英语专业语言学名词解释

1. The Renaissance: The Renaissance marks a transition from the medieval to the modern world. Generally, it refers to the period between the 14th & 17th centuries. It first started in Italy, with the flowering of painting, sculpture & literature. From Italy the movement went to embrace the rest of Europe. The Renaissance, which means "rebirth" or "revival," is actually a movement stimulated by a series of historical events, such as the re-discovery of ancient Roman & Greek culture, the new discoveries in geography & astrology, the religious reformation & the economic expansion. The Renaissance, therefore, in essence is a historical period in which the European humanist thinkers & scholars made attempts to get rid of those old feudalist ideas in medieval Europe, to introduce new ideas that expressed the interests of the rising bourgeoisie, & to recover the purity of the early church from the corruption of the Roman Catholic Church. 2. Humanism: Humanism is the essence of the Renaissance. It sprang from the endeavor to restore a medieval reverence for the ancient authors and is frequently taken as the beginning of the Renaissance on its conscious, intellectual side, for the Greek and Roman civilization was based on such a conception that man is the measure of all things. Through the new learning, humanists not only saw the arts of splendor and enlightenment, but the human values represented in the works. Renaissance humanists found in the classics a justification to exalt human nature and came to see that human beings were glorious creatures capable of individual development in the direction of perfections, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy. Thus, by emphasizing the dignity of human beings and the importance of the present life, they voiced their beliefs that man did not only have the right to enjoy the beauty of this life, but had the ability to perfect himself and to perform wonders. Thomas More, Christopher Marlowe and William Shakespeare are the best representatives of the English humanists. 3. Spenserian stanza: Spenserian stanza was invented by Edmund Spenser. It is a stanza of nine lines, with the first eight lines in iambic pentameter & the last line in iambic hexameter, rhyming ababbcbcc. 4. Metaphysical poetry: The term "metaphysical poetry" is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne. With a rebellious spirit, the metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry. The diction is simple as compared with that of the Elizabethan or the Neoclassic periods, and echoes the words and cadences of common speech. The imagery in drawn from the actual life. The form is frequently that of an argument with the poet's beloved, with God, or with himself. 5. The Renaissance hero: A Renaissance hero refers to one created by Christopher Marlowe in his drama. Such a hero is always individualistic and full of ambition, facing bravely the challenge from both gods and men. He embodies Marlowe's humanistic ides of human dignity and capacity. Different from the tragic hero in medieval plays, who seeks the way to heaven through salvation and god's will, he is against conventional morality and contrives to obtain heaven on earth through his own efforts. With the endless aspiration for power, knowledge, and glory, the hero interprets the true Renaissance spirit. Both Tamburlaine and Faustus are typical in possessing such a spirit. 1) The Enlightenment Movement The 18th-century England is known as the Age of Enlightenment or the Age of Reason. The Enlightenment Movement was a progressive intellectual movement which flourished in France & swept through the whole Western Europe at the time. The movement was a furtherance of the Renaissance of the 15th & 16th centuries. Its purpose was to enlighten the whole world with the light of modem philosophical & artistic ideas. The enlighteners celebrated reason or rationality, equality & science. They called for a reference to order, reason & rules & advocated universal education. Famous among the great enlighteners in England were those great writers like John Dryden, Alexander pope & so on. 2) Neoclassicism In the field of literature, the Enlightenment Movement brought about a revival of interest in the old classical works. This tendency is known as neoclassicism. According to the neoclassicists, all forms of literature were to be modeled after the classical works of the ancient Greek & Roman writers (Homer, Virgil, & so on)& those of the contemporary French ones. They believed that the artistic ideals should be order, logic, restrained emotion & accuracy, & that literature should be judged in terms of its service to humanity. This belief led them to seek proportion, unity, harmony & grace in literary expressions, in an effort to delight, instruct & correct human beings, primarily as social animals. Thus, a polite, urbane, witty, & intellectual art developed. 3) The heroic couplet It means a pair of lines of a type once common in English poetry, which rhyme & are written with five beats each.. 4) the Realistic Novel The mid-century was, however, predominated by a newly rising literary form, the modern English novel, which, contrary to the traditional romance of aristocrats, gives a realistic presentation of life of the common English people. This-the most significant phenomenon in the history of the development of English literature in the eighteenth century - is a natural product of the Industrial Revolution & a symbol of the growing importance & strength of the English of the growing importance & strength of the English middle class, Among the pioneers were Daniel Defoe ,Samuel Richardson, Henry Fielding, Laurence Sterne, Tobias Creorge Smollott, & Oliver Goldsmith. English Romanticism English Romanticism, as a historical phase of literature, is generally said to have began in 1798 with the publication of Wordsworth & Coleridge's Lyrical Ballads & to have ended in 1832 with Sir Walter Scott's death & the passage of the first Reform Bill in the Parliament. (2) The Romantic views about literature a. The Romantic period is an age of poetry. Blake, Wordsworth, Coleridge, Byron, Shelley & Keats are the major Romantic poets. They started a rebellion against the neoclassical literature, which was later regarded as the poetic revolution. b. The Romantic period is also a great age of prose. The two major novelists of the Romantic period are Jane Austen & Walter Scott. c. Besides poetry & prose, there are quite a number of writers who have fried their hand at poetic dramas in this period. a. The Romantic Movement It expressed a more or less negative attitude towards the existing social & political conditions that came with industrialization & the growing importance of the bourgeoisie. The Romantics felt that the existing society denied people their essential human needs, so they demonstrated a strong reaction against the dominant modes of thinking of the 18th-century writers & philosophers. Where their predecessors saw man as a social animal, the Romantics saw him essentially as an individual in the solitary state & emphasized the special qualities of each individual's mind. Romanticism actually constitutes a change of direction from attention to the outer. b. The Gothic novel It is a type of romantic fiction that predominated in the late 18th century & was one phase of the Romantic movement, its principal elements are violence, horror & the supernatural, which strongly appeal to the reader's emotion. With its descriptions of the dark, irrational side of human nature, the Gothic form has exerted a great influence over the writer of the Romantic period. Works like The Mysteries of Udolpho (1794) by Ann Radcliffe & Frankenstein (1818) by Mary Shelley are typical Gothic romance. (1) Features of the Victorian Literature Victorian literature, as a product of its age, naturally took on its quality of magnitude & diversity. It was many-sided & complex, & reflected both romantically & realistically the great changes that were going on in people's life & thought. Great writers & great works abounded. 1) The Chartist Movement (1836-1848) The English workers got themselves organized in big cities & brought forth the People's charter, in which they demanded basic rights & better living & working conditions. They, for three times, made appeals to the government, with hundreds of thousands of people's signatures. The movement swept over most of the cities in the country. Although the movement declined to an end in 1848, it did bring some improvement to the welfare of the working class. This was the first mass movement of the English working class & the early sign of the awakening of the poor, oppressed people. 2) Utilitarianism Almost everything was put to the test by the criterion of utility, that is, the extent to which it could promote the material happiness. This theory held a special appeal to the middle-class industrialists, whose greed drove them to exploiting workers to the utmost & brought greater suffering & poverty to the working mass. 3) Critical Realism The Victorian Age is an age of realism rather than of romanticism-a realism which strives to tell the whole truth showing moral & physical diseases as they are. To be true to life becomes the first requirement for literary writing. As the mirror of truth, literature has come very close to daily life, reflecting its practical problems & interests & is used as a powerful instrument of human progress. 4) Dramatic Monologue By dramatic monologue, it is meant that a poet chooses a dramatic moment or a crisis, in which his characters are made to talk about their lives, & about their minds & hearts. In " listening" to those one-sided talks, readers can form their own opinions & judgments about the speaker's personality & about what has really happened. Robert Browning brought this poetic form to its maturity & perfection & his "My Last Duchess" is one of the best-known dramatic monologues. 1.Modern English poetry: It is, in some sense, a revolution against the conventional ideas and forms of the Victorian poetry. The modernist poets fought against the romantic fuzziness and self-indulged emotionalism, advocating new ideas in poetry- writing such as to use the language of common speech, to create new rhythms as the expression of a new mood, to allow absolute freedom in choosing subjects, and to use hard, clear and precise images in poems. 2. Modern English novels: The first three decades of 20th century were golden years of the modernist novel. In stimulating the technical innovations of novel creation, the theory of the Freudian and Jungian psycho-analysis played a particularly important role. With the notion that multiple levels of consciousness existed simultaneously in the human mind, that one's present was the sum of his past, present and future, and that the whole truth about human beings existed in the unique, isolated, and private world of each individual, writers like Dorothy Richardson, James Joyce and Virginia Woolf concentrated all their efforts on digging into the human consciousness. They had created unprecedented stream-of-consciousness novels such as Pilgrimage by Richardson, Ulysses (1922) by Joyce, and Mrs. Dalloway (1925) by Woolf. One of the remarkable features of their writings was their continuous experimentation on new and sophisticated techniques in novel writing, which made tremendous impacts on the creation of both realistic and modernist novels in this century. New England Transcendentalism is the mot clearly defined Romantic literary movement in this period. It was started in the area around Concord, Mass. by a group of intellectual and the literary men of the United States such as Emerson, Henry David Thoreau who were members of an informal club, i. e. the Transcendental Club in New England in the l830s. The transcendentalists reacted against the cold, rigid rationalism of Unitarianism in Boston. They adhered to an idealistic system of thought based on a belief in the essential unity of all creation , the innate goodness of man, and the supremacy of insight over logic and experience for the revelation of the deepest truths. The writings of the transcendentalists prepared the ground of their contemporaries such as Walt Whitman, Herman Melville, and Nathaniel Hawthorne. 1. Emersonian Transcendentalism Emersonian Transcendentalism is actual1y a philosophical school which absorbed some ideological concerns of American Puritanism and European Romanticism, with its focus on the intuitive knowledge of human beings to grasp the absolute in the universe and the divinity of man. In his essays, Emerson put forward his philosophy of the over-sou1, the importance of the Individual, and Nature. Emersonian Transcendentalism inspired a whole generation of famous American authors like Thoreau, Whitman, and Dickinson. 1. Moby-dick Moby-dick is regarded as the Great American Novel, the first American prose epic(散文 史诗: a long narrative poem telling of heroic deeds of reflecting the values of the society from which it originated), though it is presented in the form of a novel. (1).its surface and the deep meaning (a).its surface meaning: It is a whaling tale or sea adventure, dealing with Ahab, a man with an overwhelming obsession to kill the whale which has crippled him, on board his ship Pequod in the chase of the big whale. The dramatic description of the hazards of whaling makes the book a very exciting sea narrative and builds a literary monument to an era of whaling industry in the nineteenth century. The deep symbolic theme: Moby-Dick is not merely a whaling tale or sea adventure, considering that Melville is a great symbolist. It turns out to be a symbolic voyage of the mind in quest of the truth and knowledge of the universe, a spiritual exploration into man's deep reality and psychology. This is shown in Captain Ahab's rebellious struggle against the overwhelming mysterious vastness of the universe and its awesome sometimes merciless forces. In the perverted grandeur of Captain Ahab and in the beauties and terrors of the voyage of the "Pequod," however, Melville dramatized his bleak view of the world in which he lived. It is at once godless and purposeless. Man in this universe lives a meaningless and futile life, meaningless because futile. As some critics note, man can observe and even manipulate in a prudent way, but he cannot influence and overcome nature at its source. Once he attempts to seek power over it he is doomed. Here Melville expressed his deep concerns: the equivocal defeats and triumphs of the human spirit and its fusion of creative and murderous urges. (2)It is a mixture of romanticism and realism (a) romantic features: Ahab is a Byronic hero, a man with an overwhelming obsession or consuming desire to take revenge against the whale which has crippled him. His revenge ends in tragedy and he, who burns with a baleful fire, becomes evil himself in his thirst to destroy evil. Moby Dick, for the writer, symbolizes the unknown, mysterious natural force, an unreal world of speculation and mystery which is very hard for man to manipulate. (b) realistic features: The dramatic description of the hazards of whaling makes the book a very exciting sea narrative and builds a literary monument to an era of whaling industry in the nineteenth century. (3)Allegory and symbolism Moby-Dick is not merely a whaling tale or sea adventure, it is also a symbolic voyage of the mind in quest of the truth and knowledge of the universe, a spiritual exploration into man's deep reality and psychology. (4)Other artistic devices in Moby-Dick Melville's great gifts of language, invention, psychological analysis, speculative agility, and narrative power are fused to make Moby-Dick a world classic. The skillful use of Ishmael both as a character and a narrator gives the novel a moral magnitude; the manipulation of the whaling chapters for some philosophical speculation makes the novel more than symbolic; different levels of language use and styles turn the whole book into a symphony with all the musical instruments going on to form a melody; and moreover, Melville's knowledge of epic and tragedy, the highest literary genres, helps him produce a great tragic epic, with Ahab at the center as a tragic hero, who burns with a baleful fire, becoming evil himself in his thirst to destroy evil. What is Realism? In art and literature, Realism refers to an attempt to describe human behavior and surroundings or to represent figures exactly as they act or appear in life. Realism emerged as a literary movement in Europe in the 1850s. In reaction to Romanticism, realistic writers should set down their observations impartially and objectively. They insisted on accurate documentation, sociological insight, and avoidance of poetic diction and idealization. The subjects were to be taken from everyday life, preferably from lower-class life. Realism entered American literature after the Civil War. William Dean Howells, Mark Twain, and Henry James were the pioneers of realism in the U.S. 2.The literary characteristics of the Realistic Period in American literature Guided by the principle of adhering to the truthful treatment of 1ife, the realists touched upon various contemporary social and political issues. In their works, instead of writing about the polite, we11--dressed, grammatica1ly correct middle--class young people who moved in exotic places and remote times, they introduced industrial workers and farmers, ambitious businessmen and vagrants, prostitutes and unheroic soldiers as major characters in fiction. They approached the harsh realities and pressures in the post-Civil War society either by a comprehensive picture of modern life in its various occupations, c1ass stratifications and manners, or by a psychological exploration of man's subconsciousness. The three dominant figures of the period are William Dean Howells, Mark Twain, and Henry James. Together they brought to fulfillment native trends in the realistic portrayal of the 1andscape and social surfaces, brought to perfection the vernacular style, and explored and exploited the literary possibilities of the interior life. 3.The three dominant figures of the Realistic period differed in their understanding of the “truth ” (1) While Mark Twain and Howells paid more attention to the "life" of the Americans, Henry James laid a greater emphasis on the" inner world" of man. He came to believe that the literary artist should not simply hold a mirror to the surface of social life in particular times and places. In addition, the writer should use language to probe the deepest reaches of the psychological and moral nature of human beings. He is a realist of the inner life. (2) Though Twain and Howells both shared the same concern in presenting the truth of the American society, they had each of them different emphasis. Howells focused his discussion on the rising middle class and the way they lived, while Twain preferred to have his own region and people at the forefront of his stories, which is known as “ local colorism”, a unique variation of American literary realism. 2.The distinction between Realism and Naturalism Naturalism is evolved from realism when the author's tone in writing becomes less serious and less sympathetic but more detached, ironic and more pessimistic. It is no more than a different philosophical approach to reality, or to human existence. The distinction lies, first of all, in the fact that Realism is concerned directly with what is absorbed by the senses; Naturalism, a term more properly applied to literature, attempts to apply scientific theories to art. Second, Naturalism differs from Realism in adding an amoral attitude to the objective presentation of life. Naturalistic writers, adopting Darwin’s biological determinism and Marx’s economic determinism, regard human behavior as controlled by instinct, emotion, or social and economic conditions, and reject free will. Third, Naturalism had an outlook often bleaker than that of Realism, and it added a dimension of predetermined fate that rendered human will ultimately powerless.