现代大学英语第5册(精读5)Lesson+9+The+way+to+Rainy+Mountainppt课件

Lesson9TheWaytoRainyMountainN.ScottMomadayTeachingAimsBackgroundabouttheauthor,KiowaOrganizationofthetextCharacteristicofthelanguageExtension:introduceyourancestor--Cantonese,Hakka,TeochewCONTENTSADDYOURTITLERockyMountainsAppalachianRangePre-classQuestionsMostNativeAmericantribesbelievedinseveralgods-godofsun,godofearth,raingod,etc.DiscusshowtheacceptanceofseveralgodsinsteadofoneomnipotentGodguidedNativeAmericanculture.[om'nipətənt]万能的，全能的Introduceyourancestor--Cantonese,Hakka,TeochewInterviewanElderofyourfamily.Didamemberofyourfamilyimmigrateherefromanotherplace?Whatimportantmythsorstorieshavebeenhandeddowninyourfamily?WhatwasthemostsignificanteventinyourElder'slife?Discussthespecialmeaningsofhorse,buffalo,etc.inKiowacultureandcertainanimalsinyoursTheauthor:BiographyandhisbookName:N.ScottMomadayBirthDate:February27,1934PlaceofBirth:Lawton,Oklahoma,UnitedStatesNationality:AmericanEthnicity:NativeAmericanGender:MaleOccupations:author,schooladministratorhttp://hakka.nctu.edu.tw/hakka-i-facultywebs/iristuan/course/09Approaches%20to%20Literature/Student/9753017.#290,18,[補充]MomadayMomadayN.ScottiswhollyabsorbedinhisNativeIndianculturethroughouthislife*HewasbornwithanIndianorigin.*HespenthischildhoodinseveralIndianreservationsanddevelopedintenseinterestandpassionintheIndiancultureandtradition.*HiscareercentersaroundtheIndiancultureandtradition.*HisworksareinformedoftheNativeIndiantraditions.Prof.Momadaylifelongjourney1934borninLawton,Oklahoma.1935movedtoArizona1958graduatedfromtheUniversityofNewMexicoandtaughtontheApachereservationatJicarilla1963earnedadoctorateandtaughtattheUniversityofCaliforniaatSantaBarbara1969movedtotheUniversityofCaliforniaatBerkeley1973leftBerkeleyforStanford1982---taughtattheUniversityofArizonPrimaryworksHouseMadeofDawn,1968ThewaytoRainyMountain,1969AngleofGeeseandotherpoems,1974TheGourdDancer,1976TheNames:amemoir,1976TheAncientChild,1989InthePresenceoftheSun,1992(acollectionofproseandpoetry)“TheIndianworldisfullofaestheticvalues,art.Myfatherwasanartist,apainter,andhetaughtpaintingtothechildrenatJemezPueblo.Theyexhibitedallovertheworld.Theybecamefamousfortheirart.Heoncesaidtome,”Youknow,Scott,IhaveneverknownanIndianchildwhocouldn‘tdraw.“Ibelievethat.Ihaven’teither.Thatseemsintrinsicsomehow.That‘sarealpartoftheIndianworld,thisloveofsymmetry.对称(性),匀称,整齐andcomposition.It’sagreatthing.Thathasbeenimportanttomeaswell.Indianpeoplehaveastrongsenseofhumor.It‘snoteasilyunderstoodbyotherpeople,butit’sthereandIlovethat.That‘sbeenapartofmylifetoo.”------MomadayN.ScottNewYorkTimesCommentsonMormadayWallaceStegnerWrittenwithgreatdignity,thebookhassomethingaboutitofthetimeless,ofthatlongviewdownwhichtheKiowalooktotheirmyth-shroudedbeginnings."Iknownothingquitelikethisbook,andnothingoftheIndianthatisatoncesoauthenticandsomoving.TheKiowalivedatypicalPlainsIndianlifestyle.Mostlynomadic,theysurvivedonbuffalomeatandgatheredvegetables,livinginteepees,anddependedontheirhorsesforhuntingandmilitaryuses.Kiowa-NomadicWarriorsofthePlains1650,BlackHills1807,Arkansas,RedRiver,Texas,NewMexico1867,areservationinsouthwesternOklahoma1901KiowalandinOklahomawasopenedforwhitesettlement1968KiowaTribalCouncilisformedToday,therearemorethan12,000Kiowa,manyofwhomliveinOklahomaandotherareasoftheSouthwesternUnitedStates.ThetribeisgovernedbytheKiowaIndianCouncil.HisbookMomadaylinksthesurvivalofhispeopletotheirabilitytoremember,preserveandpassonstories.Takingtheideaonestepfurther,Momadaymodelsnecessarypersonalinvolvementinthestoriesthroughtheuseofimagination.Thatis,tomakesenseofandfindaplaceinthecontemporaryworld,onemustconnectonapersonallevelwiththestoriesofone'spast.AllfamilieshavetheirRainyMountain,theendoftheirjourney,theirspiritual"Home."Hisbook--ThewaytotheRainyMountainTheGoingOn,thesecondpart,continueswiththethemeofKiowamythology,anddiscussestheoriginsofTai-meandtheSunDanceRitual.TheSettingOut,whichconsistsofearlyKiowalegendsandanthropologicalstudiesontheKiowapeople.TheClosingIn,thelastsection,describestheendoftheKiowagoldenageandhasalottodowiththedeathoftheKiowaculture.Eachchapterisalsodividedintothreeparts:ThefirstconsistsofthemythologicalstoriesoftheKiowas,thesecondfocusesontheactualhistoryoftheKiowatribe,andthethirdpartistheauthor'sownobservationsfromwhenheretracedthelongjourneytoRainyMountainhisancestorshadtaken.Asthebookdrawstoanend,thesepartsstarttocombine,themythologybecomesmorehistorical,thehistorybecomesmorepersonal,andthepersonaltalesbecomemoremythological.HisInfluenceIgetakickoutofhearingpeoplesaythis,butMomadayhasbeenreferredtoastheShakespeareofNativeAmericanletters.AndIthinkthatphrasecapturessomethingofhissignificance,inthesenseofabaselineexcellence--asawriter.He'sapersonwithatremendouslyimagisticmind,buthelovesthevoiceinwhathedoes.TheSunDanceTheSunDance,aceremonylastinganywherefromfourtoeightdaysinsummertime,wasoneofthemostspectacularPlainsIndianreligiousrituals.OriginallyaLakotarite,itistodayconsideredasacredritualbymanytribes.Thedance,whichisperformedatthetimeoftheSummerSolstice(夏至）,involvesyoungmen,or"warriors,"piercingthemselveswithhooksattachedbyropestoalargetreeorpole.Thedancerscirclethepole,staringintothesun,untilthehooksbreakthroughtheirflesh.Ultimately,theSunDanceisintendedtoinsuretheharmoniouscontinuanceofthenaturalworld,inwhichdeathandlifearegracefullyentwined(woven).（缠绕着）YellowstoneAlargeregioncoveringnorthwesternWyomingandalsonarrowstripsofsouthernMontanaandeasternIdaho.YellowstonenationalParksincethelate19thcenturyhasbeenalargenaturepreserveinthisarea.YellowstoneNationalParkisAmerica'sfirstandforemostNationalPark,drawingoverthreemillionvisitorsyearly.Established in1872byCongressoftheUnitedStates"forthepreservationof"itsmanywondersand"fortheenjoymentofthepeople,"nowitencompasses2.2millionacres.Yellowstonein2006hascelebratedit's134thanniversary.TheWaytoRainyMountainis,inpart,amigrationnarrative.ItisanoralhistoryofKiowamovementfromthenorthernPlainstothesouthernPlains,andeventuallytotheRainyMountainregionofOklahoma.ThismigrationechoesthenaturalmovementofmanyotherNativeAmericantribes,aswellastheirforcibleresettlementontoreservations,whichweregenerallydistantfromtheirtraditionaltribalgrounds.MigrationStructureofthetextpart1part2part3part4Para.1-2Para.3para.4-9para.10-13para.14-15part5PartI(paras.1-2)Alyricaldescriptionoftheauthor’sancestrallandwherethemigrationofhispeopletookplaceandthepurposeofhisvisittoRainyMountainPara1Para.1informativeThelocationofRainyMountainTheplaininOklahomaWeatherThehardestweatherintheworld.CharacteristiclonelinessAnimalsandinsectsGrasshoppersandtortoisesSpringsummerWinterbringsblizzardsHottornadicwindsariseinthespringTheprairieisananvil’sedge.Howdidtheauthorprovethehardestweather?WinterThemigrationofhispeopletookplacehereTheolddaysaregoneforeverTheKiowawarriorsaredead.Theculturehasalmostdisappeared.Whatistheroleofthefirstparagraph?Whatremainsisthelandwhichisthevisibleembodimentoftheirpeople’spast.ItplaysakeyroleinhisexplorationofhisKiowaidentity.ThelandiscrucialforMomadaybecause:Seekingone'srootsisacommonhumanexperience.nostalgialighttouchofsadnesspridesenseoflosslonelybelongingfeelingsQuestionIsthereaplace,foryourancestor(yourgrandparents)alandmark?Pleasedescribetheplace.KeysentencesItisanoldlandmark.anyprominentorwell-knownfeatureofaparticularlandscape,suchasatree,ahillorabuildingservingtoidentifyaparticularlocality(synonym)turningpoint,watershed(分水岭;分水线2. 转折点3. 流域)1. 界标2. 目标,明显的标志3. 里程碑4. 有历史意义的建筑物（或遗址)Isthereanylandmarkthere? 那有什么标志吗？Leavingherfirstjobwasawatershedinherlife. keysentenceThegrassturnsbrittleandbrown.(para1)Therearegreenbeltsalongtheriversandcreeks,…willowandwitchhazel.(para1)Greatgreen-andyellowgrasshoppersareeverywhereintallgrass…(para1)Alliteration(头韵法):therepetitionofaninitialsound,usuallyofaconsonantintwoormorewordsofaphrase,alineofpoetry,etc.brittleandbrown,willowandwitchhazel,greatgreen-and-yellowgrasshopperseasilybrokenandcrackedbecauseitishardandinflexible.keysentenceLonelinessisanaspectoftheland.Lonelinessisthemajorqualityofthislandscape.Aswecansee,thedepictionofthelandisinjectedwiththeauthor’sownemotionsandimagination,bringingoutthespiritoftheplace.keysentenceThelandscapemakesyourimaginationvividandlifelike,andyoubelievethatthecreationofthewholeuniversewasbegunrighthereTheCreation,withacapitalizedCandthedefinitearticlethe,isatheologicalterm,meaningactbytheGod,accordingtotheBible,ofmakingtheuniverse.keysentenceAllthingsintheplainareisolate;thereisnoconfusionofobjectsintheeye.(para.1)平原上的一切都是疏离开来的，所见之物不会混杂在一起让人看不清楚。Thewordeyeisusedinthesingularnottomeantheconcreteorganofsight,butman’spowerofseeingorobserving.Someotheridiomswiththewordeyeinthesingularform:TohaveyoureyeonsomethingNottoseeeyetoeyeTohaveagoodeyeforsomethingTobegoodatnoticingandrecognizingwhatisattractive,valuableTohavenoticedsomethingTodisagreewithsomeoneMorecomplicatedthanitseemstobeatfirstTomyeyeInmyopinionMorethanmeetstheeyeIwastoldthatindeathherfacewasthatofachild.(para2)Indeath,shewaspeacefulandfreefromallearthlyworriesandmiseries.Herfacelookedlikethatofachild.thefunctionofpara.2para.3hisgrandmothe'sandhispeople'sstories.para.2transitionallinkpara.1ThedescriptionofthelandTitlePara3AsummaryoforabriefintroductiontothehistoryoftheKiowasasaPlainsNativeculturefromthegoldentimetothedeclineintheirhistoryKeySentencesButwarfarefortheKiowaswaspreeminentlyamatterofdispositionratherthanofsurvival.muchmoreimportantlyaparticulartypeofcharacterwhichmakessomeonemorelikelytobehaveorreactinacertainway;temperament；aninclination,tendencyWarfarewasimportantfortheKiowasmorebecauseoftheirmilitanttendencythanbecauseoftheirneedforsurvival.TheKiowasoftenfoughtjustbecausetheyweregoodwarriors,becausetheyfoughtoutofhabit,character,naturenotbecausetheyneededextralandsormaterialgainsforthesakeofsurvivingandthriving.出于本性amatterofdisposition指人的主要爱好或思想、精神方面的重要习性、气质。也可指短暂的情绪。KiowaDakota,MontanasouthwardtoNebraskawesternKansas,Colorado,easternNewMexico,andTexasthecentralandSouthernPlainstheNorthernPlainsseverallargetribeswhospokeSiouxwithFlathead,BlackfeetCrows(birdpeople)andsomeotherIndiantribes.Pawnees,Comanches,KiowasandArapahosInalliancewiththeComanches,theyhadruledthewholeofSouthernPlains.Mygrandmotherwassparedthehumiliationofthosehighgraywallsbyeightortenyears.----Luckily,mygrandmotherdidnotsufferthehumiliationofbeingputintoaclosureforholdinganimals,forshewasborneightortenyearsaftertheevent.TheKiowaswerehumiliatedbecausetheyweretreatedlikeanimals.tosaveorfreeapersonfromsth.免除，省去butshemusthaveknowfrombirththeafflictionofdefeat,thedarkbroodingofoldwarriors.-----Fromherearlychildhood,shemusthaveheardwhathadhappenedfromherparentsandgrandparents.Thereforeshemusthaveknownthegreatpainanddistressbroughtbydefeat,andshemusthaveseenhowtheyhadkeptthinkingabouttheirdefeatinagloomyandhopelessway.tokeepthinkaboutsomethinginadistressedortroubledway.郁闷的，沉思的PartIII(Paras4–9)AnexplorationofthethreestagesoftheKiowaculture----emergence,evolutionanddecline.ThegrandmotherservesasalinkbywhichtheauthormoveshisnarrativefromonestagetoanotherPara4IttellsushowtheKiowasmigratedfromwesternMontanaandhowthemigrationtransformedtheKiowasfromamountainpeopletoaplainspeople.KeySentencesItwasalongjourneytothedawn.Theymovedtowardtheeast,wherethesunrises,andalsotowardthebeginningofanewplainsculture,whichledtothegreatmoment(goldenage)intheirhistory.2meanings:daybreakandthebeginningofsomething.ThesunTheneweraoftheirhistoryAlongthewaytheKiowaswerebefriendedbytheCrows,whogavethemthecultureandthereligionoftheplains.Indianswarswerefrequentinhistory.Yet,intheirprogressoftheirmigration,theCrowshelpedtheKiowasbygivingthemhorsesandthereligionoftheplainslikeSunDance,bothofwhichwereessentialforthetransformationoftheKiowasfromamountainpeopletoaplainspeople.Theyacquiredhorses,andtheirancientnomadicspiritwassuddenlyfreeoftheground.Withhorses,theysuddenlybecamehorsemengallopingonhorsebackinsteadofnomads(游牧部落人)walkingonfootallthetimeasbefore.Theirancientnomadicspiritwasliberatedfromtheground.TheyacquiredTai-me,thesacredSunDancedoll,fromthatmoment,theobjectandsymboloftheirworship,andsosharedinthedivinityofthesun.TheycameintopossessionofTai-me,theobjectandsymboloftheirworship,i.e.theSunDancereligion.Thisobjectwasworshipedbyallthetribesthatregardedthesunasdeity[‘di:iti:]/god.神inallthetribesthatregardedthesunasgodTai-memid-summerlast4-8daysworshipthesunastheirGodfetish--tohangTai-me(abundleofmedicinefromatreemostpowerfulmedicineinthetribe,onlytobeviewedduringtheSunDanceNotleast,theyacquiredthesenseofdestiny,thereforecourageandpride.lastbutnotleast,equallyimportant同样重要的是Fromonepointofview,theirmigrationwasthefruitofanoldprophecy,forindeedtheyemergedfromasunlessworld.inasense,inaway从某种程度上说originmyth.起源神话.themountainsofwesternMontanawheretheyhadlivedbeforetheirmigrationtotheGreatPlains.Thosemountainsweresohighandwerecoveredwithsuchdenseforeststhatthesunlightcouldnotpenetrateorpassthroughthem.Inasense,theirmigrationconfirmedtheancientmyththattheyenteredtheworldfromahollowlog,fortheydidemergefromthesunlessworldofthemountains.Paragraph5Theauthorreturnstohisgrandmother.SincesheistheimmediatereasonforhimtocometoRainyMountain,sheisthelinkbetweentheauthorandhisancestors.KeySentencesAlthoughmygrandmotherlivedoutherlife…thecontinentalinteriorlaylikememoryinherblood.AlthoughmygrandmotherneverlefttheRainyMountain,theimmenselandscapeoftheGreatPlainslayinhermemoryasifshehadlivedthereherself.ThecontinentalinteriorreferstotheGreatPlains黑山地区原是苏族印弟安人祖祖辈辈的圣地，同时也是一块白人不感兴趣的荒原。但是自从探险者在黑山地区发现了黄金，其后大量白人涌到这里来淘金，想把印弟安人赶走，遇到黑山地区的印弟安苏人，夏延人，黑脚人，奥格拉拉人的抵抗。后来美国政府与印弟安人签定了条约，条约的语言朴素动人：“只要河还在流，草还在长，树还有叶子，南达科他的黑山就永远是苏族印弟安人的圣地。”Mt.Rushmore(SouthD.)总统山I’mWashingtonI’mLincolnI’mTheodoreRooseveltI’mJeffersonHeight:18metersStarted:1927Opened:1942Iwantedtoseeinrealitywhatshehadseenmoreperfectlyinthemind’seye,…seesthinreality:seesthwithone’sowneyes见识inthemind’seye:inimagination想象中的,心目中的whatshehadseenmoreperfectly:herperfectworldAhohadneverbeentoplaceslikeBlackHills,butshehadseenthemquitewellinimagination,forshehadheardsomuchaboutthemfromtheoldergenerations.ItisthroughtheoraltraditiontheatKiowacultureheritagehasbeenhandeddownfromgenerationtogeneration.Paragraph6TheKiowasfeltasenseofconfinementinYellowstone.(受束缚,被禁锢的感觉)KeySentencesTheskylineinalldirectionsiscloseathand,…anddeepcleavagesofshade.veryclose近在咫尺,伸手可及division,split裂缝,裂纹Thereisaperfectfreedominthemountains,butitbelongstotheeagleandtheelk,thebadgerandthebear.alliterationThesingleformofthenounoranadjectivewithadefinitearticle“the”denotesagroup.TheKiowasreckonedtheirstaturebythedistancetheycouldsee,andtheywerebentandblindinthewildness.TheKiowas’judgmentofamanofimportanceorreputationwasbasedonthedistancetheycouldsee.Yet,becauseofthedenseforests,theycouldnotseeveryfarandcouldhardlystandstraight,thusasifbeingblindandbent.(Ofcourse,thisisanexaggerationbytheauthor’suseoftherhetoricaldeviceofhyperbole誇张.)judge,consider,estimateareputableorrespectedman有名望的人（名望或身高）statuePara7ItisapoeticandpictorialdepictionofthelandscapewhichtheKiowascameuponwhentheygotoutofthehighlandsinMontana.Thenewlandscapeisopen,limitlessandsunlit,allowingthemanewvisionintounknowndistances.ThisformsasharpcontrastwiththesunlessmountainouslandscapeofYellowstone.KeySentencesTheearthunfoldsandthelimitofthelandrecedes.-----Theearthislaidoutbeforeyouandthelineatwhichthelandandskyappeartomeetmovesback.Clustersoftreesandanimalsgrazingfarinthedistancecausethevisiontoreachfarandwondertobuilduponthemind.Clustersoftreesandanimalsgrazingareallfarinthedistance.Thislandscapemakesyouseefarandbroadensyourimagination.Thesunfollowsalongercourseintheday,andtheskyisimmensebeyondallcomparison.Becauseofthelowhorizon,thesunrisesearlyandsetsdownlate,thusmakingthedaylongerandnightshorterthaninthemountains.Andtheskylookssoimmensethatnothingcanbecomparedtoit.(ThisisasharpcontrastwiththesunlessmountainouslandscapeinMontana.)天空宽阔无比无可比拟Thegreatbillowingcloudsthatsailuponitareshadowsthatmoveuponthegrainlikewater,dividinglight.Thewave-likerollingcloudsarelikeshipssailingintheimmenseskysea,castingshadowsontothegrainfields.Asthecloudsmove,theshadowsmove,too,makingsomepatchesoflandbrighterandsomedarker.riseorrolllikewaves如波涛翻滚Preciselytheredoesithavethecertaincharacterofagod.Thereisnodoubtthattheplacehasthecharacterofagod.毫无疑问,这块土地有着神的灵性。thelandNotyetwouldtheyveersouthwardtothecaldronofthelandthatlaybelow;theymustweantheirbloodfromthenorthernwinterandholdthemountainsawhilelongerintheirview.Theywouldnotyetchangethedirectionsouthwardtothelandlyingbelowwhichwaslikealargepot.First,theymustgivetheirbodiessometimetogetaccustomedtotheplains.Secondly,theydidnotwanttolosesightofthemountainssosoon.changethedirectionorcourseofmovementthelandthatislikeacaldron/potwithholdmother’smilkfromthebaby断奶Para8TheauthordescribesDevil’sTowerandtellstheKiows’lengendaboutit.KeySentencesThemotionoftheworldwasbegun.Therearethingsinnaturethatengenderanawfulquietintheheartofman.-----Everythingintheworldwasmademoving.Peopleareawe-stricken(敬畏)whentheycometoseespectacularthingsinnature.generate,bringaboutTwocenturiesago,becausetheycouldnotdootherwise,theKiowasmadealegendatthebaseoftherock.Twocenturiesago,becausetheKiowascouldnotexplainhowDevil’sTowerwasformedinscientificterms,theonlythingtheycoulddowastomakeupastorybyimaginationusingtherockasthestarting-point.usingtherockasthestarting-point以崖石作为素材inanyotherwaydirectlytherewasabearwheretheboyhadbeen.Theboydirectlyturnedintoabear.Whydidhebecomeabear,notsomeotheranimal?IntheKiowaculture,thebearisregardedasthemostpowerfulofallanimals.Fromthatmoment,andsolongasthelegendlives,theKiowashavekinsmeninthenightsky.Whatisthesymbolicmeaningofthislegend?Inthelegend,thesevensistersareimmortalized(livingforever).Withthislegend,theKiowasestablishedakinshipwiththestars,TheyhadalreadybeenalliedwiththesunthroughTai-me.NowthattheywererelatedtotheBigDipperthroughthemythofDevil’sTower,theystoodingoodrelationtotheuniverse.Thesunandthestarsprotectedthemdayandlight.Thispreparedthemforthecomingoftheirgoldenage.Whatevertheywereinthemountains,theycouldbenomore.------Inthepast,theywereamountainpeopleinMontanaasfighters,thieves,huntersandsoon.Nowtheyhadcompletelybeentransformedintoaplainspeople,nomoreaswhattheyusedtobe.Para9TheauthortellsaboutthelastdaysoftheSunDanceculturebyusinghisgrandmotherasawitness.KeySentencesShehadcomealongwayabout.Sheneverforgotherbirthright.-----shehadchangedalotbeforebecomingaChristian.---AlthoughshebecameaChristianinherlateryears,sheneverforgotherculturalheritageasaKiowa.arightorrightsapersonhasbecauseofbeingborninacertainfamily,nation,etc.Forbiddenwithoutcausetheessentialactoftheirfaith,havingseenthewildherbsslaughteredandlefttorotupontheground,theKiowasbackedawayforeverfromthemedicinetree.Sincetheywereforbiddenwithoutcausetoperformthemostimportantpartoftheirreligionandhadseenthewhitenewcomersandmerchantskillingbuffaloinlargenumbersforthehidesandleavingthedeadbodiesrottingontheground,theyhadtogiveuptheirSunDancecultureforever.threestagesofKiowaculturepara.4para.5-8para.9emergencelate17thcenturyevolutionhorseSunDanceBlackHillsdeclinenearextinctionofbuffalodeprivationofSunDancePartIV(Paras10–13)AprecisedetaileddescriptionofhisgrandmotherAhoasanoldwomanandthereunionactivitiesthatwereonceheldatthegrandmother’shousewhentheauthorwasachildParagraph10TheauthorgivesaprecisedescriptionofhisgrandmotherAhoasanoldwomanIseemygrandmotherintheseveralposturesthatwerepeculiartoher.Howspecialisthemethod?ThemethodissimilartoMontage,atechniqueoftenemployedinfilmsaswellasinliteratureandmusic.Montageistheartorprocessofselecting,editing,andpiercingtogetherseparatesectionsofcinemaortelevisionfilmtoformacontinuouswhole.快速拼贴剪接,剧情跳跃与重组KeySentences…soexclusiveweretheyofallmerecustomandcompany.theinversionforstressingtheword“exclusive”Herprayersdidnotfollowanycustomarywayofpraying,andshedidnotwantanyoneelsetohearherprayers.notincludingTransportedsointhedancinglightamongtheshadowsofherroom,sheseemedbeyondthereachoftime.Inthiswayshewasentrancedinthedancinglightamongtheshadowsofherroom,anditseemedthatshewouldliveforever.beentrancedin,befascinatedat对……很着迷timeless;“immortalParagraph11TheauthordescribestheoldhouseatRainyMountainwhichhergrandmotherandotherK