we get this part, it through from here, and now
we see the big toe
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It through from here, you draw the ankle, we draw this part here 119
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Here are two lines of bone, they are through from here, to this point 120
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Now we are to deal with the big toe, this part of the way 121
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Now the point located at the bottom of the big toe, the bone and the kneecap is similar
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These muscles is such extension, they located above it 123
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You can see the bone here, we will line down, draw this part 124
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Down this part, the drawing and hand are the same, we got the surface 125
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It down along the corner, we draw the part, through to it from here 126
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But you draw the bow structures below
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The fat pad is to protect the foot, it is located in the lower part, through from here
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We get this part, extended to the midpoint of the joints, this part extending down
along the fat pad
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Here is the joints, you can see fat pad down
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Fat pad extends outward to the lower part, through from here 131
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Here we draw a prominent part of fat pad extending outward, then down 132
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Now you can see here we draw a circle structure
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Line through to, you can see the corner of the bones in this field 134
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We are here to draw the bone around the corner, it down, tendon down, through here
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This part is connected to the here, extending outward, through to from here, we have
to deal with the bone
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Now toes extends outward, we will line is extended to this part 137
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We should pay attention to the foot fat pad, which is located in the center of the
joints, here we want to see
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We are here to draw the joints, fat pad to here, extending down the square structure 139
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Big toe fat pad
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I have a friend, it is in an accident lost his thumb
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No thumb is hard work, so they will be his big toe transplantation to the thumb 142
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This is amazing, it looks like a big toe, but function and thumb is the same 143
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But recently I found interesting point
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The balance of the body is depends on the little toe, rather than the big toe 145
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You may not have a big toe, but if you lose the little toe is in trouble 146
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It will be very hard to walk or maintain balance, so this part is very important 147
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You can see my line extension, draw the square at the top of the bone structure, and then down
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When we speak fat pad, big toe is extended
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We want to consider these three fat pad, them from here through to, this section is located in the end
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We are here to draw the structure, we observe the larger side down 151
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Through to the lines, you want to consider, is down the corner
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The bone is connected to the down here, extending down fat pad 153
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Fat pad in here, the joints in here, this part down
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From the foot of the fat pad to this part, we draw a slash in the inside 155
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When we draw here, we got this part of the space in the middle of it 156
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We see this painting is very good, the line through the points, you may see here 157
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But you have to draw this portion of the gap here, we should pay attention to the fat pad
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This part from this part of the down, and then extends outward, remember to watch your feet
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Here are two joints, we got the three parts
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This section extends outward along the line, we got the plane 161
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This part of the medial extension, passing through here, down, now I'm painting the outside
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We have to paint the back of the leg, now we are expanding the scope of the drawing, line is extended upward to the leg
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Remember to draw this part of the tibia, crossed this line here, these muscles down 164
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All of the extensor outward through here, we start from here, to draw the fibula is behind this
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We will line down, now, we draw in 3/4 in this part
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Tibial extending outward, we are going to draw a corner here 167
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Fibula down, extending outward from here to the surface, the line is simple 168
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Line is down, from here through to observe the bone, it goes back 169
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Tendon extended down to the fat pad
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Now, I use a simple form of draw the side, when you draw the time-sharing, want to
consider this
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Now this simple line is the bone, this simple structure down, through here 172
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Now, these two pieces of muscle is very important
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The two groups of muscles are long peroneal muscle and short peroneal muscle, they
stretch out from here
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00:45:59, 200 - - > 00:46:50, 200Yes, they are down to the rear of the ankle, good,
short peroneal muscle connection here
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Long peroneal muscle extends to the bottom of the foot, it extends to the underside
of the original position of the big toe
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This part extends to the soles of the feet, it extends outward in this section 177
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We see the tendons of the line, it extends around it 178
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This part we want to extend to the rear of the fibula, sometimes, we will be crossed this line here
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You want to draw a tendon, muscle extension to this structure 180
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A muscle is located in the upper part of the other muscles, now here is the long peroneal muscle and short peroneal muscle
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Good, pretibial muscle is the part of the control action, this muscle stretching out from here
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We have talked about this part, this part down to the soles of the feet, this part of the connection here
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Here is the other side of the bone, the two parts from here in the past 184
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The other part of the down, from here in the past
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It crossed here extends to the soles of the feet, through to from here 186
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We draw the obvious structure, it outward
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Ok, we draw the extensor, between the them through this muscle from here 188
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All of these parts outward, along the big toe
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Now, we are here to draw the longus muscle
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Short peroneal muscle extends outward from here, down along the diagonal lines through
the points
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You can see, the shape of the extensor is obvious
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The overlapped structure here is another tendons, it across from here 193
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These parts to the different direction of extension of toes 194
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So we draw the structure, here it goes back, and then down 195
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Heel down, and then to the medial extension, fat pad through to their feet and then
outward
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This part here
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Now we need to draw the structure of the corner, it through from here, and then extend
outward
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Now there are many different lines
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Now we got the muscle of the big toe, it is similar to thumb brushwork 200
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These muscles across here, down, we use the same method to sketch in behind
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We got these distances, the big toe of tendon to the lateral extension, this part
of the cross over from here
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Muscle stretching back through here, and now we draw this part 203
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Now we are here to make a corner, it extends to the surface 20400:53:34, 200 - - > 00:53:52, 200
This part through to extend to here, tendon upward through here 205
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We are here to draw the ankle bone and the bone, fat pad come through from here, down
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You want to draw this part, it extends outward, through to from here 207
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We will line extends outward along the direction of the toes, we have to draw the different characteristics of each toe
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We have to deal with this structure, first to draw a big toe, the next toes a little
party
209
00:55:28, 200 - - > 00:55:42, 200
The next toe is more prominent, this part is more and more prominent 210
00:55:42, 200 - - > 00:55:59, 200
Then we draw the little toe, it is more prominent, you draw these structures now 211
00:55:59, 200 - - > 00:56:50, 200
Ok, we talk about the foot fat pad, we draw an Angle here 212
00:56:50, 200 - - > 00:57:01, 200
The Angle downward extension, joint located at the bottom, fat pad in here, the bone
outward
213
00:57:01, 200 - - > 00:57:13, 200
Now we draw the big toe, it outward, and then we draw these steps 214
00:57:13, 200 - - > 00:57:34, 200
You want to draw the three fat pad, fat pad down through here 215
00:57:34, 200 - - > 00:57:38, 200
The three fat pad to here, this diagonal stretch to come over 216
00:57:38, 200 - - > 00:58:39, 200
In this part of the space, the toe of the fat pad extend to the center, through the to toes bend like this
217
00:58:39, 200 - - > 00:59:07, 200
Toes extends outward, and then we draw this part, we got the plane 218
00:59:07, 200 - - > 00:59:15, 200
When you look at the foot of this line, we use in the form of a simple sketch again
219
00:59:15, 200 - - > 01:00:06, 200
We look at the front part of the inside is straight, the lateral extends outward
220
01:00:06, 200 - - > 01:00:16, 200
Line through here, I draw this part, it through from here, down, and across from here
221
01:00:16, 200 - - > 01:00:27, 200
The space between the big toe is reflected in the now 222
01:00:27, 200 - - > 01:00:35, 200
Now I'm in the toe of the first joints to draw this part 223
01:00:35, 200 - - > 01:00:42, 200
We will be drawing to a cylinder structure, now I want to consider, cylinder structure
extends outward
224
01:00:42, 200 - - > 01:00:53, 200
I will toes painted on the surface, now we come to this part of the painting
225
> 01:01:42, 200 01:00:53, 200 - -
We extend to back here, from here it come through, this part down 226
01:01:42, 200 - - > 01:01:48, 200
Little toes outward, I have to draw out the two parts 227
01:01:48, 200 - - > 01:02:12, 200
Your lines on the surface will wear the past
228
01:02:12, 200 - - > 01:02:17, 200
We get the basic structure of the toes, it is very simple 229
01:02:17, 200 - - > 01:02:23, 200
Now we will shrink muscles extend to the top of the toes 230
01:02:23, 200 - - > 01:02:34, 200
We use the same method for sketching, line to the medial extension, we began to draw
here
231
01:02:34, 200 - - > 01:03:20, 200
Now I'm going to draw a simple line, it outward 232
01:03:20, 200 - - > 01:03:28, 200Most people will encounter difficulties when painting
the outside of the foot
233
01:03:28, 200 - - > 01:03:35, 200
Now you want to remember, we are dealing with the outer edge of the foot 234
01:03:35, 200 - - > 01:03:46, 200
We want to draw the feet to the transition part of the leg, the transition section is difficult to draw
235
01:03:46, 200 - - > 01:03:52, 200
When we draw the time-sharing, we draw an Angle
236
01:03:52, 200 - - > 01:03:56, 200
Foot extends outward, first of all, I want to draw this part on a plane 237
01:03:56, 200 - - > 01:04:10, 200
We can see how I draw this part, the flat extend outward oriented 238
01:04:10, 200 - - > 01:04:17, 200
We will line is connected to the cylinder, it goes back, and extends to the inside 239
> 01:05:08, 200 01:04:17, 200 - -
Now we are going to a line across here, a lot of people is that this part of the drawing
240
01:05:08, 200 - - > 01:05:17, 200
They are all in the medial part of the picture, looks like a meat pad into his shoes 241
01:05:17, 200 - - > 01:05:24, 200
We want to consider the distance, fat pad on the surface
242
01:05:24, 200 - - > 01:05:38, 200
So when I draw the time-sharing, want to consider, here is the big toe, the bone extending over backwards
243
01:05:38, 200 - - > 01:05:43, 200
We will line up to the surface, you see this part I will now break down 244
01:05:43, 200 - - > 01:05:51, 200
Here below the heel backward outspread, this part of the extension, we draw the side 245
01:05:51, 200 - - > 01:05:58, 200
Will a plane passing through here, to draw this part here
246
01:05:58, 200 - - > 01:06:45, 200
Now we want to draw the part of the drawing, we need to consider the space here
247
01:06:45, 200 - - > 01:06:57, 200
Now I draw this part, I outline in this corner, this part extends to the surface 248
01:06:57, 200 - - > 01:07:11, 200
It down, this part of the line is down, now, I want to emphasize the fat pad 249
01:07:11, 200 - - > 01:07:22, 200
We are here to draw the bone, this side of the extended upward to the toe bones 250
01:07:22, 200 - - > 01:07:31, 200
I'm here to draw fat pad, through to it from here
251
01:07:31, 200 - - > 01:07:37, 200
Now, in the face, this curve through the middle
252
01:07:37, 200 - - > 01:08:21, 200
I draw the line in the vicinity of this part of the
253
01:08:21, 200 - - > 01:08:27, 200
Now I want to extend the line to the back heel, I will be through from here to the side
254
> 01:08:35, 200 01:08:27, 200 - -
I want to draw the line, it extends to the surface, we use it to draw the structure 255
01:08:35, 200 - - > 01:08:43, 200
This part extends to here, we will be extending outward, across from here 256
01:08:43, 200 - - > 01:08:57, 200
We can see the toes, we should pay attention to the shape of a shoe, we draw the structure of the heel
257
01:08:57, 200 - - > 01:09:06, 200
We draw women's shoes, we can see that the heel is relatively small 258
01:09:06, 200 - - > 01:10:00, 200
We at the side of the big toe to draw this part, the side extending outward, it is the structure of the shoe
259
01:10:00, 200 - - > 01:10:11, 200
This part I will extending outward, we are going to this side down to the surface 260
01:10:11, 200 - - > 01:10:21, 200
It goes back, through to from here, now,Ankle from here in the past 261
01:10:21, 200 - - > 01:10:36, 200
We draw up this part, I do not will line across from here in the past, this part I will come through
262
01:10:36, 200 - - > 01:10:46, 200
This line from here through to it from here, and now we want to consider every part 263
01:10:46, 200 - - > 01:11:40, 200
This part of the space extend to the surface, we will fat pad through the side 264
01:11:40, 200 - - > 01:11:54, 200
We draw the bone, it goes back and then bending, draw the corner here 265
01:11:54, 200 - - > 01:12:06, 200
You want to draw the bone through the part, they are down and in the past 266
01:12:06, 200 - - > 01:12:17, 200
Now there are a series of muscle, when we draw the time-sharing, and we can't see them
267
01:12:17, 200 - - > 01:12:23, 200
They lie down to the bottom of the soleus and extends to the inside, they through these points
268
01:12:23, 200 - - > 01:12:32, 200
Extends to the lower part of the foot, here we need to deal with three layers of muscle 269
01:12:32, 200 - - > 01:13:23, 200
They cross over to here, you are likely to see only this layer across from here 270
01:13:23, 200 - - > 01:13:37, 200
We draw these parts, here is the fundamental part, now let's deal with the foot 271
01:13:37, 200 - - > 01:13:45, 200
We want to look at the plane, we draw this part in this plane
272
01:13:45, 200 - - > 01:13:51, 200
You can come through here, across from here
273
01:13:51, 200 - - > 01:13:58, 200
We are here to draw this part, from here through to this part we will extend to the surface
274
01:13:58, 200 - - > 01:14:05, 200
This part is to help us to express the dimensional feeling of toe 275
01:14:05, 200 - - > 01:14:15, 200
This section is located in the surface, we can use it to perform this part of the 3 d stereo feeling
276
01:14:15, 200 - - > 01:15:05, 200
When we draw heel, we in the paint on the surface of this part, this part extends outward
277
01:15:05, 200 - - > 01:15:16, 200
We see this extend outward oriented, and then you can draw the big toe under the surface 278
01:15:16, 200 - - > 01:15:30, 200
Let's build a 3 d stereo feeling, this part through from here, this is a good start 279
01:15:30, 200 - - > 01:15:44, 200
On the basis of the basic structure of we finish all the painting process 280
01:15:44, 200 - - > 01:15:49, 200
We would like to tell us about the drawing of the bones, not speak too much muscle 281
01:15:49, 200 - - > 01:15:56, 200
All these muscles down, we will tendon, extending outward from here through to 282
01:15:56, 200 - - > 01:16:50, 200
We in the surface to paint this part, you are rarely have the opportunity to deal with this part
283
01:16:50, 200 - - > 01:16:58, 200
When you will bend the foot, to deal with this very simple structure 284
01:16:58, 200 - - > 01:17:02, 200
Here we are going to talk about these muscles, they extend down this part 285
01:17:02, 200 - - > 01:17:16, 200
We don't often paint the line, this time, I want to draw more obvious the plane 286
01:17:16, 200 - - > 01:17:22, 200
Now I draw inside, now I will forward this line extension
287
01:17:22, 200 - - > 01:17:34, 200
I deal with the plane, this part down, through to from here, that is the question288 01:17:34, 200 - - > 01:18:26, 200
We to characterize the bones, but the outside of the contour line, it is very simple 289
01:18:26, 200 - - > 01:18:40, 200
Ok, now let's focus on handling posture, I want to consider this part of the simple lines
290
01:18:40, 200 - - > 01:18:48, 200
This part extends to the foot, the basic structure through the bottom 291
01:18:48, 200 - - > 01:18:53, 200
We draw the part, it down to the heel
292
01:18:53, 200 - - > 01:19:02, 200
Now this part extends to the heel, this way
293
01:19:02, 200 - - > 01:19:08, 200
We want to consider this part, it down, I will line through to from here 294
> 01:19:12, 200 01:19:08, 200 - -
This part of the down, and then we to paint inside
295
01:19:12, 200 - - > 01:20:02, 200
This part through to, extends to the part, it extends outward to the toe of the fat pad
296
01:20:02, 200 - - > 01:20:08, 200
Then line across from here to come over, this structure is very simple 297
01:20:08, 200 - - > 01:20:21, 200
We draw this part through here, and focus on the overlap structure here 298
01:20:21, 200 - - > 01:20:34, 200
Now we have to paint the inside of the ankle, it through the front, and then down 299
01:20:34, 200 - - > 01:20:43, 200
Now I draw this part, I focus on this part, it is wrapped around the inside of the corner
300
01:20:43, 200 - - > 01:20:47, 200
We are now to draw back
301
01:20:47, 200 - - > 01:20:53, 200
As for the tendon and bone connected parts, I can only see a few parts 302
01:20:53, 200 - - > 01:21:48, 200
I will carefully consider here, flexor through to down, now I emphasize the slight
changes in here
303
01:21:48, 200 - - > 01:21:55, 200
I want to draw the heel of the fat pad, and now it down again 304
01:21:55, 200 - - > 01:22:03, 200
We have to deal with the overlapping structure that down here 305
01:22:03, 200 - - > 01:22:08, 200
Now we use the same method to draw the bone, it outward 306
01:22:08, 200 - - > 01:22:13, 200
It through from here, tendons and muscles through from here 307
01:22:13, 200 - - > 01:22:18, 200
Through to its overlap here, from here
308
01:22:18, 200 - - > 01:22:25, 200
This part of the painting on the surface, the outside of the contour line, it is very
simple
309
01:22:25, 200 - - > 01:22:34, 200
Now we are going to have a look at how the structure of the medial, line across from
here
310
01:22:34, 200 - - > 01:23:24, 200
Change the drawing here, ankle and foot through to from here 311
01:23:24, 200 - - > 01:23:29, 200
Now, the outside of the part is relatively wide, it down 312
01:23:29, 200 - - > 01:23:35, 200
We draw the extension lines there
313
01:23:35, 200 - - > 01:23:43, 200
We want to consider the tendons of big toe, it down, through to from here
314
01:23:43, 200 - - > 01:23:47, 200
You draw the lines, it is different and other lines 315
01:23:47, 200 - - > 01:23:52, 200
Usually you can draw the pretibial muscle, it down, through to from here 316
01:23:52, 200 - - > 01:24:02, 200
This part of the way, and then extends outward, now I'll line extends to the toes 317
01:24:02, 200 - - > 01:25:00, 200
I want to draw this part,Now I draw flexor muscle and fat pad to the center of the joints
318
01:25:00, 200 - - > 01:25:08, 200
I draw the part, here is flat, the plane down along the diagonal lines 319
01:25:08, 200 - - > 01:25:15, 200
This part in extended upward to the back here, we draw these corner, through to them from here
320
01:25:15, 200 - - > 01:25:19, 200
Draw this part, it down, we draw the side
321
> 01:25:25, 200 01:25:19, 200 - -
Draw the fat pad and tight muscles, they extended to what we emphasize on the face 322
01:25:25, 200 - - > 01:25:31, 200
We can draw a fat pad, it passing through here, now, we draw the fat pad 323
01:25:31, 200 - - > 01:25:42, 200
It down, extending to the big toe, I draw this part, it is down 324
01:25:42, 200 - - > 01:25:49, 200
Its way here, then we look at this part, it turned from cube structure 325
01:25:49, 200 - - > 01:26:48, 200
The bone through from here, to the fat pad of the medial extension to the big toe 326
01:26:48, 200 - - > 01:26:54, 200
This section is square, it down to the surface
327
01:26:54, 200 - - > 01:27:04, 200
We want to draw the shapes of the fat pad, it through from here, we need to add here painting toenails
328
01:27:04, 200 - - > 01:27:14, 200
Toenails can help us to create the structure of 3 d stereo feeling, this part is a
circle
329
01:27:14, 200 - - > 01:27:21, 200
Now let's draw the space between the toes
330
01:27:21, 200 - - > 01:27:30, 200
We want to focus on the below point of view, the face after reaching out to these parts
331
01:27:30, 200 - - > 01:27:36, 200
This part will be extended a long distance to draw some, we draw a simple sketch 332
01:27:36, 200 - - > 01:28:25, 200
We draw the whole shape, you need to draw the toes
333
01:28:25, 200 - - > 01:28:36, 200
You'll find this part of the structure is very simple, it is a good solution 334
01:28:36, 200 - - > 01:28:45, 200
Now we draw the tendons, it again from here through to this part extends to the surface 335
01:28:45, 200 - - > 01:28:55, 200
Here are square, we draw the corner, behind the extending down along the contraction of muscle tendons
336
01:28:55, 200 - - > 01:29:05, 200
This part it down down, and then it passing through here
337
01:29:05, 200 - - > 01:29:09, 200
Here we draw a square structure of the toes, down the next
338
01:29:09, 200 - - > 01:29:15, 200
Draw this time, I want to consider this part of the bone
339
01:29:15, 200 - - > 01:30:03, 200
It extends forward and through from here, and then down, passing through here 340
01:30:03, 200 - - > 01:30:12, 200
This part of the back, in the process of painting, I will joint structure simplified 341
01:30:12, 200 - - > 01:30:22, 200
I want to draw this corner, now we draw the plane, through to it from here 342
01:30:22, 200 - - > 01:30:27, 200
Tendon down, ankle bone in it
343
01:30:27, 200 - - > 01:30:34, 200
In the center, change lines on the surface, it extend from side to side 344
01:30:34, 200 - - > 01:30:40, 200
Now I want to draw the tendons in the front
345
01:30:40, 200 - - > 01:30:47, 200
Lines will come through, we are in the lateral draw this part, it passing through here
34601:30:47, 200 - - > 01:30:54, 200
This is foot sketch a good start, well, now, we continue to draw down 347
01:30:54, 200 - - > 01:31:53, 200
Now, we are in the medial side, I can't too stressed to simplify the starting point 348
01:31:53, 200 - - > 01:32:05, 200
I will be the Angle from the basic structure across the past, now I began to draw it
349
01:32:05, 200 - - > 01:32:22, 200
My ankle in the painting on the surface of place, we will line through to from here 350
01:32:22, 200 - - > 01:32:28, 200
Now, this part down, I to draw this structure
351
01:32:28, 200 - - > 01:32:36, 200
Now we are going to talk about this part of the flexor, see how we make big toe bones 352
01:32:36, 200 - - > 01:33:27, 200
Muscle stretching back, connected to here, I will line winding around here 353
01:33:27, 200 - - > 01:33:36, 200
I will be here as a cylinder structure, its backward outspread, the bone stretching back now
354
01:33:36, 200 - - > 01:33:46, 200
We draw on the thigh bone meets the large bone of the bone around the corner, tendon connection here, down
355
01:33:46, 200 - - > 01:33:55, 200
I'll line along down here, then I want to consider the fat pad of the foot 356
01:33:55, 200 - - > 01:34:07, 200
I emphasize here a little, the whole part down to the other side of the foot
357
01:34:07, 200 - - > 01:34:12, 200
We draw the surface, it down, through to from here 358
01:34:12, 200 - - > 01:35:00, 200
This part from down here, and now we got a very simple structure 359
01:35:00, 200 - - > 01:35:05, 200
Now I want to consider the bone, it through to from here 360
01:35:05, 200 - - > 01:35:19, 200
The structure of this part of the square across from side to the other side, we draw
the bone, it down
361
01:35:19, 200 - - > 01:35:33, 200
Fat pad extends down from there, come across, and down again 362
01:35:33, 200 - - > 01:35:37, 200
These parts are around around here
363
01:35:37, 200 - - > 01:35:41, 200
Above lines at the same time, we will be back, we are here to draw the overlapping
structure
364
01:35:41, 200 - - > 01:35:51, 200
We draw this part, ankle extending outward from here, I want to draw the overlapping
structure
365
01:35:51, 200 - - > 01:35:58, 200
In the lateral ankle down, remember, it is the inside of the relatively high
366
01:35:58, 200 - - > 01:36:48, 200
The inside line down to this part, we will line through here 367
01:36:48, 200 - - > 01:36:59, 200
The Angle across from here in the past, we are on the corner of the paint on the surface
of the bone, through to from here
368
01:36:59, 200 - - > 01:37:07, 200
Now we draw a tendon, it down, connected to here 369
01:37:07, 200 - - > 01:37:14, 200
We will these structure backward outspread, contraction of muscles, back from here
in the past
370
01:37:14, 200 - - > 01:37:18, 200
The back corner
371
01:37:18, 200 - - > 01:37:24, 200
Now I observe changes here, ankle and foot through to from here 372
01:37:24, 200 - - > 01:37:34, 200
These extensions to the inside of the corner, the dividing line is down, passing
through here
373
01:37:34, 200 - - > 01:38:25, 200
On the other side of the line is down, contour lines are still very simple, we are
in this little overlap structure
374
01:38:25,200 - > 01:38:31, 200
This part of the way, the lateral continue along this direction 375
> 01:38:41, 200 01:38:31, 200 - -
Now we are stretched the line forward, tendons through from here, to here 376
01:38:41, 200 - - > 01:38:48, 200
This part along the side down, through to from here 377
01:38:48, 200 - - > 01:38:59, 200
We'll look at the big toe the square structure of fat pad 378
01:38:59, 200 - - > 01:39:10, 200
This part across the corner, extends to the side, we will eventually extend bones
to the inner side of the fat pad
379
01:39:10, 200 - - > 01:39:18, 200
Then we make big toe fat pad, we draw the structure 380
01:39:18, 200 - - > 02:46:43, 200
This part of the outward from here, extends to the surface 381
02:46:43, 200 - - > 02:46:53, 200
We draw the nails in the surface, this will help us draw the toe of this part
382
02:46:53, 200 - - > 02:47:03, 200
Now we have got the basic part, we draw the space between the toes
383
02:47:03, 200 - - > 02:47:16, 200
Now I'm going to draw a simple form of the structure, now we have the different steps 384
02:47:16, 200 - - > 02:47:21, 200
I see these parts, they are down, passing through here
385
02:47:21, 200 - - > 02:48:21, 200
Now we draw a sketch of the foot
386
02:48:21, 200 - - > 02:48:26, 200
You want to consider these simple structure, they are down, we have to draw the corner 387
02:48:26, 200 - - > 02:48:39, 200
Observe and draw these sides, tendon through the side, extending to the inside 388
02:48:39, 200 - - > 02:48:51, 200
Now we can see in another Angle
389
02:48:51, 200 - - > 02:49:10, 200
Ok, now we draw the outer edge of the foot, first of all, we draw the basic posture 390
02:49:10, 200 - - > 02:50:16, 200
This part is very simple, this part we will extend upwards, we draw some signature line
391
02:50:16, 200 - - > 02:50:29, 200
Now we draw the simple gesture of outside, now we draw this part, through to it from here
392
02:50:29, 200 - - > 02:50:39, 200
The bone extends to the surface, this time, I need to pay attention to the bone 393
02:50:39, 200 - - > 02:50:50, 200
Here is the tibia and fibula, now we are going to draw the corner, it's across from here
394
02:50:50, 200 - - > 02:50:54, 200
I want to on the edge of the drawing out the bone
395
02:50:54, 200 - - > 02:51:44, 200
Then we turned to painting fibula, it down
396
02:51:44, 200 - - > 02:51:52, 200
We want to consider this Angle, it down, through to the bone from here 397
02:51:52, 200 - - > 02:51:59, 200
Now we draw this part, its position is quite high
398
02:51:59, 200 - - > 02:52:03, 200
This part of the lift, and then down
399
02:52:03, 200 - - > 02:52:07, 200
We want to consider the drawing of the bone, it passing through here 400
02:52:07, 200 - - > 02:52:22, 200
Here we got the long peroneal muscle and short peroneal muscle tendon, them from here to the end of the past
401
02:52:22, 200 - - > 02:52:36, 200
This part is obvious, muscle so taut, I want to draw the line, from here it come through
402
02:52:36, 200 - - > 02:53:34, 200
This part down, short peroneal muscle extension to the little toe bones, extending down long peroneal muscle
40302:53:34, 200 - - > 02:53:44, 200
It extends to the bottom of the big toe, now we come back to this part of the drawing
404
02:53:44, 200 - - > 02:53:52, 200
We draw a tendon, it down here, we will be painted on the surface 405
02:53:52, 200 - - > 02:54:09, 200
Its location is located in the here and now I draw this part, I want to draw out the whole area
406
02:54:09, 200 - - > 02:54:13, 200
I usually draw the heel in the below
407
02:54:13, 200 - - > 02:55:09, 200
At the same time, we in the paint on the surface of the fat pad and bones, they are down
408
02:55:09, 200 - - > 02:55:16, 200
We draw the line at the same time, we use it to create a 3 d stereo feeling 409
02:55:16, 200 - - > 02:55:20, 200
Now you want to draw a fat pad, it extends to here
410
02:55:20, 200 - - > 02:55:28, 200
We will this small bones through here, on this side of the draw the contraction of the muscles
411
02:55:28, 200 - - > 02:55:32, 200
Behind, we draw up this part
412
02:55:32, 200 - - > 02:55:38, 200
We want to draw the bone, it extends outward, through to from here 413
02:55:38, 200 - - > 02:55:49, 200
The painting has changed here, it down, we will wear the same corner of the past 414
02:55:49, 200 - - > 02:56:40, 200
Now we got the extensor, we are here to draw the shape of the short peroneal muscle 415
02:56:40, 200 - - > 02:56:50, 200
This muscle along the diagonal lines across from here in the past, we draw these parts below
416
> 02:56:57, 200 02:56:50, 200 - -
This part is extended, this structure is very clear, we draw the extensor here 417
02:56:57, 200 - - > 02:57:03, 200
You want to draw the tendons, here they are extended to the top
418
02:57:03, 200 - - > 02:57:14, 200
We wear the lines in the past, look at this part, little toe look across from here 419
02:57:14, 200 - - > 02:57:21, 200
I draw below the surface, and now, little toe this side of the part is not very obvious 420
02:57:21, 200 - - > 02:57:28, 200
We at the side of the big toe to draw the line of the coil
421
02:57:28, 200 - - > 02:57:33, 200
We through from here, here come across, extending outward
422
02:57:33, 200 - - > 02:58:26, 200
You want to draw this part, it come through, extending outward, down, and then through the to
423
02:58:26, 200 - - > 02:58:48, 200
The bone is little toe, I continue to make the following steps, this part is very
simple
424
02:58:48, 200 - - > 02:58:55, 200
Now I want to emphasize the space between the toes
425
02:58:55, 200 - - > 03:00:04, 200
Big toe line extension forward, we will tendon down, big toe foreign stretch back 426
03:00:04, 200 - - > 03:00:13, 200
We can clearly see that this part of the square structure, this part down 427
03:00:13, 200 - - > 03:00:29, 200
Little toe down along this direction, it extends through here to this part 428
03:00:29, 200 - - > 03:00:48, 200
It is easy to ignore this part or only pay attention to draw the shape, I want this picture
429
03:00:48, 200 - - > 03:00:55, 200
Now the face downward extension, I get to the part, I again this part 430
03:00:55, 200 - - > 03:01:42, 200
We draw the foot, heel lift, this part I will slide back
431
03:01:42, 200 - - > 03:01:46, 200This part I will reach down to the surface 432
03:01:46, 200 - - > 03:01:50, 200
We got the plane, through to it from here
433
03:01:50, 200 - - > 03:02:03, 200
We want to draw the plane, it down here, and tendons through to from here 434
03:02:03, 200 - - > 03:02:11, 200
I would like to line stretching back to the here, from here through to this part of the clearance, extended upward along the side
435
03:02:11, 200 - - > 03:02:20, 200
We draw the soleus and gastrocnemius at the top
436
03:02:20, 200 - - > 03:03:21, 200
Now, we have to deal with the problem is the appearance of the foot 437
03:03:21, 200 - - > 03:03:35, 200
Tendon extended to the relatively flat area, let's draw the shape of the foot, line
down
438
03:03:35, 200 - - > 03:03:54, 200
It is to stretch into the shoes, you get a series of plane
439
03:03:54, 200 - - > 03:04:02, 200
You have to deal with these a short distance, we will focus on these overlapping structure
440
03:04:02, 200 - - > 03:04:15, 200
We should observe and draw a simple structure, we will consider line is extended to the leg
441
03:04:15, 200 - - > 03:05:05, 200
We focus on the structure of cylinder, the cylinder goes back, and then through the to
442
03:05:05, 200 - - > 03:05:15, 200
We will foot line extending outward, we draw the big toe is roughly sketch here 443
> 03:05:23, 200 03:05:15, 200 - -
Now we are going to focus on this distance, it extends out from the relatively flat area
444
03:05:23, 200 - - > 03:05:27, 200
We are here to draw the foot arch structure, draw the big toe of the fat pad 445
03:05:27, 200 - - > 03:05:33, 200
We want to consider the drawing of the corner, we will line extends to the surface 446
03:05:33, 200 - - > 03:05:43, 200
This part extends to the surrounding, this side of the line below the backward outspread
447
03:05:43, 200 - - > 03:05:53, 200
On the other side of the line through the big toe, I want to extend back line, draw the plane
448
03:05:53, 200 - - > 03:05:59, 200
It is approximate the shape of a cylinder, this part is a bone 449
03:05:59, 200 - - > 03:06:51, 200
We want to draw the surface, it goes back, I turned to look at the top 450
03:06:51, 200 - - > 03:07:01, 200
Will line extends to the ankle, we draw this part, we turned to look at the ankle 451
03:07:01, 200 - - > 03:07:09, 200
The bone across from here in the past, now I'm going to draw a line, it across the structure
452
03:07:09, 200 - - > 03:07:17, 200
I want to focus on sketch the overlap of these structures
453
03:07:17, 200 - - > 03:07:32, 200
This part extends to the between, overlapping, overlap again
454
03:07:32, 200 - - > 03:07:36, 200
We in this plane sketch, from here through to extend to here
455
03:07:36, 200 - - > 03:08:31, 200
This part of the extension to the front, you can see we add these simple line drawing 456
03:08:31, 200 - - > 03:08:37, 200
Come back here, we use the same method to draw the outline, the surface curve, and then extend outward
457
> 03:08:47, 200 03:08:37, 200 - -
The surface extension in behind, I will line up here
458
03:08:47, 200 - - > 03:08:52, 200
Now we are going to line down, this part to the medial extension 459
03:08:52, 200 - - > 03:09:07, 200
Now all the parts below the backward outspread,Now we are going to this part to the medial extension
460
03:09:07, 200 - - > 03:09:13, 200
This side of the heel lines extending outward, we will line stretching back here 461
03:09:13, 200 - - > 03:10:04, 200
That part of the down, the bone located in here, now I draw such extension lines 462
03:10:04, 200 - - > 03:10:14, 200
I will wear lines in the past, down here, this side of the draw
463
03:10:14, 200 - - > 03:10:22, 200
I want to draw on the side of the heel, it extends outward, this part across from
here
464
03:10:22, 200 - - > 03:10:28, 200
Here is a corner, it from here to change direction, it down 465
03:10:28, 200 - - > 03:10:41, 200
Create the stereo feeling, we need to address this portion, we can draw the this side of the heel
466
03:10:41, 200 - - > 03:10:53, 200
This part of the cross over, to here, this part extends to the outside of the foot fat pad
467
03:10:53, 200 - - > 03:11:40, 200
Now I draw this corner, it's in the past from here
468
03:11:40, 200 - - > 03:11:49, 200
The surface to the contraction of muscle, I cross over the lines, passing through here
469
> 03:11:59, 200 03:11:49, 200 - -
This is a painting, now, we focus on processing center, it down 470
03:11:59, 200 - - > 03:12:09, 200
We use this part to show these simple plane, we will line through to now 471
03:12:09, 200 - - > 03:12:21, 200
This part of the extended upward, this part I will be back to extend, draw some light here
472
03:12:21, 200 - - > 03:12:31, 200
Then I come back to this part, I want to draw the bone, little toe through from here 473
03:12:31, 200 - - > 03:12:39, 200
I think here add draw the joints, now these facing downward 474
03:12:39, 200 - - > 03:13:28, 200
We draw the clear of the plane, I draw a light here, this part through to down 475
03:13:28, 200 - - > 03:13:40, 200
We draw these fat pad, through to the lines, this part we will be back 476
03:13:40, 200 - - > 03:13:51, 200
I draw the corner here, draw the overlapping structure here, this part down
477
03:13:51, 200 - - > 03:13:58, 200
This part in here, this part down, we draw a light here 478
03:13:58, 200 - - > 03:14:09, 200
Here we will line up, through the contraction of the muscles 479
03:14:09, 200 - - > 03:14:19, 200
Draw the fat pad and center here, now we use this method to draw another part 480
03:14:19, 200 - - > 03:15:06, 200
Came across this surface, change direction, it down 481
03:15:06, 200 - - > 03:15:13, 200
We can draw such extension lines, fat pad now extended upward, fat pad is located
in the rear
482
03:15:13, 200 - - > 03:15:21, 200
Fat pad from 1/2 through come, now I want to draw this part 483
> 03:15:26, 200 03:15:21, 200 - -
This time, I want to consider this is a cylinder structure, it passing through here
484
03:15:26, 200 - - > 03:15:35, 200
We draw the structure through the line, I will come line through 485
03:15:35, 200 - - > 03:15:43, 200
In this plane sketch, and the structure of the drawing cylinder method is the same
486
03:15:43, 200 - - > 03:15:53, 200
I will be fat pad extending outward, we are now seeing this part outward 487
03:15:53, 200 - - > 03:15:57,000
We draw these corners, to which the medial extension 488
03:15:57, 200 - - > 03:16:46, 200
We don't see this part, but you can see the overall structure of the big toe 489
03:16:46, 200 - - > 03:16:57, 200
There are three fat pad on the big toe, among them, two in here, another is located
in the end
490
03:16:57, 200 - - > 03:17:01, 200
Now we are to create a space by it
491
03:17:01, 200 - - > 03:17:05, 200
You have to consider from this side to the bottom parts 492
03:17:05, 200 - - > 03:17:10, 200
We should take advantage of muscle contraction to sketch, through to it from here
493
03:17:10, 200 - - > 03:17:18, 200
This part in the past, extended to the end, and then down here 494
03:17:18, 200 - - > 03:17:24, 200
Now, you can see clearly the bone extends to the inside 495
03:17:24, 200 - - > 03:17:33, 200
We continue to look at the structure, and then we draw the overall structure, this
part through to
496
03:17:33, 200 - - > 03:18:20, 200
Painted toes, you remember, we're gonna lines through the cylinder structure
497
> 03:18:36, 200 03:18:20, 200 - -
You want to continue to draw cylinder structure, you must draw the part 498
03:18:36, 200 - - > 03:18:47, 200
Now I will come through this part of the lines, to here 499
03:18:47, 200 - - > 03:18:51, 200
I draw the cylinder, it's in the past from here
500
03:18:51, 200 - - > 03:18:57, 200
Now, we will line down to the next part, and then in the past 501
03:18:57, 200 - - > 03:19:11, 200
I want to draw these cylinder structure, and now I draw a simple sketch here
502
03:19:11, 200 - - > 03:19:15, 200
The overlapping structure extended distance is longer 503
03:19:15, 200 - - > 03:20:06, 200
We through the line to draw the bottom of the cylinder structure 504
03:20:06, 200 - - > 03:20:19, 200
We use shadows to draw the structure, it come through 505
03:20:19, 200 - - > 03:20:40, 200
We draw a fat pad, it extends to the surface, this part down now 506
03:20:40, 200 - - > 03:20:47, 200
We can only see a small part of the joints, of course, this part is the contraction of the muscles
507
03:20:47, 200 - - > 03:20:54, 200
We draw the part of the space in the middle of it
508
03:20:54, 200 - - > 03:21:53, 200
We draw the surface, it down here, and then in the past 509
03:21:53, 200 - - > 03:22:15, 200
Don't miss a chance of using overlapping structure sketch, it extends to here 510
03:22:15, 200 - - > 03:22:22, 200
Of course, this section is located at muscle contractions, we to extend its back some
511
03:22:22, 200 - - > 03:22:26, 200
We will be in the past
512
03:22:26, 200 - - > 03:22:37, 200
As you sketch a left half, the corners of the structure become more obvious