宫崎骏龙猫英语课前演讲ppt

宫崎骏和他的龙猫组员：袁桃罗甫航张演奎汪潮李星于渊余熙锋宋杰*Miyazaki(Miyazaki,MiyazakiHayao)isafamousJapaneseanimationdirector,January5,1941BorninTokyo.HayaoMiyazakihasnosubstitute intheglobalanimationindustrystatus,Disneycalled“animationindustryAkiraKurosawa”,hewasreceivednumerousawards.宫崎骏（宫崎骏，MiyazakiHayao）是日本著名动画片导演，1941年1月5日生于东京。宫崎骏在全球动画界具有无可替代的地位，迪斯尼称其为“动画界的黑泽明”，更是获奖无数。*吉卜力工作室StudioGhibli*ValleyoftheWind,1984film《风之谷》CastleintheSky,1986film《天空之城》MyNeighborTotoro,1988film《龙猫》Kiki'sDeliveryService,1989film《魔女宅急电》PrincessMononoke,1997film《幽灵公主》SpiritedAway,2001film《千与千寻》(winner,AcademyAwardforBestAnimatedFeature,2002)Howl'sMovingCastle,2004film《霍尔的移动城堡》(nominee,AcademyAwardforBestAnimatedFeature,2005)Ponyo,2008film《悬崖岸上的金鱼姬》Mainfilms*Miyazakitakesaleadingrolewhencreatinghisfilms,frequentlyservingasbothwriteranddirector.Hepersonallyreviewedeveryframeusedinhisearlyfilms.宫崎骏在电影创作扮演主导的角色，经常同时担任编剧及导演。他在早期的电影作品中会亲自审阅每幅画面.*Miyazakiusesveryhuman-likemovementsinhisanimation.Inaddition,muchoftheartisdoneusingwatercolors.IncontrasttoAmericananimation,thescriptandstoryboardsarecreatedtogether,andanimationbeginsbeforethestoryisfinishedandwhilestoryboardsaredeveloping.宫崎骏在他的动画作品中使用非常人性化的程序。此外，吉卜力工作室也大量使用水彩艺术。与美国动画相异，吉卜力工作室采用同时创造剧本及记事板的方法，动画及记事板在故事完成之前就已经开始制作*Style：Miyazaki'sworksarecharacterisedbytherecurrenceofprogressivethemes,suchasenvironmentalism,pacifism,feminism,andtheabsenceofvillains.Hisfilmsarealsofrequentlyconcernedwithchildhoodtransitionandamarkedpreoccupationwithflight.宫崎骏的动画电影大多涉及人类与自然之间的关系、和平主义及女权运动。他的作品也经常出现飞行、儿童心理及青春期的思想。*画风宫崎骏创作的影片背景的画风始终是清新浪漫的，总有一种能让人想要回归自然的感觉。尤其是影片中出现的天空背景，给人以广阔无垠的感觉，使人不禁生出一种遐想，似乎想要到那背景中去寻找远离城市污浊空气的清新中，去感受自然之美。　再从人物形象来说。宫崎骏笔下的人物是全部采用手绘的方式创造出来的。人物（也包括动物）线条简洁明快，并不复杂，令人看后更觉简约朴实，贴近生活。这一切一切，都表现出宫崎骏对于自然与生活的热爱，也颇富有意义。Miyazaki'sfilmsoftenincorporaterecurrentthemeslikehumanity'srelationshiptonatureandtechnology,andthedifficultyofmaintainingapacifistethic.ReflectingMiyazaki'sfeminism,theprotagonistsofhisfilmsareoftenstrong,independentgirls.*In1958Japan,universityprofessorTatsuoKusukabeandhistwodaughters,SatsukiandMeimoveintoanoldhousetobeclosertothehospitalwheretheirmother.Yasukoisrecoveringfromalong-termillness.*SatsukiandMeifindthatthehouseisinhabitedbytinyanimateddustcreaturescalledsusuwatari—small,dark,dust-likehousespiritsseenwhenmovingfromlighttodarkplaces.*Shefallsasleepatopthelargetotoro,butwhenSatsukifindsher,sheisonthegroundinadensebriarclearing.*Despitehermanyattempts,MeiisunabletoshowherfamilyTotoro'stree.Herfathercomfortsherbytellingherthatthisisthe"keeperoftheforest,"andthatTotorowillrevealhimselfwhenhewantsto.*Onerainynight,thegirlsarewaitingfortheirfather'sbusandgrowworriedwhenhedoesnotarriveonthebustheyexpecthimon.*Astheywait,MeieventuallyfallsasleeponSatsuki'sbackandTotoroappearsbesidethem,allowingSatsukitoseehimforthefirsttime.Heonlyhasaleafonhisheadforprotectionagainsttherain,soSatsukioffershimtheumbrellashehadtakenalongforherfather.*Inreturn,hegivesherabundleofnutsandseeds.Abus-shapedgiantcathaltsatthestop,andTotoroboardsit,takingtheumbrella.Shortlyafter,theirfather’sbusarrives.*Thegirlsplanttheseeds.Afewdayslater,theyawakenatmidnighttofindTotoroandhistwominiaturecolleaguesengagedinaceremonialdancearoundtheplantednutsandseeds.Thegirlsjoinin,whereupontheseedssprout,andthengrowandcombineintoanenormoustree.*Mei'sdisappearancepromptsSatsukiandtheneighborstosearchforher*Delightedtobeofassistance,hesummonstheCatbus,whichcarrieshertowherethelostMeisits.*Havingrescuedher,theCatbusthenwhisksherandSatsukioverthecountrysidetoseetheirmotherinthehospital.Thegirlsperchinatreeoutsideofthehospital,overhearingaconversationbetweentheirparentsanddiscoveringthatshehasbeenkeptinhospitalbyaminorcoldandisotherwisedoingwell.*Intheendcredits,MeiandSatsuki'smotherreturnhome,andthesistersplaywithotherchildren,withTotoroandhisfriendsasunseenobservers.**